Noir Mystery Thriller Suspense

London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow émigrés, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse.

Los Angeles, 1916: Photographer Bill Ogden has opened a portrait studio in the seedy noir world of early Hollywood, where he is joined by his granddaughter, Flavia—a woman in need of a fresh start after bludgeoning her abusive husband to death in Wichita. Though his business is mainly legit, Bill finds himself brushing up against the “blue movie” porn industry growing in the shadows of the motion picture mainstream. When a series of grisly murders take place across the city, Bill and his capable granddaughter are pulled into events as tricky and tangled as anything this side of The Big Sleep.

Stories by: Desmond Barry, Ken Bruen, Stewart Home, Barry Adamson, Michael Ward, Sylvie Simmons, Daniel Bennett, Cathi Unsworth, Max Décharné, Martyn Waites, Joolz Denby, John Williams, Jerry Sykes, Mark Pilkington, Joe McNally, Patrick McCabe, and Ken Hollings. Cathi Unsworth moved to Ladbroke Grove in 1987 and has stayed there ever since. She began a career in rock writing with Sounds and Melody Maker, before co-editing the arts journal Purr and then Bizarre magazine. Her first novel, The Not Knowing, was published by Serpent’s Tail in 2005.

"Il y a des nombres sacrés, il en existe aussi de diaboliques." À l'approche du débarquement, dans le Paris sombre de l’occupation, des meurtres étranges portent la signature 669. Le signe de l’apocalypse ? Face à un cercle de satanistes, les héros vont devoir plonger dans les ténèbres… Un nouvel opus lu à la perfection par François Hatt qui s’empare de cette fresque historique saisissante et en propose une lecture énergique et incarnée.

"BAAD" : Homme mauvais, violent, cruel avec les femmes. BARBARIE - Des jolies petites filles, vêtues de tenues d'apparat, apprêtées pour des noces de sang. ABOMINATION - Deux femmes, deux mères. À Kaboul, Nahid se bat pour empêcher le mariage de sa fille, dix ans, avec un riche Occidental. À Paris, les enfants de Nicole, ex-agent des services secrets, ont été enlevés.

Des bébés qui disparaissent, des écureuils pendus, un fétichiste du chiffre vingt-trois : méfiez-vous de Promise Falls ; derrière son apparente tranquillité, cette petite bourgade américaine cache la plus longue liste de faits divers jamais recensés... Dans un univers digne des premiers épisodes de "Twin Peaks", Barclay tisse une trilogie déroutante et pleine d'humour.

During Fiesta, three desperate men converge in a perilous New Mexico town. It takes four days for Sailor to travel to New Mexico by bus. He arrives broke, sweaty, and ready to get what's his. It's the annual Fiesta, and the locals burn an effigy of Zozobra so that their troubles follow the mythical character into the fire. But for former senator Willis Douglass, trouble is just beginning.

Seventeen years ago, Criminal Inspector Ewert Grens was called to the scene of a brutal crime. A family had been murdered, and the only survivor - and witness - was the five-year-old daughter. The girl was placed in the witness protection program, and the case went cold, but years later, Grens is still haunted by the seemingly random slaying and the little girl who was spared. So when he learns that the apartment where the crime occurred is now the scene of a mysterious break-in, Grens immediately fears that someone is intent on silencing the only witness.

Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.”

From the introduction by David L. Ulin: "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began."

Hap Collins has just returned home from a gig working on an off shore oil rig. With a new perspective on life, Hap wants to change the way he's living, and shoot the straight and narrow. That is, until the man who stole Leonard Pine's boyfriend turns up headless in a ditch and Leonard gets fingered for the murder. Hap vows to clear Leonard's name, but things only get more complicated when Leonard's ex shows up dead, too.

While on special assignment to the bank fraud unit, Texas Ranger Faith McClellan accidentally stumbles upon a raging fire consuming the back of a nearby house. When partially cremated remains are pulled from the ruins, she finds herself back on homicide - and on the trail of a ruthless killer. As she races to identify the victims, the sadistic murderer strikes again - this time against state politicians with ties to Faith’s father, a former governor of Texas.

She was leaning against the door. Her smile was a sickly twisted grimace; the sort a prisoner gives a judge when he's asked if he has anything to say before he's sentenced. Russell Haxby is a ruthless used-car salesman obsessed with manipulating and cavorting with married women. In this classic of hard-boiled fiction, Charles Willeford crafts a wry, sardonic tale of hypocrisy, intrigue, and lust set in San Francisco in the early '50s.

Los Angeles is not itself. Rain falls hard every day. Homeless men are set on fire in their tents. Detective Sam Carver chases leads into a maze of militias and neo-Nazis. But before he gets too deep into the case, a past that has haunted him for years returns in the name of Dylan Cross. The killer who got away. Carver knows she has murdered again, but no one believes him. She leaves him clues, writes him notes, tempts him. She wants him to betray everything he is. He is drawn to her by the damage and demons they both carry.

Socially awkward Will, grieving her mother’s death, is fascinated by Dolly, a beautiful, charming rebel with an insatiable taste for adrenaline. Both musicians come alive at Harlem jazz clubs and Prohibition-era speakeasies. Dazzled by the world they are discovering together, their romance ignites. But while Will is obsessed with Dolly, Dolly is obsessed with crime. The power dynamics keep shifting as Will agrees to commit petty crimes with Dolly in exchange for sexual favors. When the University and their rich families unite to split them up, passions escalate.

As Montrealer Catherine Day sets foot in a remote fishing village and starts asking around about her birth mother, the body of a woman dredges up in a fisherman's nets. Not just any woman, though: Marie Garant, an elusive, nomadic sailor and unbridled beauty who once tied many a man's heart in knots. Detective Sergeant Joaquin Morales, newly drafted to the area from the suburbs of Montreal, barely has time to unpack his suitcase before he's thrown into the deep end of the investigation.

I stopped to get my shoes shined and disaster followed. The guy getting his shoes shined next to me is an ex-con, a street rat, and overall despicable human being. Yet he had plans for the perfect heist. Mastermind? Hardly. But the idea was sound. A bank is scheduled to be demolished. Inside is a long-forgotten secret—a lucrative secret. Empty bank, no guards, no alarms. What can go wrong?

At the age of twenty-four, Griselda Satter lee has already lived two lifetimes. A star of the silver screen, she gives up Hollywood after a year and moves to New York to become a designer. While her ex-husband, Con, is out of town, she is staying in his apartment. Walking back one night, she meets two cheerful young men who want to go home with her - and won't take no for an answer.

In noir master Raymond Chandler's The Little Sister, a movie starlet with a gangster boyfriend and a pair of siblings with a shared secret lure private eye Philip Marlowe into the less than glamorous and more than a little dangerous world of Hollywood fame. Chandler's first foray into the industry that dominates the company town that is Los Angeles.

When fifteen-year-old Oscar Dreyer-Hoff disappears in this “masterpiece” (Booklist, starred review), the police assume he’s simply a runaway—a typically overlooked middle child doing what teenagers do all around the world. But his frantic family is certain that something terrible has happened. After all, what runaway would leave behind a note that reads: