Noir Mystery Thriller Suspense

Condamné pour un meurtre qu'il n'a pas commis, Max Ender a été jeté en pâture à ses codétenus par ceux-là mêmes censés assurer l'ordre et la discipline au sein de la prison. Lorsqu'il est reconnu innocent et libéré, ce n'est plus le même homme. Il n'a désormais plus qu'une seule idée en tête : se venger de cette société qu'il hait par-dessus tout. Pour frapper ses bourreaux au cœur, il va enlever leurs enfants et, méthodiquement, au fil des ans, faire de ces petits anges des bêtes féroces.

Vancouver is the so-called City of Glass. A nice place, in any case, and much too nice for noir. Looked at from afar, Vancouver may seem idyllic. But living here is different - cold and baffling and occasionally hostile. While outsiders focus on high-test BC bud, locals see a heroin crisis: Vancouver is home to the first legalized safe-injection site in North America, now heavily taxed by overdoses resulting from street drugs cut with fentanyl.

Spenser's out to make war, not love, as he goes after Boston's entire X-rated industry. Pretty teenager April Kyle has disappeared into the city's darkest underworld, and to rescue her, Spencer pits muscle and wit against bullets and bullies.

When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual. As the past and the present become an increasingly tangled knot, Rudd is found—with minor injuries and few memories—at the scene of a multiple murder on a remote campsite.

Nairobi Noir is an act of excavation, rediscovering the city's ossified past and infusing life to preserve it for future generations. It is also an act of celebration, reminding listeners of the brilliance of the best-known writers to emerge from this part of the world, and heralding the birth of new writers whose gifts, we can safely predict, will shine brightly in the years ahead.

Still reeling from a brutal dismemberment, detective Kline is forcibly recruited to solve a murder inside a religious cult that takes literally the New Testament idea that you should cut off your hand if it offends you. Armed only with his gun, his wits, and a gift for self-preservation, Kline must navigate a gauntlet of lies, threats, and misinformation. All too soon he discovers that the stakes are higher than he thought and that his survival depends on an act of sheer will.

Stacey and Felix are the glamorous owners of the stylish, modern Glass House, with its pool and floor-to-ceiling windows. Now they’re downsizing, but Stacey can’t sell to just anyone. She needs the right buyer, who will keep her secrets. Millie and Tom have always imagined living in the Glass House. Now it’s for sale. With property prices booming, if they can sell quickly, it could be theirs. But is the house and its charming owners all they seem? Harper and Kyle are moving up in the world.

A serial killer stalks women in rural Ohio. He is deranged but brilliant, known only by the grotesque nickname the media has given him - The Doll Parts Killer. The name is apt. He dismembers his victims and leaves them in garbage bags in public places. A residential neighborhood. Next to a roller rink. Behind a Burger King. The investigation is a disaster. No physical evidence. Unreliable witnesses. To make matters worse, the FBI has lost contact with the star profiler working the case.

Can one man’s search for justice stand up to the forces of evil threatening to destroy him? A shocking murder drags Black newspaper columnist Clarence Abernathy into the disorienting world of inner-city gangs and racial conflict.

TV reporter Candy Sloan has eyes the color of cornflowers and legs that stretch all the way to heaven. She also has somebody threatening to rearrange her lovely face if she keeps on snooping into charges of Hollywood racketeering. Spenser's job is to keep Candy healthy until she breaks the biggest story of her career.

From the moment Lucy met her husband's mother, Diana, she was kept at arm's length. Diana was exquisitely polite and properly friendly, but Lucy knew she was not what Diana envisioned. That was five years ago. Now, Diana is dead, a suicide note found near her body. Diana claims she no longer wanted to live because of a battle with cancer. But the autopsy finds no cancer. The autopsy does find traces of poison and evidence of suffocation.

Two terrible events, without obvious connection, shake Fjällbacka to its core. A famous photographer is found brutally murdered in a showroom. Henning Bauer, the Nobel prize winner in literature, suffers from a violent act on the small island where he is writing the 10th book in his world famous series. While Patrik Hedström and his colleagues at Tanumshede police station struggle to investigate the cases, Erica Falck researches a murder on a trans man in Stockholm in the 1980’s.

Intrepid Mountie Jack Taggart is hurled into a world where morality, justice, and the legal system are pitted against one another. Taggart investigates the murder of someone who was in the wrong place at the wrong time. Wiretap information identifies a shadowy gang member known only as Cocktail as being responsible. Taggart and his partner go undercover to join one of a coalition of gangs who are at war in British Columbia. Their mission is to identify Cocktail and gain evidence to convict him of murder.

Séducteur, corrompu, sarcastique, Schiavone est aussi antipathique qu'attachant. Le genre de héros qu'on adore détester... Le commissaire Rocco Schiavone est romain jusqu'au bout des ongles : snob, macho et ronchon, il est doté d'un humour noir dévastateur. Muté à Champoluc dans le val d'Aoste, il vit son départ en province comme un exil. À son corps défendant, il doit quitter sa paire de Clarks adorée pour porter de répugnants après-ski et considère ses nouveaux collègues comme des ploucs.

Vitus Adamson has a second chance at life now that he's no longer a zombie. But after killing his brother, Jamie, Vitus lands in prison on murder charges. Jamie's death exposes secret government projects so deep in the black they cannot be seen - without Vitus, that is. Sprung from jail, the government hires Vitus to clean up Jamie's messes, but tracking down his brother's homemade monsters gone rogue is easier said than done. The first of them is a convicted killer assumed to be safely behind bars.

Ex-detective superintendent Brandt has turned against society. The first kill was a stab in the dark, but now he's got a real taste for it. But his pursuer, DCI Stella Johnson, has rankled him. She has leaked to the press the idea he is impotent, and it has taken hold. Brandt wants to prove himself. Who better a victim than the woman who has embarrassed him? Johnson's strategy backfires, and she is in trouble with her superiors. Yet she now has a very personal reason to hunt down Brandt. Will going solo put her at even greater risk than before? And just what has he in mind for her?

Suzette knows her clever and manipulative seven-year-old daughter doesn’t love her. She can see the hatred and jealousy in her eyes. And as Hanna’s subtle acts of cruelty threaten to tear her and her husband apart, Suzette fears her very life may be in grave danger....

Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live - northern Minnesota along the Red River. Cash navigated through foster homes, and at 13 was working farms. She's tough as nails, five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side.

Jun Nakayama was a silent-film star in the early days of Hollywood. By 1964, he is living in complete obscurity, until a young writer, Nick Bellinger, tracks him down for an interview. When Bellinger reveals that he has written a screenplay with Nakayama in mind, Jun is intrigued by the possibility of returning to movies. But he begins to worry that someone might delve too deeply into the past and uncover the events that abruptly ended his career in 1922. Like the changing social and racial tides in California - and the unsolved murder of his favorite director.

One of the 20th-century's most darkly beautiful works of crime fiction - a story of carny life, spiritualism, and a con man of merciless resolve.