Noir Anthology

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Never before in audio, these vintage stories are the darkest of the dark, and the best of the best.

Crime fiction fans old and new will delight in rediscovering these taut, character-rich, heart-stopping tales, now on audio for the first time.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Never before in audio, these vintage stories are the darkest of the dark, and the best of the best.

Crime fiction fans old and new will delight in rediscovering these taut, character-rich, heart-stopping tales, now on audio for the first time.

Thirteen bibliomysteries by best-selling and award-winning authors are contained in this first of volume of a must-listen collection.

Vitus Adamson has a second chance at life now that he's no longer a zombie. But after killing his brother, Jamie, Vitus lands in prison on murder charges. Jamie's death exposes secret government projects so deep in the black they cannot be seen - without Vitus, that is. Sprung from jail, the government hires Vitus to clean up Jamie's messes, but tracking down his brother's homemade monsters gone rogue is easier said than done. The first of them is a convicted killer assumed to be safely behind bars.

Brand-new stories by: Tom Abrahams, Robert Boswell, Sarah Cortez, Anton DiSclafani, Stephanie Jaye Evans, Wanjiku Wa Ngugi, Adrienne Perry, Pia Pico, Reyes Ramirez, Icess Fernandez Rojas, Sehba Sarwar, Leslie Contreras Schwartz, Larry Watts, and Deborah D.E.E.P. Mouton.

>From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask.

The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by “the seminal and venerated mystery pulp magazine” (Booklist).

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by "the seminal and venerated mystery pulp magazine" ( Booklist).

Joyce Carol Oates, a queenpin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy listeners who are sick of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically diverse collection will make you squirm in your seat, stay up at night, laugh out loud, and inevitably wish for more.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

Nobody plays accordion like Dick Contino. His skilled fingers can find beauty in even the schmaltziest Borscht Belt favorites, and with his matinee-idol looks he could be a real star. Right now, though, he’s slumming it as the headliner in a Grade Z teenybopper picture called Daddy-O. He’s too good for this movie, and finishing it is going to take him to a very dark place. Daddy-O and Dick Contino are both real, their stories dredged out of the past by James Ellroy, a master of historical crime fiction. In Dick Contino's Blues he takes us to B-List Hollywood in 1957 - a time when movies were cheerful and dirty secrets lurked just off camera.

A city at once ancient and modern, Istanbul is the quintessentially postcard-perfect metropolis. But don’t let the alluring vistas fool you. For beneath its veneer as the meeting place of cultures, religions, and ethnicities lies a heart of darkness, seething with suppressed desire, boiling with frustration, and burning with a fervor for vengeance.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Never before in audio, these vintage stories are the darkest of the dark, and the best of the best.

Crime fiction fans old and new will delight in rediscovering these taut, character-rich, heart-stopping tales, now on audio for the first time.

In the weeks before hosting the 1976 Summer Olympics, the Montreal police are tightening security to prevent another catastrophe like the '72 games in Munich. But it isn't tight enough to stop nearly $3 million from being stolen in a bold daytime Brink's truck robbery. As the high-profile heist continues to baffle the police, Constable Eddie Dougherty gets a chance to prove his worth as a detective when he's assigned to assist the suburban Longueuil force in investigating the deaths of two teenagers returning from a rock concert across the Jacques Cartier Bridge.

Since his debut novel, the modern classic The Ghosts of Belfast, was published a decade ago, Stuart Neville has published eight other critically acclaimed novels and achieved international recognition as one of crime fictions great living writers. Now for the first time Neville offers listeners a collection of his short fiction - 12 chilling stories that traverse and blend the genres of noir, horror, and speculative fiction and which bring the history and lore of Neville's native Northern Ireland to glittering life.

This quartet of crime stories about deadly books, penned by award-winning contemporary mystery writers, includes The Little Men, What's in a Name?, The Book of the Lion, and From the Queen.

The island city-state of Singapore harbors unique customs and traditions largely unknown to the West. A booming economy and embrace of conformity overshadow its gambling dens, red-light districts, and a collective passion for ghostly and gory tales. Now, in Singapore Noir, some of its best contemporary authors delve into its seedy side.

Violence, love, and a torrent of blood. A man wakes in a grimy hotel to find his marriage has ended but not in divorce. An orphan discovers he has a sister and a grisly family secret. And the loss of an infant son drives a man back to his brutal, bad ways. From the Manhattan's Lower East Side to the west coast of Africa, the seven noir stories in this riveting collection cut to the core of what makes us human - and what makes us killers.

An eccentric boarding house denizen winds up dead; his presumed killer, a fellow boarder, has vanished. The baffling case unfolds through the testimony of witnesses, who are themselves suspect.

Tragiquement connue pour son histoire violente et chaotique ainsi que pour la catastrophe qui l’a frappé en 2010, Haïti est le pays le plus pauvre des Amériques - et l’un des plus riches sur le plan littéraire. Cette anthologie de dix-huit nouvelles, projet lancé avant le tremblement de terre, réaffirme le talent des auteurs contemporains haïtiens, aussi bien francophones qu’anglophones, qu’ils vivent sur place ou qu’ils soient issus de la diaspora, sur un terrain où ils ne sont pas forcément attendus : le genre noir.