Police Crime

A crime wave has hit town. The target is a highly sought-after brand of streetwear called Hybird X, clothing that costs a fortune and resells for unbelievable prices. Houses are burgled, kids mugged on the streets...and finally a young man dies, all for the sake of his shoes. Then another boy’s body is found in a pile of rubbish. Meanwhile illegal steroids are flooding the streets. And there are dark movements on the marshes.

When Sheriff Bree Taggert discovers the body of a young woman floating near the bank of the Scarlet River, a note in her abandoned car suggests suicide. The autopsy reveals a different story. Holly Thorpe was dead long before she dropped off the bridge and hit the water. As Bree and her investigator Matt Flynn delve into the case, secrets in Holly’s personal life complicate their efforts to solve the murder.

When Shetland detective Jimmy Perez finds a body in a hut used by fishermen, it seems to be a straightforward case of suicide. He recognises the victim - a stranger with amnesia who had disrupted a local party the night before his death. Yet this is no desperate act of anguish but the work of a cold and calculating killer. As Perez investigates, he finds himself mired in the hidden secrets of the small Biddista community. Then another body is found. Perez knows he must break the cycle before another death occurs. But this is a crazy time of year, when night blurs into day and nothing is quite as it seems....

In The Lewis Man, the second book of the trilogy, Fin Macleod has returned to the Isle of Lewis, the storm-tossed, wind-scoured outer Hebridean island where he was born and raised. Having left behind his adult life in Edinburgh - including his wife and his career in the police force - the former Detective Inspector is intent on repairing past relationships and restoring his parents' derelict cottage. His plans are interrupted when an unidentified corpse is recovered from a Lewis peat bog. The only clue to its identity is a DNA match to a local farmer, the now-senile Tormod Macdonald....

Detective Ulf Varg from the Department of Sensitive Crimes is often called upon to investigate unusual matters. But rarely is he asked to conduct an inquiry on behalf of his own family. Is such a thing ethical? Adding to Ulf's moral discomfort is the fact that he does not exactly see eye to eye with his younger brother Bjorn - a leading player in one of Sweden's right-wing parties, the Moderate Extremists. Still, family is family, so Ulf finds himself working to uncover the mole leaking secrets to a rival party, the Extreme Moderates.

On a hot Saturday night in Manhattan, Father Duffy sits in a confessional, growing alarmed as he listens to the voice of a distraught young man who speaks of bloody hair and a dead woman and a compulsion to do things with a hammer that he does not understand. Before the priest can persuade the man to confess to the police, the killer flees, still clutching the hammer.

When Sienna Walker is nearly fired from the NYPD, the last thing she expects is a second chance in the one place she vowed never to return to. But she can’t afford to turn down the job offer, even if a painful familial past and a broken engagement hardly make Reno, Nevada, home sweet home. It’s made even less sweet by Sienna’s first case—a serial killer with a curious fixation on her. Along with his victims, the killer leaves perplexing clues and chilling journal entries addressed to Sienna detailing the murders he claims his mother committed.

On Shetland, the launch of an exhibition at The Herring House art gallery is disturbed – a stranger bursts into tears, claiming not to remember who he is or where he comes from. The next day, Inspector Jimmy Perez finds his dead body in a fisherman’s hut. Initially, it seems to be a straightforward case of suicide – yet this is no desperate act. Instead, it soon becomes clear, this is the work of a cold-blooded killer. As Perez investigates, he finds himself mired in the hidden secrets of a small community. Then another body is found.

In Naked Prey, John Sandford puts Lucas Davenport through some changes. His old boss, Rose Marie Roux, has moved up to the state level and taken Lucas with her. In addition, Lucas is now married and a new father, both of which are fine with him: He doesn't mind being a family man. But he is a little worried. For every bit of peace you get, you have to pay - and he's waiting for the bill. It comes in the form of two people found hanging from a tree in the woods of northern Minnesota. What makes it particularly sensitive is that the bodies are of a black man and a white woman, and they're naked....

Called to an isolated farm to check on an elderly widow, Sheriff Bree Taggert finds a brutal double homicide. One of the victims is Eugene Oscar, the bitter and corrupt former deputy she recently forced out of the department. Working with criminal investigator Matt Flynn, Bree discovers that she isn’t the only one who had a troubling history with Eugene. But someone doesn’t want Bree digging up the past. She becomes the target of a stranger’s sick and devious campaign calculated to destroy her reputation, career, family, and new relationship with Matt.

