Occult Horror Fiction

A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Besides a postcode, they share only one thing in common - they've all experienced an unsettling occurrence within the building's walls. By the end of the night, their host is dead, and none of the guests will say what happened. His death remains one of the biggest unsolved mysteries - until now.

Thrust into Nightmare Penitentiary, I meet a group of hard, alpha, psychotic inmates who believe I’m the answer to all their prayers. Me? I’m just trying to survive and figure out what it means to live. My new home isn’t just a prison, but a labyrinth with horrors around every corner.

Twenty-something Harper Connelly has a gift. After being struck by lighting as a child, she discovered an eerie ability to locate the deceased. In Memphis, skeptical Professor Nunley wants her to demonstrate that skill at an ancient cemetery. There, Harper stands atop a grave and says there are two bodies entombed: one centuries old, but the other, a young girl named Tabitha.

Once a celebrated author of short stories now in his twilight years, Anthony Peardew has spent half his life collecting lost objects, trying to atone for a promise broken many years before. Realising he is running out of time, he leaves his house and all its lost treasures to his assistant Laura, the one person he can trust to fulfil his legacy and reunite the thousands of objects with their rightful owners. But the final wishes of the Keeper of Lost Things have unforeseen repercussions which trigger a most serendipitous series of encounters....

Felix Castor is a freelance exorcist, and London is his stomping ground. It may seem like a good ghostbuster can charge what he likes and enjoy a hell of a lifestyle, but there's a risk: sooner or later he's going to take on a spirit that's too strong for him. When Castor accepts a seemingly simple ghost-hunting case at a museum in the shadowy heart of London, what should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons and ghosts all keen to claim the big prize.

It was no secret that journalist Jack Sparks had been researching the occult for his new book. No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed. Then there was that video: 40 seconds of chilling footage that Jack repeatedly claimed was not of his making, yet it was posted from his own YouTube account. Nobody knew what happened to Jack in the days that followed - until now.

A recording of the reading of the first edition, published in 1950. An additional bonus chapter, The Holy Planet Purgatory from the 1931 typescript, is included. Beelzebub's Tales to His Grandson is Gurdjieff's world-famous cosmological epic. It examines human life on Earth from the viewpoint of beings belonging to a distant world, led by the all-wise Beelzebub. Through this cosmological allegory—rich in humour, anecdote, and linguistic elaboration—Gurdjieff demonstrates a methodology for the spiritual growth of all mankind.

Months after the war with Borland and his vicious werebrood, Kirk and Morris are experiencing curious aftereffects. They’re stronger, faster, and no longer vulnerable to the sharp sting of silver. On the other hand, they're forever hungry, and nothing they eat provides the same nourishment as what they consumed on the island of Newfoundland.

Fellside is a maximum security prison on the edge of the Yorkshire Moors. It's not the kind of place you'd want to end up. But it's where Jess Moulson could be spending the rest of her life.

The Vampire Archives is the biggest, hungriest, undeadliest collection of vampire stories, as well as the most comprehensive bibliography of vampire fiction ever assembled. Dark, stormy, and delicious, once it sinks its teeth into you there’s no escape.

With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War, she warily makes her way to her new home.

Young Fleetwood Shuttleworth is with child again. As the mistress of Gawthorpe Hall, she is anxious to provide her husband with an heir. But none of her previous pregnancies have come to term. Then she discovers a hidden letter from her physician that warns her husband that she will not survive another pregnancy. Distraught over the frightening revelation, Fleetwood wanders the woods of Pendle Hill, where she comes across a young local woman named Alice Gray who is gathering herbs. A midwife, Alice promises Fleetwood she can help her deliver a healthy baby.

The Scarlet Gospels takes listeners back many years to the early days of two of Barker's most iconic characters in a battle of good and evil as old as time: The long-beleaguered detective Harry D'Amour, investigator of all supernatural, magical, and malevolent crimes, faces off against his formidable and intensely evil rival, Pinhead, the priest of hell. Barker devotees have been waiting for The Scarlet Gospels with baited breath for years, and it's everything they've begged for and more.

In the wake of a scandal, the Montrose family and their three daughters - Catherine, Lydia and Emeline - flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline. All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end....

Nobody has a “normal” family, but Vesper Wright’s is truly...something else. Vesper left home at eighteen and never looked back—mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn’t return. But then an envelope arrives on her doorstep.

On the evening of November 24, 1971, D. B. Cooper hijacked Flight 305—Portland to Seattle—with a fake bomb, collected a ransom of $200,000, and then parachuted from the rear of the plane, disappearing into the night...and into history. Fifty years later, Agent Pendergast takes on a bizarre and gruesome case: in the ghost-haunted city of Savannah, Georgia, bodies are found with no blood left in their veins—sowing panic and reviving whispered tales of the infamous Savannah Vampire.

What do you do after you’ve escaped Hell, gone back, uncovered the true nature of God, and then managed to become the new Lucifer? Well, if you’re James Stark, you have to figure out how to run Hell while also trying to get back out of it... again. Plus there’s the small matter of surviving. Because everyone in Heaven, Hell, and in between wants to be the fastest gun in the universe, and the best way to do so is to take down Lucifer, a.k.a. James Stark.

My family has always found me lacking. From the way I dress, how I look, to the type of magic I have. My family name is full of pomp and prestige, and I want nothing to do with it. I’m a witch that knows how to set a goal and I have one in mind. I want a real family. It seems too good to be true that I can give the list of traits I want in a partner and have my deepest desire answered, but I’m out of options. From the very first moment I meet Elliot Bramblewick, I have hope. But he’s tricky. I’m not expecting him to be hiding two other mates.

With a name like Quinn Calahan, I sounded as Irish as a leprechaun dancing a jig on a four leafed clover, but the truth was, I’d never been closer to the emerald isle than drinking green beer at the St Patrick’s day street party in Boston until I messed up so badly I had to leave the US. I was offered a job in a tiny village in Ireland that no one’s ever heard of. And I think that was the point in sending me there.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.