Poetry Style

Grande capolavoro rinascimentale tutto incentrato sulle vicende della prima Crociata, la Gerusalemme Liberata rappresenta di fatto una epopea Cristiana. Le avventure guerresche si intrecciano continuamente con passioni amorose, magie, nobili gesta, avventure, fughe, inseguimenti. Il Tasso attribuisce all'amore un ruolo centrale, in forte contrasto con il tema guerresco e religioso, intrecciando così conflitti epici e amorosi, motivi religiosi ed intenzioni profane, facendone un dramma Cristiano sempre in bilico tra peccato e redenzione.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

My Greenhouse is a collection of poems inspired by the author's first romance, beginning with the seeds of infatuation, blooming for a time into real love, and then eventually dying back, making room for new growth. The pieces evoke the feelings of enchantment, uncertainty, pain, and ultimately healing that come with your first love and heartbreak.

I Had A Brother Once is a brilliant, genre-defying work - both memoir and epic poem - about the struggle for wisdom, grace, and ritual in the face of unspeakable loss. Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

From award-winning writer and poet Chris McClelland comes a chapbook of strong philosophical and spiritual-oriented poems, meditative and spanning the ancient religious sites of the Yucatan, the ghost-filled streets of Paris, and the verdant countryside of Ireland dotted with medieval castles. As a recent convert to the Mormon faith, McClelland allows these voices to explore questions of inspiration and personal spiritual impressions through his new Latter Day Saint perspective.

lemon is an exploration of body and health. The poems in this chapbook come from learning to navigate life with a disability, anxiety and depression, bodily changes, illness and associated medical trauma, and the intersection of physical and mental health.

Lisa Moore’s moving debut is funny, cerebral and endearingly witty. These are a collection of beautiful, personal poems that speak of female life. Birth, love, motherhood, menopause, ageing, sexism, friendship, home and death. The full rainbow spectrum of life is given her wryly truthful voice. An anthology for women everywhere.

Recalling the great oral tradition of Homer and the ancient poets, this masterful performance by the author gazes from heaven to earth, from earth to heaven. Angels battle, politicians scheme, prophets conjure miracles among a rich and varied cast of characters, all rendered in exquisite verse. Obama's Dream - A brotherhood of angels prepares for battle, tears are shed in heaven, and fire leaps from the holy altar. Elijah - Ancient Israel, ninth century BC. Jezebel has killed the true prophets of the Lord, and Elijah must flee her wrath.

Blythe Baird’s If My Body Could Speak is a celebration of girlhood and all of its struggles and triumphs. In poems that dig deep into sexuality, acceptance of the body, survival of trauma, and learning to love yourself in spite of everything telling you not to, Baird’s voice is a rich addition to her generation. Searing, soaring, and heartbreaking, If My Body Could Speak balances the softness of femininity with the sharpness that girls are forced to become.

Wolfram von Eschenbach, a knight and a poet from 13th century Germany, is the author of this Arthurian romance. Parzival is the revival and completion of a narrative left incomplete by its initiator Chrétien de Troyes. It follows Parzival from his boyhood and career as a knight at the court of King Arthur to his ultimate achievement as King of the Temple of the Grail. This is both a tale of chivalry, and an epic quest for spiritual insight, as the hero Parzival must overcome his pride, and learn to be humble before he can finally win the Holy Grail.

En Despierta Lorena Pronsky nos habla, de una manera honesta y visceral, sobre cómo superar los golpes de la vida: las pérdidas, el desamor y los miedos.

Poetry for every listener. Bibliophile has three sections. Poems about family fill "The Tie that Binds." Poetry about art is the theme of "A Thousand Words." The book ends with a section of humorous poems, "Flights of Fancy."

Silence is rare in Nature. When we really listen, Nature is conducting symphonies of sound as her world goes about the day and night. Her invisible heartbeat is everywhere, for everyone. Our eyes are constantly bathed in the wonder of her ways, the soft drizzle of rain from soft grey clouds, the bleached harsh desert sand of a noon day, a wave caressing the shore, to the ravenous colours of a departing sunset. Indeed, whenever we look and listen to the vastness of our world Nature’s beauty is always there for us. In these 60 minutes Nature takes us through her world of wonder.

indigo is the joy and lament of a father, theologian, human being, fashioning new ideas about the divine within the painful loss of his daughter, within the constraints of his own intelligence, within the constraints of what religion had been telling him his whole life—some of which was good and some of which wasn't.

Scott Calloway has a lot going through his head. Family members, psychologists, and doctors see little value in him after he suffers a traumatic head injury. With the help of his aunt, a wise pastor, and a woman desperate for love, he learns how to thrive despite his condition.

As James Crews writes in the introduction: "Wonder opens our senses and helps us stay in touch with a humbling sense of our own human smallness in the face of unexpected beauty and the delicious mysteries of life on this planet." The anthology features a foreword by Nikita Gill and a carefully curated selection of poems from a diverse range of authors, including Native American poets Joy Harjo, Linda Hogan, Kimberly Blaeser, and Joseph Bruchac, and BIPOC writers Ross Gay, Julia Alvarez, and Toi Derricotte.

What was happening to our country? There were a lot of people just like me. We were faces in our windows, looking out, wondering what in the world was going on. We have some evil giants trying to stomp us down, and they are trying to turn our country into something we cannot accept. These giants were systematically forcing terrible things on the population to be accepted as normal and good. God is love but He is not just soft mushy quiet love. God has a temper, and He has displayed it in His word. The scolding poems (the face in the window poems) came to me in basically a complete form.

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout. It is considered by critics to be Milton's major work, and it helped solidify his reputation as one of the greatest English poets of his time.

Intimate, moving, virtuosic, and hilarious, Tayi Tibble is one of the most exciting new voices in poetry today. In Poūkahangatus (pronounced “Pocahontas”), her debut volume, Tibble challenges a dazzling array of mythologies—Greek, Māori, feminist, kiwi—peeling them apart, respinning them in modern terms.