Noir Fiction

Siglufjörður: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors - accessible only via a small mountain tunnel. Ari Thór Arason: a rookie policeman on his first posting, far from his girlfriend in Reykjavik - with a past that he’s unable to leave behind.

Ezekiel "Easy" Porterhouse Rawlins is an unlicensed private investigator turned hard-boiled detective always willing to do what it takes to get things done in the racially charged, dark underbelly of Los Angeles. But when Easy is approached by a shell-shocked Vietnam War veteran - a young White man who claims to have gotten into a fight protecting a White woman from a Black man - he knows he shouldn't take the case.

There's a different schemer or slimeball behind every door: cocaine duckpins who have survived only by the dumbest fortune, hard-luck gigolos desperate to score, undercover cops busting undercover cops who are running sting operations on undercover cops.

Ordell Robbie and Louis Gara hit it off in prison, where they were both doing time for grand theft auto. Now that they're out, they're joining forces for one big score. The plan is to kidnap the wife of a wealthy Detroit developer and hold her for ransom. But they didn't figure the lowlife husband wouldn't want his lady back. So it's time for Plan B and the opportunity to make a real killing - with the unlikely help of a beautiful, ticked-off housewife who's hungry for a large helping of sweet revenge.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett’s tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Hammett invented the noir crime novel.

Two men, each unaware of the other, share a common family secret: They were sold for adoption by their American father shortly after their births in the Philippines. Three alternating stories interweave the experiences of father Andrew Breszky and the two sons who try to connect and piece together the puzzle of their reckless, impulsive father. One lives in New York and the other grows up in the south of France, later traveling all over Asia as a documentary filmmaker. Both will discover that their relationships somehow echo that of the young man whose history eludes them.

The year is 2008. Reza Malek’s life is modest but manageable - he lives in a small apartment in Harlem, teaches at a local university, and is relieved to be far from the blood and turmoil of Iraq and Afghanistan, where he worked as a reporter, interpreter, and sometimes lover for a superstar journalist who has long since moved on to more remarkable men.

Un hombre vuelve a casa (a Colombia), con varios fracasos a sus espaldas. Y allí «encontrará sin buscar», siguiendo el dicho picassiano. El tejido de araña de la realidad lo atrapará sin darle oportunidad de escapar. Es ésta una novela negra muy singular, donde se dinamitan con acierto muchos de los estereotipos del género. Parte de la mejor narrativa latinoamericana de las últimas décadas ha leído «con provecho» a un autor siciliano que, de alguna manera, supo conjugar a Borges (una de sus referencias esenciales) con los grandes moralistas franceses: Leonardo Sciascia.

Nous sommes la dernière des compagnies franches de Khatovar. Nos traditions et nos souvenirs ne vivent que dans les présentes annales et nous sommes les seuls à porter notre deuil. Tous les hommes naissent condamnés, disent les sages. Ils tètent le sein de la mort. Son souffle apaise toutes les âmes. Nous avons connu une ville autrefois dédiée à son culte, si vieille qu'elle avait perdu le souvenir de cette consécration. Or il lui fallut affronter une menace plus immédiate : un spectre de jadis qui cherchait à revenir chez les vivants depuis une éminence surplombant la ville.

From the outside, Essie’s life looks idyllic: a loving husband, a beautiful house in a good neighborhood, and a nearby mother who dotes on her grandchildren. But few of Essie’s friends know her secret shame: that in a moment of maternal despair, she once walked away from her newborn, asleep in her carriage in a park. Disaster was avoided, and Essie got better, but she still fears what lurks inside her, even as her daughter gets older and she has a second baby.

Lorkin vit désormais au Sanctuaire, où il essaie de comprendre la société des Traîtresses et le fonctionnement de leur magie unique car il les soupçonne de nourrir de sombres ambitions. De son côté, Sonea continue de chercher le renégat Skellin. Mais l'influence de ce dernier est bien plus étendue qu'elle ne le craignait. Au Sachaka, Dannyl a perdu le respect de l'élite locale et est préoccupé par l'arrivée du nouvel ambassadeur - un homme qu'il ne connaît que trop bien.

Ari Thor returns to investigate a chilling series of crimes that are rooted in tragic events from the past. Siglufjörður: an idyllically quiet fishing village on the northernmost tip of Iceland, accessible only via a small mountain tunnel. Ari Thór Arason: a local policeman whose tumultuous past and uneasy relationships with the villagers continue to haunt him.

The name's John Taylor. I'm a PI, though what I really do is find things that are lost. I work the Nightside, the city within the city of London, where the sun never rises and where the human and inhuman go to get their kicks, provided they're willing to pay the price in whatever currency the seller demands. In the wake of the war that almost brought the Nightside to total ruin, there's a power vacuum—and some think I should take charge. I don't agree. Neither does the immortal known as the Griffin. Still, when his granddaughter is kidnapped, he calls on me to find her.

The eighth book of this dark urban fantasy series follows necromancer Eric Carter through a world of vengeful gods and goddesses, mysterious murders, and restless ghosts.

Beneath the glitter of Mardi Gras lies the sleaze of Bourbon Street; under the celestial sounds of JazzFest, the nightmare screams of a city once at war within its neighborhoods, but after Hurricane Katrina, seemingly at war with nature and the rest of the country as well. New Orleans is a third world country in itself, a Latin, African, European (and often amoral) culture trapped in a Puritan nation.

It should be the perfect opportunity: a manor house available rent free in exchange for a bit of housesitting. But when Cass and James dig deeper, they find the place has been abandoned since a robbery left almost all the inhabitants dead almost thirty years ago. But they’ve got to save for a deposit somehow, so they move in, and things quickly take a strange turn. Objects disappear and turn up in odd places, the clock always stops at the same time, and the house is oppressive yet strangely familiar. Could it just be bad memories, or are the house’s secrets a little closer to home?

As my powers surge, and the fierce love I feel for my mages intensifies, a discovery no one expected is about to change everything. With the Anti Magick Alliance closing in on me, the Bureau convinced I murdered a helpless human, and the Human Extinction League getting ready to unleash their plans on Phoenix Falls, I'll need all the strength I can find to survive.

Everyone in the small town of Central City, Texas loves Lou Ford. A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers - the low-lifes, the big-timers, and everyone in-between - as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday. But behind the platitudes and glad-handing lurks a monster the likes of which few have seen.

Phnom Penh, Cambodia: The end of the line. Lawless, drug-soaked, forgotten - it's where bad journalists go to die. For once-great war photographer Will Keller, that's kind of a mission statement: he spends his days floating from one score to the next, taking any job that pays; his nights are a haze of sex, drugs, booze, and brawling. But Will's spiral toward oblivion is interrupted by Kara Saito, a beautiful young woman who shows up and begs Will to help find her sister, June, who disappeared during a stint as an intern at the local paper.