Oral Tradition

"What is your favorite story?" is the question children across the country often ask professional storyteller Pleasant DeSpain. As he attempts to answer, his list grows longer and longer, until he confesses he likes them all. An untiring researcher of oral traditions, DeSpain is known for his concise versions of world folktales specifically crafted for retelling. This new, digital recording of 10 stories is excerpted from DeSpain's 22 Splendid Tales to Tell from Around the World, Volume One.

"What is your favorite story?" is the question children across the country often ask professional storyteller Pleasant DeSpain. As he attempts to answer, his list grows longer and longer, until he confesses he likes them all. An untiring researcher of oral traditions, DeSpain is known for his concise versions of world folktales specifically crafted for retelling.

In this publication, Verkijika explores the role of oral tradition in the evolution of Africa, it's merits and demerits, and how such information could be useful towards forging a better future for Africa. He also uses this theory to clarify a few Traditional African customs and beliefs who's misinterpretations had been a root cause for several debates about the philosophy of the true traditional African man.

Gathering a wide range of traditional African myths, this compelling new collection offers tales of heroes battling mighty serpents and monstrous birds, brutal family conflict and vengeance and desperate migrations across vast and alien lands. From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families.

Pahua Moua has a bit of a reputation for being a weirdo. A lonely 11-year-old Hmong girl with the unique ability to see spirits, she spends her summer days babysitting her little brother and playing with her best friend, a cat spirit no one else can see. One day Pahua accidentally untethers an angry spirit from the haunted bridge in her neighborhood - whoops. When her brother suddenly falls sick and can't be awoken, Pahua fears that the bridge spirit has stolen his soul.

Alex is twelve, and he did something very, very bad. A judge sentences him to spend his summer volunteering at a retirement home. He hasn’t seen his mom in a year, and Shady Glen’s geriatric residents seem like zombies to him. Josey is 107 and ready for his life to be over. He has evaded death many times, having survived ghettos, dragnets, and a concentration camp—all thanks to the heroism of a woman named Olka and his own ability to sew. But now he spends his days in room 206 at Shady Glen, refusing to speak and waiting (and waiting and waiting) to die. Until Alex knocks on Josey’s door…

This is an enchanting book filled with wondrous folk-tales from India, replete with explanatory notes.

Leslie Marmon Silko's groundbreaking book Storyteller, first published in 1981, blends original short stories and poetry influenced by the traditional oral tales that she heard growing up on the Laguna Pueblo in New Mexico with autobiographical passages, folktales, family memories, and photographs. As she mixes traditional and Western literary genres, Silko examines themes of memory, alienation, power, and identity; communicates Native American notions regarding time, nature, and spirituality; and explores how stories and storytelling shape people and communities.

Study the West African civilization using this targeted book on sixth-grade social studies. Using the knowledge indicated in this book, your child should be able to locate the Niger River as well as vegetation zones, which allowed West African Civilizations thrive. Encourage your child to relate these features to the trade of salt, gold, slaves, and food. Get a copy today.

Sharing his extensive and meticulous research, Jacques Privat reveals that the Vikings were in Greenland, its neighboring islands, and the eastern shores of Canada long before Columbus. He examines in depth how Greenland and its surroundings were inhabited for nearly five centuries by two Nordic colonies, Vestribygð and Eystribygð, which disappeared mysteriously: one in 1342 and the other in the 16th century.

Nouvelles recherches sur l'Île de Pâques, basées sur l'archéologie, les récentes recherches ostéologiques et génétiques, ainsi que sur la tradition orale, les rapports des premiers explorateurs et des premières missions ethnologiques sur l'Île. Jean Hervé Daude, sociologue, spécialiste de la tradition orale de l'Île de Pâques, met gracieusement le compte rendu de ses recherches à la disposition des Musées, des chercheurs et des institutions d'enseignement, ou de tout autre organisme ayant pour mission de diffuser la connaissance.

In the tradition of Maya Angelou's Phenomenal Woman, best-selling author Pearl Cleage brings us an inspiring poem for all women, destined to become a classic.

Side-splittingly funny, spine-chillingly spooky, this companion to a Newbery Honor - winning anthology The Dark Thirty is filled with bad characters who know exactly how to charm. From the author's note that takes us back to McKissack's own childhood when she would listen to stories told on her front porch...to the captivating introductions to each tale, in which the storyteller introduces himself and sets the stage for what follows...to the 10 entertaining tales themselves, here is a worthy successor to McKissack's The Dark Thirty.

This story has its beginnings on a day long ago when Earth rolled and heaved, and rocks fell like rain... Thus began what some today would call a “migration” of The Walking People. Leaderless and bereft of the shared knowledge of tradition, they set off on their journey. Their story is the story of how one particular group of human beings was able to start anew - to learn through difficulty and changing circumstance to prosper as a Whole People.

In this exquisite collection of children’s folktales, Zitkála-Šá shares the legends that were handed down to her through generations of Yankton storytellers. These tales display the wide range of insights and observations that accrue to such stories through repeated iteration, but they also benefit from the sharp ear and finely tuned sensibility of Zitkála-Šá as a writer. Her characters seem to speak to us—often crying out to us—in the same tones that Zitkála-Šá must once have heard.

In these essays, stories, and reflections, trailblazing Yankton Dakota writer and artist Zitkála-Šá honors the rich heritage of Sioux oral tradition. She muses on her childhood and early schooling, shares warrior tales of ancient spirits, and tells of the foreboding appearance of white settlers and missionaries. As a committed activist and a seminal voice for change, Zitkála-Šá also explores the oppressive forces that sought to erase her culture and remove her people from their land.