Noir Mystery Thriller

A big-shouldered, big-trouble thriller set in mobbed-up 1920s Chicago - a city where some people knew too much and where everyone should have known better - by the Oscar-nominated screenwriter of The Untouchables and Pulitzer Prize-winning playwright of Glengarry Glen Ross. Mike Hodge - veteran of the Great War, big shot of the Chicago Tribune, medium fry - probably shouldn't have fallen in love with Annie Walsh. Then again, maybe the man who killed Annie Walsh should have known better than to trifle with Mike Hodge.

Spenser has gone to London -- and not to see the Queen. He's gone to track down a bunch of bombers who've blown away his client's wife and kids. His job is to catch them. Or kill them. His client isn't choosy. But there are nine killers to one Spenser -- long odds. Hawk helps balance the equation. The rest depends on a wild plan. Spenser will get one of the terrorists to play Judas Goat -- to lead him to others.

An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one, grisly solution; a solution that only creates other problems that no one can ever solve.

He calls himself Alvin Limardo, and the job he has for Kinsey is cut-and-dried: locate a kid who's done him a favor and pass on a check for $25,000. Stiffed for the retainer, Kinsey finds out Limardo's real name is John Daggett...ex-con, ex-liar, ex-alcoholic, currently dead.

Welcome to the Misfit Mob... It's where Police Scotland dumps the officers it can't get rid of but wants to: the outcasts, the troublemakers, the compromised. Officers like DC Callum MacGregor, lumbered with all the boring go-nowhere cases. So when an ancient mummy turns up at the Oldcastle tip, it's his job to find out which museum it's been stolen from. But then Callum uncovers links between his ancient corpse and three missing young men, and life starts to get a lot more interesting.

Everyone in the small town of Central City, Texas loves Lou Ford. A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers - the low-lifes, the big-timers, and everyone in-between - as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday. But behind the platitudes and glad-handing lurks a monster the likes of which few have seen.

Two men, each unaware of the other, share a common family secret: They were sold for adoption by their American father shortly after their births in the Philippines. Three alternating stories interweave the experiences of father Andrew Breszky and the two sons who try to connect and piece together the puzzle of their reckless, impulsive father. One lives in New York and the other grows up in the south of France, later traveling all over Asia as a documentary filmmaker. Both will discover that their relationships somehow echo that of the young man whose history eludes them.

Running from a world which wants him dead, ex-detective Sergeant Jake Pettman journeys to the isolated town of Blue Falls, Maine, home of his infamous, murderous ancestors. But Jake struggles to hide from who he is, and when a child disappears, he finds himself drawn into an investigation that shares no parallels to anything he has ever seen before. Held back by a chief of police plagued and tormented by his own secrets, Jake fights for the truth. All the way to the door of Jotham MacLeoid. An insidious megalomaniac who feeds his victims to a killing pit.

The stories in this collection reflect a fundamental truth about Santa Fe: history depends on who's telling it. Too often the story of this city has been told only by the conquerors and the tourism PR firms. Hear the stories that never make the glossy tour brochures: the working class and the underground, the decolonized and the ever-haunted; the Santa Fe only we know.... Conquered and reconquered, colonized and commodified, Santa Fe understands - from historical genocide to the murders of family members - the intimacy of violence.

Shortlisted for the Anthony, Nebula, Edgar, Shamus, and Gold Dagger Awards, best-selling author James Sallis is a master of the gritty crime drama. The Killer Is Dying tracks the fortunes of three men of vastly different ages, backgrounds, and ambitions. Though they never meet, a hired killer on his last job, a burned out detective, and a young boy plagued by nightmares have their lives intersect in compelling ways in the scorching metropolis of Phoenix, Arizona.

Vitus Adamson has a second chance at life now that he's no longer a zombie. But after killing his brother, Jamie, Vitus lands in prison on murder charges. Jamie's death exposes secret government projects so deep in the black they cannot be seen - without Vitus, that is. Sprung from jail, the government hires Vitus to clean up Jamie's messes, but tracking down his brother's homemade monsters gone rogue is easier said than done. The first of them is a convicted killer assumed to be safely behind bars.

For a new kind of killer roams the streets of the Arab ghetto, a madman whose bootlegged personality cartridges range from a sinister James Bond to a sadistic disemboweler named Khan. And Marid Audrian has been made an offer he can't refuse.The 200-year-old godfather of the Budayeen's underworld has enlisted Marid as his instrument of vengeance. But first Marid must undergo the most sophisticated of surgical implants before he dares to confront a killer who carries the power of every psychopath since the beginning of time.

Joe Kurtz, former investigator and convicted felon, is on parole. But the years he spent in Attica didn't make his old haunts any safer. Back on the streets of Buffalo, he's already marked by a local Mafia don.

Easy Rawlins, L.A.'s most reluctant detective, comes home one day to find Easter, the daughter of his friend, Christmas Black, left on his doorstep. Easy knows that this could only mean that ex-marine Black is probably dead, or will be soon. But Easter's appearance is only the beginning, as Easy is immersed in a sea of problems.

When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother's home to Manhattan, where no one knew about her tragic past.

Two gripping novellas from the number one international best-selling author. Women Without Mercy and Truth or Dare.

La vengeance, le pouvoir et le progrès scientifique sont les thèmes de ces cinq nouvelles noires, très belles et glaçantes, situées dans un futur étrange et indéterminé. Rat Island, la plus longue, imagine un avenir possible pour nos sociétés occidentales : des membres fortunés de l’élite attendent en haut d’un gratte-ciel l’arrivée d’un hélicoptère qui va les transporter dans un havre de paix et de sécurité, tandis que, à leurs pieds, les masses affamées et sans abri luttent pour survivre dans des rues dévastées et sillonnées par des gangs à moto.

When a Hollywood-based TV series schedules filming in Boston, Spenser smells trouble. When he signs up to protect the show's star, Jill Joyce, he knows it's on its way. First, there's Jill herself. She's spoiled, arrogant, drugged out -- made worse by fear. Someone is out to get her -- does she imagine it, or is it real?

After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

Il est des hommes est un roman noir, au sens où il ambitionne de dire quelque chose du monde social, de sa dureté, de sa folie, de sa barbarie. Un roman qui se confronte aux forces du mal, qui raconte l'enfance dévastée, l'injustice, le sida, la drogue, la violence dans une cité de Marseille entre les années 80 et 2000.