Occult Fiction

A Discovery of Witches introduced Diana Bishop, Oxford scholar and reluctant witch, and vampire geneticist Matthew Clairmont. Shadow of Night and The Book of Life carried Deborah Harkness's series to its spellbinding conclusion, and the trilogy has now sold more than two million copies in the United States and appeared in 38 editions around the world. All Souls fans have been captivated from the start by the many sources of inspiration Harkness draws on in her novels. Here, with her signature historian's touch, she offers an encyclopedic look at the series.

For lovers of the supernatural and the macabre comes this collection of ghostly and chilling stories from legendary mystery writer Agatha Christie. Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat - be sure to keep the light on whilst listening to these tales. The Last Séance gathers 20 stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

Death is no obstacle for Harold Taylor. Since the 18th century he has been reincarnated into a handful of identities. He won fame as an eye surgeon in Victorian England, established St. Louis’s first brothels as an American settler, and survived the trenches of the First World War only to be executed in a court martial. But despite his different lives, one thing always remains the same: Harold Taylor is a murderer. Blood is the secret to Taylor’s reincarnation. At each rebirth, he marks for death those who wronged him in the past, and by spilling their blood he guarantees himself another try at life. This time he has a new plan....

Joe works at a facility that performs human experimentation. His work just followed him home. The government wanted to unlock hidden abilities in the human mind. They put subjects in extreme sensory deprivation. All the test subjects went violently insane. But the research continued. Today it has been perfected. Almost perfected.

Harriet Hunt is completely alone. Her father disappeared months ago, leaving her to wander the halls of Sunnyside house, dwelling on a past she’d rather keep buried. She doesn’t often venture beyond her front gate, instead relishing the feel of dirt under her fingernails and soft moss beneath her feet. Consequently, she’s been deemed a little too peculiar for popular Victorian society. This solitary life suits her fine though—because outside, magic awaits.

The year is 1880. Two hundred years after the trials in Salem, Adelaide Thom has left her life in the sideshow to open a tea shop with another young woman who feels it's finally safe enough to describe herself as a witch: a former medical student and gardien de sorts (keeper of spells), Eleanor St. Clair. Together they cater to Manhattan's high society ladies, specializing in cures, palmistry and potions - and in guarding the secrets of their clients.

Three years ago in a large Victorian house on the Jersey Shore in the town of Harbor Haven, fledgling private investigator Paul and his client, Maxie Malone, were murdered. Since then, recent divorcée and reluctant ghost whisperer Alison Kerby and her 10-year-old daughter, Melissa, have moved in and converted the place to a guesthouse, where Maxie and Paul are now checked in for an eternity and ready to solve any case that comes their way - or at least spook the guests (who love it). Alison’s got a lot on her plate at the moment, however, so when Paul discovers the 300-year-old ghost of a small boy in the house, he decides not to involve her in the case.

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more - Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.

A collection of four chilling novels, ingeniously wrought gems of terror from the brilliantly imaginative number one New York Times best-selling author of The Fireman, Joe Hill.

Still undecided about a return to her teaching career, Abby Kimball has thrown herself into restoring the grand Victorian she shares with her boyfriend, Ned. She's happy to put thoughts of her strange ability to see the dead on the back burner for a while, but she realizes that won't be so easy when she's faced with two new compelling encounters. First, a plumber she's hired has a shocking experience with an old tool they find buried in the house's walls, and then the interior life of an autistic boy streams through her mind as if he were speaking.

After sending their only daughter off to boarding school, Cookson Selway and his wife, Ellen, travel to London to escape their empty house. But their quiet hotel has guests other than those on the register, and the vacation turns into a journey not only to another city but to another time. As Selway is drawn into a series of mysterious encounters with a young girl who died in a fall from his hotel window sixty years earlier, the characters of her life become more real to him than those of his own.

When Karina agrees to help the ghost of a murdered Oracle uncover a plot that could unravel the fabric of reality, she finds herself caught in the crossfire between bounty hunters and her ex-bodyguards. Now she needs to reclaim the birthright and power she abandoned before she loses everything and everyone she loves.

Scott's discourses on the psychological, religious, physical, and preternatural explanations for contemporary beliefs in ghosts, witches, warlocks, fairies, elves, diabolism, the occult, and even werewolvesare are essential for acolytes of the dark and macabre. The letters dealing with witch hunts, trials, and torture are morbidly compelling. Scott was neither fully pro-rational modernity nor totally anti-superstitious past.

Grief has settled in at Hart House. For nine months, Alfie has been caring for his twin seven-year-old daughters after the sudden death of their mother, Pippa. One night, Alfie wakes to find Sylvie and Cassia at the foot of his bed, claiming there’s a man in their room. Alfie finds no sign of a man, but it isn’t long before the girls start talking about an imaginary friend. What seemingly begins as a harmless coping mechanism for the two grieving girls quickly develops into something more insidious.

After Grand-mere Ursule gives her life to save her family, their magic seems to die with her. Even so, the Orchires fight to keep the old ways alive, practicing half-remembered spells and arcane rites in hopes of a revival. And when their youngest daughter comes of age, magic flows anew. The lineage continues, though new generations struggle not only to master their power, but also to keep it hidden. But when World War II looms on the horizon, magic is needed more urgently than ever.

In 1692, Bridget Bishop was hanged as a witch. Two hundred years later, her legacy lives on in the scions of two very different lines: one dedicated to using their powers to heal and help women in need; the other, determined to grasp power for themselves by whatever means necessary. This clash will play out in the fate of Annis, a young woman in Gilded Age New York who finds herself a pawn in the family struggle for supremacy. She'll need to claim her own power to save herself - and resist succumbing to the darkness that threatens to overcome them all.

A story of youth and promise, of loss and the search for love, of secrets and destiny, Blackwood Farm brings together the Vampire Chronicles and the story of the Mayfair Witches, and is Anne Rice at her mesmerizing best.

Julie Crews is a coked-up, burnt-out 30-something who packs a lot of magic into her small body. She’s trying to establish herself as a major psychic operative in the NYC magic scene, and she’ll work the most gruesome gigs to claw her way to the top. Desperate to break the dead-end grind, Julie summons a guardian angel for a quick career boost. But when her power grab accidentally releases an elder god hell-bent on the annihilation of our galaxy, the body count rises rapidly.

Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theatre director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised—and cost—her everything, she faces a mutinous cast hell-bent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.