Orphans Home

Morgan and Eli, two Indigenous children forced away from their families and communities, are brought together in a foster home in Winnipeg, Manitoba. They each feel disconnected, from their culture and each other, and struggle to fit in at school and at their new home—until they find a secret place, walled off in an unfinished attic bedroom. A portal opens to another reality, Askí, bringing them onto frozen, barren grounds, where they meet Ochek (Fisher).

The BFG is no ordinary bone-crunching giant. He is far too nice and jumbly. It's lucky for Sophie that he is. Had she been carried off in the middle of the night by the Bloodbottler, or any of the other giants - rather than the BFG - she would have soon become breakfast. When Sophie hears that the giants are flush-bunking off to England to swollomp a few nice little chiddlers, she decides she must stop them once and for all. And the BFG is going to help her!

Ashley Rhodes-Courter spent a harrowing nine years of her life in 14 different foster homes. Her memoir, Three Little Words, captivated audiences everywhere and went on to become a New York Times best seller. Now Ashley reveals the nuances of life after foster care: college and its assorted hijinks, including meeting "the one". Marriage, which began with a beautiful wedding on a boat that was almost hijacked (literally) by some biological family members.

Like a car alarm, bagpipe music, or a doorbell ringing in the middle of the night, hearing this all-new audio edition of The Bad Beginning will only upset you. This unique multi-voice recording brings the first book in Lemony Snicket's alarming A Series of Unfortunate Events to such terrible life that no one should really have to experience it.

Flo lives an eccentric life - she travels with a popular circus in which the main acts star orphaned children with secret shape-shifting abilities. Once Flo turns 16, she must perform, but she's not ready. While practicing jumping a flaming hurdle in a clearing beside the circus, she spots a dark figure in the trees and fears he saw her shift. The news sends the circus into a panic.

Mary, unloved and selfish, finds friendship and happiness helping her neurotic, invalid cousin become strong and healthy. Nature's powerful magic touches both children as they toil to revive their secret garden. The story alludes to some very modern themes including the ability of mental beliefs to create health, the strength of group optimism, and the restorative power of nature.

Kira, an orphan with a twisted leg, lives in a world where the weak are cast aside. She fears for her future until she is spared by the all-powerful Council of Guardians. Kira is a gifted weaver and is given a task that no other community member can do. While her talent keeps her alive and brings certain privileges, Kira soon realizes she is surrounded by many mysteries and secrets. No one must know of her plans to uncover the truth about her world and see what places exist beyond.

From the 1920s to 1950, Georgia Tann ran a black-market baby business at the Tennessee Children’s Home Society in Memphis. The publication of Lisa Wingate’s novel Before We Were Yours brought new awareness of Tann’s lucrative career in child trafficking. Adoptees who knew little about their pasts gained insight into the startling facts behind their family histories. Encouraged by their contact with Wingate and award-winning journalist Judy Christie, who documented the stories of 15 adoptees in this book, many determined Tann survivors set out to trace their roots.

Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In the first two books alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, a lumpy bed, a deadly serpent, a large brass reading lamp, a long knife, and a terrible odor.

Dominic Cantori is an orphan. Ashamed of his situation, Dominic avoids making friends for fear of exposing his terrible secret. One day on a class trip to Ellis Island, a tour guide asks everyone about their families. Immediately, Dominic flees from the class and hides in a closet, where he falls asleep for hours.

Nine-year-old Ada has never left her one-room apartment. Her mother is too humiliated by Ada's twisted foot to let her outside. So when her little brother Jamie is shipped out of London to escape the war, Ada doesn't waste a minute - she sneaks out to join him. So begins a new adventure of Ada, and for Susan Smith, the woman who is forced to take the two kids in. As Ada teaches herself to ride a pony, learns to read, and watches for German spies, she begins to trust Susan.

If you have not read anything about the Baudelaire orphans, then before you read even one more sentence, you should know this: Violet, Klaus, and Sunny are kindhearted and quick-witted, but their lives, I am sorry to say, are filled with bad luck and misery. All of the stories about these three children are unhappy and wretched, and this one may be the worst of them all.

Three complete stories in one collection! Includes Mystery in the Sand, Mystery Behind the Wall, and Bus Station Mystery. In Mystery in the Sand, the Alden family is spending sunny days at the shore and summer nights in the mobile home right on the beach! One morning, Benny finds a gold necklace in the sand, and a search for its owner begins a trail of clues that leads to Tower House, the strange old mansion nearby. What will the Boxcar Children find there?

In a discontented kingdom, civil war is brewing. To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Four orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point - he must be chosen to play the prince or he will certainly be killed. But Sage's rivals have their own agendas as well.

In 1985 southern Sudan is ravaged by war. Rebels and government forces battle for control, with ordinary people…people like the boy, Salva Dut…caught in the middle. When Salva's village is attacked, he must embark on a harrowing journey that will propel him through horror and heartbreak, across a harsh desert, and into a strange new life. Years later, in contemporary South Sudan, a girl named Nya must walk eight hours a day to fetch water. The walk is grueling, but there is unexpected hope.

Siblings Kate, Michael, and Emma have been in one orphanage after another for the last ten years, passed along like lost baggage. Yet these unwanted children are more remarkable than they could possibly imagine. Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about.

Pollyanna, an expert at her favorite "Glad Game" of always looking at the bright side in her numerous trials, is one of the most popular and enduring characters in all of children's literature.

A New York Times best seller and USA Today best-selling book! From award-winning actor Neil Patrick Harris comes the magical first book in a new series with plenty of tricks up its sleeve. When street magician Carter runs away, he never expects to find friends and magic in a sleepy New England town. But like any good trick, things change instantly as greedy B.B. Bosso and his crew of crooked carnies arrive to steal anything and everything they can get their sticky fingers on.

I hope, for your sake, that you have not chosen to listen to this recording because you are in the mood for a pleasant experience. If this is the case, I advise you to put down this audio instantaneously, because of all the audios describing the unhappy lives of the Baudelaire orphans, The Miserable Mill might be the unhappiest yet.

Like the previous books in A Series of Unfortunate Events, there is nothing to be heard here but misery, despair, and discomfort, and you still have time to choose something else to listen to.