Police Procedural Serial Killers Mystery

À l’origine du roman, des faits réels : entre 1968 et 1969, celui que la presse a surnommé Bible John tua trois jeunes femmes rencontrées dans une discothèque de Glasgow. Il ne fut jamais identifié. En 1983, Noah Scott Sherington, enquêteur écossais obsédé par le meurtrier, est sur le point de l’arrêter, sous une pluie torrentielle au bord du loch Katrine, quand il est foudroyé par une crise cardiaque. À peine remis, écoutant son intuition et résistant aux injonctions des médecins et de sa hiérarchie, il suit sa piste jusqu’à Bilbao.

As the case grows more complex, leading down a maze of dead ends, Dakota realizes there may be one clue just out of reach. And after a shocking twist, Dakota realizes that this killer may not be who she thinks he is. He may just be far more diabolical. Yet Dakota must still battle her own demons—the disappearance of her sister, the estrangement of her father—as all of it bears down on her at once. Can she hold it together long enough to solve the case?

When a young red-haired woman is found brutally murdered in downtown Chicago, one detail stands out: the red lipstick encircling her wrists and ankles. Detective Harriet Foster is on the case, even though she’s still grieving the sudden death of her partner. As a Black woman in a male-dominated department, Foster anticipates a rocky road ahead acclimating to a new team—and building trust with her new partner isn’t coming easily. After another victim turns up with the same lipstick markings, Foster suspects she’s looking for a serial killer.

It’s hiking season in Black Rock Falls, and the small town in Montana is flooded with visitors. But when a hiker finds a human skull on a deserted trail in the woods that surround the town, Detective Jenna Alton is called in to investigate. With no missing persons reported, Jenna has no leads. Then her team makes a shocking discovery - the body of another hiker, a young man, tied to a tree and riddled with bullets. Could the two murders be linked? As more bodies are found, Jenna and her deputy David Kane know that they must venture deep into the forest to find and face the killer.

It's Christmas, and a serial killer is leaving displayed body parts all over Cumbria. A strange message is left at each scene: #BSC6. Called in to investigate, the National Crime Agency's Washington Poe and Tilly Bradshaw are faced with a case that makes no sense. Why were some victims anaesthetised, while others died in appalling agony? Why is their only suspect denying what they can irrefutably prove but admitting to things they weren't even aware of? And why did the victims all take the same two weeks off work three years earlier?

When Detective Natalie Ward is called to the home of 14-year-old Roxy Curtis she can’t help but empathise with Roxy’s distraught mother Cathy. Roxy hasn’t come home, last seen heading next door for a sleepover with her best friend Ellie. As the mother of two teenagers herself, Natalie knows that this is every parent’s worst nightmare. But when Roxy’s body is found in the basement of a beautiful Victorian mansion on the other side of town, Natalie’s darkest fears are confirmed. What was Roxy doing there? Cathy seems evasive, and Ellie refuses to talk.

One hot summer evening, 11-year-old Mikey Driscoll is on the way home from playing with friends. Two days later, his body is discovered on a bed of wildflowers by some local teenagers. The case is assigned to Detective Lottie Parker, and this time it’s personal. The victim was a close friend of her son, Sean, from the run-down Munbally estate on the other side of town. Sean tells his mother Mikey was behaving normally before he died, but Lottie can’t help but feel that her son is keeping something from her.

The fourth thriller in the number one best-selling crime series from the award-winning Stuart MacBride. Panic grips the Granite City as DS Logan McRae heads up a manhunt for 'The Flesher' - one of the UK's most notorious serial killers. The case was closed. Until the killer walked free.... When an offshore container turns up at Aberdeen Harbour full of human meat, it kicks off the largest manhunt in the Granite City's history.

Retiring prosecutor Jessica Yardley can’t turn down one last investigation. This time, it’s a set of murders inspired by a series of grisly paintings called The Night Things. She’s the only one who can catch the killer, who’s left a trail of bodies in a rural community outside of Las Vegas. But the more Jessica finds out, the less clear her case becomes. Out of options, she’s forced to consult her serial killer ex-husband - to gain additional insight into the crimes and the killer’s motivations.

For three years, Detective Jude Fontaine was kept from the outside world. Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive. After her experience with isolation and torture, she is left with a fierce desire for justice - and a heightened ability to interpret the body language of both the living and the dead.

