New Literary Fiction

Eleanor Morse's Margreete’s Harbor begins with a fire: A fiercely-independent, thrice-widowed woman living on her own in a rambling house near the Maine coast forgets a hot pan on the stovetop, and nearly burns her place down. When Margreete Bright calls her daughter Liddie to confess, Liddie realizes that her mother can no longer live alone. She, her husband Harry, and their children Eva and Bernie move from a settled life in Michigan across the country to Margreete’s isolated home, and begin a new life.

In this stunning and powerful debut, a girl with no name embarks on a fraught three-way relationship with Matt, a Satanist and a tattoo artist, and his girlfriend Frances, a new mom. The liaison is caged by strict rules and rigid emotional distance. Nonetheless, it’s all too easy to surrender to an attraction so powerful she finds herself erased, abandoning even her own name in favor of a new one: Lilith. 

I know nothing. I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman's shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself.... New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn.

It’s a day in the life of three friends beefing with their own city, Tamaki Makaurau. With gentrification closing in and racial tensions sweltering, the girls must cling to their friendship like a life raft, determined not to let their neighbourhood drift out to sea.

There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).

After a lucrative television writing career comes to an abrupt end, ex–high school teacher Ray Mitchell returns to the New Jersey city of his birth—to rethink his life, reconnect with his teenage daughter and to spread the wealth on the housing project that reared him. He begins teaching again, embarks on an affair with a married woman from the old neighborhood and becomes a mentor to a former student recently released from jail. Then, disaster: he is found beaten nearly to death in his own apartment.

Tepper enjoys sitting in his car, reading his newspaper in peace. His car always seems to be parked in a prime spot and other drivers want to know if Tepper is going out. He isn't. This drives some people crazy - including the mayor - but leads others to think Tepper harbors some hidden wisdom. The tale that emerges is "refreshing and completely likable."

Tim Welch is a popular history teacher at the Montague Academy, an exclusive private school in Brooklyn Heights. As he says, "I was an odd-looking, gawky kid but I like to think my rocky start forced me to develop empathy, kindness, and a tendency to be enthusiastic. All of this, I'm now convinced, helped in my quest to be worthy of Kate Oliver." Now, Kate is not inherently ordinary.

Roller-coastering from the mournful to the comical, Watson's work is both embedded in a literary heritage tied to place and at home in a universal literature of the absurd. His stories waltz with lovely and strange melancholy, infused with wit and astonishing beauty. There Is Happiness embodies the twisted hilarity and undeniable grace of an underrecognized literary genius.

Embark on a journey through 19th-century New England with 'A New England Nun' by Mary E. Wilkins Freeman. This annotated edition unveils the nuanced layers of societal expectations and women's autonomy. Explore the symbolism of wild grapes, the metaphorical imagery of an uncloistered nun, and Joe Daggett's poignant honesty.

Sissily is driving cross-country with a much older man called Ezzy. On their way to California to begin a life together, he insists on stopping at his family ranch outside Liberty, Kansas, to visit his mother, Mrs. Svoboda. This family reunion is a painful reminder for Sissily of the rumors about the scandal that led to her running away from home, but while Mrs. Svoboda is a domineering figure, Sissily sees a woman who harbors secrets of her own.

In Search of a Beautiful Freedom brings together the best work from Farah Jasmine Griffin's rich forays on music, Black feminism, literature, the crises of Hurricane Katrina and COVID-19, and the Black artists she esteems. She moves from evoking the haunting strength of Odetta and the rise of soprano popular singers in the 1970s to the forging of a Black women's literary renaissance and the politics of Malcolm X through the lens of Black feminism.

When Sy Levin, a high school teacher beset by alcohol and bad decisions, leaves the city for the Pacific Northwest to start over, it's no surprise that he conjures a vision of the extraordinary new life awaiting him there: "He imagined the pioneers in covered wagons entering this valley for the first time. Although he had lived little in nature Levin had always loved it, and the sense of having done the right thing in leaving New York was renewed in him."

Tony Grams comes to America at the start of the 20th century, set on becoming a new man. Driven to leave poverty behind, he lands a job at the Ford Motor Company that puts him at the center of a daring social and economic experiment.

Journalist Paige Keller, while recovering at a remote resort from an overseas assignment, is drawn into a community dominated by a fundamentalist church, a family of real estate developers, and a group of environmentalists, all in conflict over control of the valley's future. She goes undercover to discover what lies beneath the church's rituals and sacred ceremonies, but the more she learns, the deeper the valley's mysteries and seductions become.

The three linked novellas that comprise Josh Weil's masterful debut bring us into America's remote and often unforgiving backcountry, and delicately open up the private worlds of three very different men as they confront love, loss, and their own personal demons.

In the New England university town of Elm Harbor, a murder begins to crack the veneer that has hidden the racial complications of the town's past, the secrets of a prominent family, and the most hidden bastions of African-American political influence. At the center is Lemaster Carlyle, the university president, and his wife, Julia Carlyle, a deputy dean at the divinity school - African Americans living in "the heart of whiteness".

Elizabeth Blau upended her life in the city to move to the Middle of Nowhere and start over. She reconnects with her estranged brother and begins her new life. First, Elizabeth lands a great job, then a date, and her luck seems to change for the better. But when the man’s body is found mangled in a ravine, the murder rocks the small town as fault descends upon the Blau Family.

This story collection by one of the preeminent writers of this generation traces the arc of an entire career and - in this manifold exploration of delusion, fame, and experience - displays anew McInerney's rare ability to unveil and recreate the manic flux of our society.

Bordertown: a city on the Border between the human world and the elfin realm. A place where neither magic nor technology can be counted on, where elf and human kids run away to find themselves. The Way from our world to the Border has been blocked for 13 long years. Now the Way is open once again—and Bordertown welcomes a new set of seekers and dreamers, misfits and makers, to taste life on the Border.