Police Detective

Former detective sergeant Norman Norman’s retirement is boring him to tears. So when he’s asked to assist an upcoming female DI and mentor a new team of misfits in a sleepy Welsh coastal town, he jumps at the opportunity. But the training has barely begun when a woman’s corpse washes up on the sand. With no reports of missing persons, DS Norman is stumped...until the post-mortem reveals a shocking hint to the culprit being local. But with a growing list of suspects who all have alibis, the experienced cop and his fledgling team’s first case could be their last.

For three years, Detective Jude Fontaine was kept from the outside world. Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive. After her experience with isolation and torture, she is left with a fierce desire for justice - and a heightened ability to interpret the body language of both the living and the dead.

Calcutta, 1923. When a Hindu theologian is found murdered in his home, the city is on the brink of all-out religious war. Can officers of the Imperial Police Force, Captain Sam Wyndham and Sergeant Surendranath Banerjee track down those responsible in time to stop a bloodbath? Set at a time of heightened political tension, beginning in atmospheric Calcutta and taking the detectives all the way to bustling Bombay, the latest instalment in this series presents Wyndham and Banerjee with an unprecedented challenge. Will this be the case that finally drives them apart?

Women are being taken in Virginia, and FBI agent Mark Gallagher is determined to put a stop to it. Certain he’s closing in on the killer known as The Embracer, Mark is less than thrilled when he’s partnered with rookie agent Colleen Law, worried she’s a liability when there’s so much at stake. But like everyone in the Krewe of Hunters, Colleen has talents that extend beyond the usual investigative toolbox. She can hear the voices of the victims in her head, and they’re telling her she and Mark are near to uncovering the truth.

In the dead of a swelteringly hot summer's night, Detective Erika Foster is called to a murder scene. The victim, a doctor, is found suffocated in bed. His wrists are bound and his eyes bulging through a clear plastic bag tied tight over his head. A few days later, another victim is found dead in exactly the same circumstances. As Erika and her team start digging deeper, they discover a calculated serial killer - stalking their victims before choosing the right moment to strike.

Two young women are found murdered in Oslo, both drowned in their own blood. Media coverage quickly reaches fever pitch: Could this be the work of a serial killer? The crime scenes offer no coherent clues, the police investigation is stalled, and the one man who might be able to help doesn't want to be found. Traumatized by his last case, Inspector Harry Hole has lost himself in the squalor of Hong Kong's opium dens. Yet when he is compelled, at last, to return to Norway - his father is dying - Harry's buried instincts begin to take over. Then a female MP is discovered brutally murdered.

DCI Matilda Darke has returned to work after a nine-month absence. A shadow of her former self, she is tasked with reopening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their 11-year-old son, Jonathan, who was too deeply traumatised to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more....

When a young red-haired woman is found brutally murdered in downtown Chicago, one detail stands out: the red lipstick encircling her wrists and ankles. Detective Harriet Foster is on the case, even though she’s still grieving the sudden death of her partner. As a Black woman in a male-dominated department, Foster anticipates a rocky road ahead acclimating to a new team—and building trust with her new partner isn’t coming easily. After another victim turns up with the same lipstick markings, Foster suspects she’s looking for a serial killer.

Recently transferred to the London borough of Camden from Scotland Yard headquarters, Superintendent Duncan Kincaid and his new murder investigation team are called to a deadly bombing at historic St. Pancras Station. By fortunate coincidence, Melody Talbot, Gemma's trusted colleague, witnesses the explosion. The victim was taking part in an organized protest, yet the other group members swear the young man only meant to set off a smoke bomb.

As he leans over the body of an unidentified five-year-old girl shot in the back on a shabby London street, Superintendent Richard Jury knows he'll be facing one of the saddest investigations of his life. His colleague DI Johnny Blakeley, head of the pedophile unit of NSY, thinks he knows where this child came from - an iniquitous house on that same street, owned by well-known financier Viktor Baumann and fronted by a woman named Murchison. Blakeley has been trying to wreck their operation for a long time.

Twenty years ago Ed Finch – America’s most notorious serial killer – used the Bay Area as his hunting ground. Now, his daughter Margot is a homicide detective with the San Francisco Police Department who has spent her whole life trying to forget who she is. But her daddy won’t let her forget. When Margot receives a phone call from his lawyer, she learns that Ed is back – transferred to death row at San Quentin. And her father has a message for her: he’s willing to disclose some long-held secrets. But there’s a catch. She has to visit him.

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

Anne Scott's address was scribbled on a crumpled note in the pocket of Morse's smartest suit. He turned the corner of Canal Street, Jericho, on the afternoon of Wednesday, 3rd October. He hadn't planned a second visit. But he was back later the same day - as the officer in charge of a suicide investigation....

A bloated corpse turns up in the Thames, throat slashed, and the only clue is a hospital wristband reading "Dr. F. Klein". Frieda is taken to see the body and realizes with horror that it is Sandy, her ex-boyfriend. She's certain that the killer is Dean Reeve - the man who has never stopped haunting her. But the police think he has been dead for years, and Frieda is their number one suspect. With few options, Frieda goes on the run to save herself and try to uncover the truth.

A popular young girl disappears without a trace, her skeletal remains discovered three years later in the ashes of a burned-out house. There's a suspect and compelling circumstantial evidence of his guilt, but no concrete proof. When he isn't indicted, he returns to mock the girl's family. And this isn't the first time he's been suspected of the murder of a young girl; nearly 20 years ago he was tried and released due to lack of evidence. Detective Chief Inspector Kusanagi of the Homicide Division of the Tokyo Police worked both cases.

When Gideon Oliver and his wife, Julie, are in Tuscany visiting the Cubbiddu family, the renowned Skeleton Detective is asked to reexamine the remains of a mysterious family tragedy. Pietro Cubbiddu, former patriarch of the Villa Antica wine empire, is thought to have killed his wife and then himself in the remote mountains of the Apennines. It does not take long for Gideon to deduce that, whatever happened, a murder-suicide it was not. Soon Gideon finds himself in a morass of family antipathies, conflicts, and mistrust, to say nothing of the local authority's resentment.

Her name is Sandy. You might know her as the loving wife of Detective Superintendent Roy Grace. But there's more to her than meets the eye. A woman with a dubious past, a complicated present and an uncertain future. Then she was gone. Her disappearance caused a nationwide search. Even the best detective on the force couldn't find her. They thought she was dead. Where did she go? Why did she run? What would cause a woman to leave her whole life behind and simply vanish?

Lars Martin Johansson is a living legend. Cunning and perceptive, always one step ahead, he was known in the National Criminal Police as "the man who could see around corners". But now Johansson is retired, living in the country, his police days behind him. Or so he thinks. After suffering a stroke, Johansson finds himself in the hospital. Tests show heart problems as well. And the only thing that can save him from despair is his doctor's mention of an unsolved murder case from years before.

Detective Inspector Thomas Lynley, the eighth earl of Asherton, has brought to Howenstow, his family home, the young woman he has asked to be his bride. But the savage murder of a local journalist is the catalyst for a lethal series of events that shatters the calm of a picturesque Cornwall village and embroils Lynley and St. James in a case far outside their jurisdiction - and a little too close to home.

Michael Robotham's Suspect, hailed as "a lightning-paced debut" by Entertainment Weekly, was an international best seller that raised the bar for thrillers. Now two characters from that acclaimed novel, Detective Vincent Ruiz and psychologist Joe O'Loughlin, return for the electrifying Lost. When Detective Ruiz is pulled from the Thames, he has a bullet in his leg, a photograph of a missing (and presumed dead) girl in his pocket, and absolutely no memory of what happened.