A torso in a suitcase looks like an impossible case, but Sean Duffy isn’t easily deterred, especially when his floundering love life leaves him in need of a distraction. So with detective constables McCrabban and McBride, he goes to work identifying the victim. The torso turns out to be all that’s left of an American tourist who once served in the U.S. military. What was he doing in Northern Ireland in the midst of the 1982 Troubles?

Matt is intrigued when his partner Liz brings home an old carpet bag she found dumped in the local library. It contains a pile of mysterious handwritten notes. Liz is convinced the bag belongs to Old Molly, a local woman who lives on the streets. The following day, a body is discovered in a marshy lagoon. It's Old Molly. Suffocated with an expensive men's handkerchief. Molly clearly knew something that got her killed. Liz believes she was trying to tell them something important. She calls on her nephew David to help decipher the carpet bag notes.

The scene in the West Village studio appears to be classic crime-of-passion: two wineglasses by the bed, music playing, and a young sculptor named Ariel Byrd with the back of her head bashed in. But when Dallas tracks down the wealthy Upper East Side woman who called 911, the details don’t add up. Gwen Huffman is wealthy, elegant, comforted by her handsome fiancé as she sheds tears over the trauma of finding the body - but why did it take an hour to report it? And why is she lying about little things?

Producer Jack Quick knows how to frame a story. So says Curtis Wade, the subject of Jack's new true crime docuseries, convicted of a young woman's murder four years prior. In the eyes of Jack's viewers, flimsy evidence and police bias influenced the final verdict...even though, off screen, Jack himself has his doubts. But when the series finale is wildly successful, a retrial sees Curtis walk free. And then another victim turns up dead.

Cat Kinsella overcame a troubled childhood to become a detective constable. When she’s called to the scene of a murder, not far from the pub her estranged father still runs, she discovers that Alice Lapaine is dead. Cat and her team suspect Alice’s husband, until she receives a phone call that links the victim to Maryanne Doyle, a teenage girl who went missing in Ireland 18 years earlier. The call raises uneasy memories for Cat. Though she was only a child, Cat knew that her father wasn’t telling the truth when he denied knowing anything about Maryanne or her disappearance.

Twenty years ago Emily Mills's father was murdered, and she found his body hanging in the backyard. Her younger sister, Madison, claims she was asleep in her room. Her older sister, Tara, claims she was out with friends. The tragedy drove their mother to suicide and Tara to leave town forever. The killer was caught. The case closed. Ever since, Emily and Madison have tried to forget what happened that night - until an eerily similar murder brings it all back.

When his daughter Samantha calls in the dead of night, John Rebus knows it's not good news. Her husband has been missing for two days. Rebus fears the worst - and knows from his lifetime in the police that his daughter will be the prime suspect. He wasn't the best father - the job always came first - but now his daughter needs him more than ever. As he leaves at dawn to drive to the windswept coast - and a small town with big secrets - he wonders whether this might be the first time in his life where the truth is the one thing he doesn't want to find....

I Let You Go follows Jenna Gray as she moves to a ramshackle cottage on the remote Welsh coast, trying to escape the memory of the car accident that plays again and again in her mind and desperate to heal from the loss of her child and the rest of her painful past. At the same time, the novel tracks the pair of Bristol police investigators trying to get to the bottom of this hit-and-run.

Fifteen year old Marilyn turns up alone and frightened on Inspector Ramsay’s doorstep so he takes the young girl home to the isolated coastal community known as the Headland. And in the Howes’ dark and cluttered kitchen they find Kathleen safe and apparently well, though acting rather mysteriously. Six months later, Ramsay has more or less forgotten the strange incident, busy as he is on the trail of a local child abductor. Until he receives news that Mrs Howe has disappeared once more.

Former Marine helicopter pilot Jack Morgan runs Private, a renowned investigation company with branches around the globe. It is where you go when you need maximum force and maximum discretion. The secrets of the most influential men and women on the planet come to Jack daily - and his staff of investigators uses the world's most advanced forensic tools to make and break their cases.