A taunting letter, claiming violence and death to the vile people of Washburn County, puts Sergeant Jade Monroe and her staff of detectives on high-alert. The letter states they will see the author's work soon, but, without forensic evidence, Jade has no way of knowing who wrote the letter or its validity. When the first victim is discovered, the carnage promised in the letter is realized, and as the body count escalates, so does the depravity of the murders.

Something is troubling Inspector Henry Cutter. Sergeant Gideon Bliss is accustomed to his ill-tempered outbursts, but lately the inspector has grown silent and withdrawn. Then, the murders begin. The first to die is the elderly Sir Aneurin Considine, a decorated but obscure civil servant who long ago retired to tend his orchids. If the motive for his killing is a mystery, the manner of his death is more bewildering still. The victims that follow suffer similar fates, their deaths gruesome but immaculately orchestrated.

DI Kate Young has known for years that her boss, Superintendent John Dickson, is a violent and evil man. But when she finally confronts him and accidentally shoots and kills him, she’s forced to cover her tracks before anyone can pin his death on her. With revelations about his corruption soon to become public knowledge, Kate sets up a trail of evidence to make it seem that Dickson has conveniently vanished… But Kate knows the corruption doesn’t end with Dickson.

Detective Sergeant Washington Poe can count on one hand the number of friends he has. And he'd still have his thumb left. There's the guilelessly innocent civilian analyst, Tilly Bradshaw of course. Insanely brilliant, she's a bit of a social hand grenade. He's known his beleaguered boss, Detective Inspector Stephanie Flynn for years as he has his nearest neighbour, full-time shepherd/part-time dog sitter, Victoria. And then there's Estelle Doyle. Dark and dangerous and sexy as hell.

DCI Kate Young never meant to shoot Superintendent John Dickson at the reservoir that night—even if, as a scheming corrupt cop and head of the shady syndicate, he probably had it coming. But now Kate has photographic evidence that someone else knows her terrible secret… Tormented by guilt and the voices of the dead, Kate is desperate to unmask the rest of the corrupt officers before her own sins catch up with her. When DI Harriet Khatri, awaiting trial for the murder of Kate’s mentor, claims she was framed by Dickson’s syndicate, Kate reluctantly agrees to help in the hope of finding answers.

Southend-on-Sea, Essex: Detective Sergeant Tomek Bowen — driven, dogged, and haunted by the death of his brother — is called to one of the most shocking crime scenes he has ever seen. A man has been ritualistically murdered and dumped in an allotment near the local airport. Early investigations indicate this was a man with a past. A past that earned him many enemies. But when another victim is found murdered under similar circumstances, it becomes clear that Bowen is on the trail of a serial offender.

The discovery of a corpse (artfully displayed as a sunbather relaxing on a Miami beach chair) naturally piques Dexter's curiosity and Miami’s finest realize they’ve got a terrifying new serial killer on the loose. And Dexter, of course, is back in business.

Ten years ago as an undergrad, Joan Mason escaped an arsonist’s fire. Shaken, she fled the small collegiate Montana town, leaving behind friends and not looking back. Now a Philadelphia homicide detective, Joan’s trying to put her traumas to rest. It’s not easy. Elijah Weston, the classmate who torched her house, is out of prison and returning to Missoula. Gut instinct tells Joan he’ll strike again. To stop him, she must return to the past as well. To face not only the man she fears but Detective Gideon Bailey, too. The man she loved and left behind.

Four women went on a weekend of fun to Miami. Four best friends who were inseparable. No one returned. The story made national headlines, and even after weeks of searching for them, they were never found. What happened to them? Are they still alive? Three years later, the teenage children of those same four women decide to take a trip together, against the wishes of their families. They are followed by a TV crew doing a true crime show. When they unearth the body of one of their mothers, they know they are in way over their heads, and soon they realize nothing is what it seems

On the fourth floor of Chaucer House, two teenagers are found chained to a radiator. The boy is dead but the girl is alive. For Detective Kim Stone every detail of the scene mirrors her own terrifying experience with her brother Mikey, when they lived in the same tower block 30 years ago. When the bodies of a middle-aged couple are discovered in a burnt-out car, Kim can’t ignore the chilling similarity to the deaths of Erica and Keith - the only loving parents Kim had ever known.