Poetry Criticism

With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks listeners through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver’s prolific mind—a must-have for all poetry-lovers.

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives.

The Homecoming of Beorhtnoth Beorhthelm’s Son was originally published in the 1953 edition of Essays and Studies. In December of that year, J.R.R. Tolkien took possession of a reel-to-reel tape recorder and, some time during the first few months of 1954, decided to record ‘the whole thing on tape’ as a way of ‘testing’ the performative quality of the dramatic dialogue between Tídwald and Torhthelm.

Sylvia Plath is an object of enduring cultural fascination―the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne―a superfan and scholar―radically reimagines the last years of Plath’s life, confronts her suicide and the construction of her legacy.

Julie Andrews and Emma Walton Hamilton share a diverse mix of their most beloved poems, songs and lullabies in this timeless audio treasury. Brought to life with James McMullan's stunning watercolor paintings included in a bonus pdf, this anthology features nine themed sections, and nearly 100 poetry selections from a wide range of talent.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

Kendrick Lamar is one of the most influential rappers, songwriters and record producers of his generation. Widely known for his incredible lyrics and powerful music, he is regarded as one of the greatest rappers of all time. In Promise That You Will Sing About Me, pop culture critic and music journalist Miles Marshall Lewis explores Kendrick Lamar’s life, his roots, his music, his lyrics, and how he has shaped the musical landscape.

Teenage girls have a lot to say, and poet Betsy Franco shares some of it in this unique work. In both poetry and prose, the young voices here share their thoughts on topics all teens are familiar with—from self-confidence to body image, from sexuality to loneliness, and everything in between.

Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

أثار هذا الكتاب ل"طه حسين" الكثير من الجدل فور صدوره عام 1926 وهاجمه الكثير من النقاد فقد تناول طه حسين قضية الشعر الجاهلي من منظور الشك من حيث اللغة والمواضيع والنظم.

Part lyric essay, part prose poetry, Where Things Touch grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human existence. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.

The life of Letitita Elizabeth Landon - pen name L.E.L. - was one lived in a blaze of scandal and worship, one of the most famous women of her time, the Romantic Age in London's 1820s, her life and writing on the ascendency as Byron's came to an end. Lucasta Miller tells the full story and recreates the literary London of her time.

In a series of fascinating conversations with eighteen American poets, and in dozens of poems, The Language of Life celebrates language in its "most exalted, wrenching, delighted, and concentrated form," and its unique power to recreate the human experience: falling in love, facing death, leaving home, losing faith, finding God.

With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it.

How can art help us make sense of the world? With the same intelligence that animates his poetry, Michael Robbins addresses this weighty question while contemplating the idea of how strange it is that we need art at all. Ranging from Prince to Def Leppard, Lucille Clifton to Frederick Seidel, Robbins's mastery of poetry and popular music shines in Equipment for Living. His singular ability to illustrate points with seemingly disparate examples will change the way you listen to music and read poetry.

The fascinating story of England's monarchy is highlighted by extracts from the diaries and speeches of English monarchs and observations by their contemporaries. Multi-voice narration adds colour and personality to the history of England's most famous family.

Here are the extraordinary writings of a generation who fought through a war of unprecedented destructive power, and who had to find new voices to express the horror of what they discovered. The great names - Owen, Sassoon - are fully represented, but there are also many poems by lesser-known or unexpected figures, ranging from serving soldiers like Isaac Rosenberg and Richard Aldington to women such as Edith Nesbit and Vera Brittain.

When I am grown to man’s estate. I shall be very proud and great. And tell the other girls and boys. Not to meddle with my toys. Thus reads the whimsical, “Looking Forward,” of this delightful collection. From the sweetness of “Land of Nod,” to the imaginative dreams of “Pirate Story” and “Travels,” Robert Louis Stevenson’s beloved poems celebrate childhood in all its simplicity and joy.

A journal of my life this year as I go about my life to church, to work, to teaching, to play, and to visiting friends. The first chapter is a story of the spring. The second chapter is like a sketchbook or a glimpse into a journal. There are reflections and prayers and wishes. The ideas from church are ideas I heard from the priests. It is really paraphrased versus a direct quotation. And some of the biblical quotes I used are used in the poem I wrote. The second chapter is about the summer of 2018 and about some of the things I went through.