Police State

An old man's hazy memory and a Polaroid snapshot are all Chee has to go on, but they are enough to send him deep into an underworld of murder and revenge when a shootout erupts between two strangers at the Shiprock Wash-O-Mat. One man dies, and the other drives off but not before showing old Joseph Joe a photograph of the man he is looking for. It's not much of a lead for Sergeant Chee, but it's enough to put him on the killer's trail.

For Sergeant Jim Chee of the Navajo Tribal Police, the case begins when he finds a pair of boots in the rabbit brush beside a wilderness trail. The boots' owner lies nearby, his palms and soles "scalped" in what appears to be a witch's scavenging. The federal investigators tell Chee to mind his own business. But a series of disturbing events draws Chee into a dangerous web of intrigue spun by Navajo sorcery and white greed.

When the body of an anonymous young Hispanic woman dressed as Queen Marie Antoinette is dredged from the Detroit River, the Detroit Police Department wants the case closed out fast. Wayne County coroner Dr. Bobby Falconi gives the woman’s photo to his old pal August Snow, insisting August show it around his native Mexicantown. August’s good friend Elena recognizes the woman immediately. Her story is one the authorities don’t want getting around - and she’s not the only young woman to have disappeared during an ICE raid only to turn up dead a few weeks later.

A dying man is murdered. A rich man's wife agrees to pay $3,000 for the return of a stolen box of rocks. A series of odd, inexplicable events is haunting Sergeant Jim Chee of the Navajo Tribal Police and drawing him alone into the Bad Country of the merciless Southwest, where nothing good can survive...including Chee. Because an assassin waits for him there, protecting a 30-year-old vision that greed has sired and blood has nourished. And only one man will walk away.

Joe Leaphorn may be long retired from the Navajo Tribal Police, but his detective skills are still sharp, honed by his work as a private detective. His experience will be essential to solve a compelling new case: finding the birth parents of a woman who was raised by a bilagáana family but believes she is Diné based on one solid clue, an old photograph with a classic Navajo child’s blanket.

A teacher is dead, a boy is missing, and a councilwoman has put a lot of pressure on Lieutenant Joe Leaphorn and Officer Jim Chee to find her grandson. Sitting on a rooftop watching sacred clowns perform their antics in a Pueblo ceremony, Chee spots the boy. Then, suddenly, the crowd is in commotion. One of the clowns has been savagely murdered. Without a single clue, Chee and Leaphorn must follow a serpentine trail through the Indian clans and nations, seeking the thread that links two brutal murders, a missing teenager, a band of lobbyists trying to put a toxic dump site on Pueblo land, and an invaluable memento given to the tribes.

A tenacious Maori detective, Hana Westerman juggles single motherhood, endemic prejudice, and the pressures of her career in Auckland CIB. Led to a crime scene by a mysterious video, she discovers a man ritualistically hanging in a secret room and a puzzling inward-curving inscription. Delving into the investigation after a second, apparently unrelated, death, she uncovers a chilling connection to an historic crime: 160 years before, during the brutal and bloody British colonization of New Zealand, a troop of colonial soldiers unjustly executed a Maori Chief.

Jacques Rouleau has moved to Kingston to look after his father and take up the position of head of the town's Criminal Investigations Division. One hot week in late September, university student Leah Sampson is murdered in her apartment. In another corner of the city, Della Munroe is raped by her husband. At first the crimes appear unrelated, but as Sergeant Rouleau and his new team of officers dig into the women's pasts, they discover unsettling coincidences.

Reunited by a grave robber and a corpse, Navajo Tribal Police Lieutenant Joe Leaphorn is trying to determine the identity of a murder victim, while Officer Jim Chee is arresting Smithsonian conservator Henry Highhawk for ransacking the sacred bones of his ancestors. But with each peeled-back layer, it becomes shockingly clear that these two cases are mysteriously connected - and that others are pusuing Highhawk, with lethal intentions. And the search for answers to a deadly puzzle is pulling Leaphorn and Chee into the perilous arena of superstition, ancient ceremony, and living gods.

Tony Hillerman's mysteries offer a combination of Native-American lore and intriguing crimes that has made each one an instant best-seller. A wealthy Washington businessman will do anything to protect a covert operation that earns him millions of dollars. But when his activities attract the attention of reservation police, his power becomes as unstable as the desert wind.

The old Beaumont mansion is a rotting shell of its once-grand self, especially after a disastrous hurricane sweeps through Georgia. The storm does more than dislodge shutters and shingles. It leads to a grisly find in the cellar. Three graves. But only two skeletons… For Nikki, the discovery is a gift, the perfect subject for her next crime book—though Reed has made her promise not to keep involving herself in dangerous police business.

A lost gold mine, a corpse in an abandoned pickup truck, and an eerie wailing heard on Halloween are among the delicious plot elements Tony Hillerman cooks up in his 15th novel featuring Joe Leaphorn and Jim Chee. The two Navajo cops, one old and one young—who originally debuted in separate series but have been collaborating for many books now—are among the most engaging, fully human characters in crime fiction. As The Wailing Wind beautifully demonstrates, there's only one Tony Hillerman ... and he's at the top of his game.

Tony Hillerman's best-selling reservation series occupies a unique place in the world of mystery novels. By combining Native American lore and history with suspenseful crime stories, he enlightens and entertains his many fans. Hunting Badger takes you to the Navajo reservation where police sergeant Jim Chee is facing a thorny dilemma. One year ago, Sgt. Chee was part of an FBI search for two cop killers. The men were never caught, and Chee has always blamed police rivalry for the failure. Now several commandos have robbed a casino on the Ute reservation.

It's a week before Christmas when wealthy businessman Tom Underwood disappears into thin air - with more than enough people wanting him dead. New police recruit Kala Stonechild, who has left her northern Ontario detachment to join a specialized Ottawa crime unit, is tasked with returning Underwood home in time for the holidays. Stonechild, who is from a First Nations reserve, is a lone wolf who is used to surviving on her wits. Her new boss has his hands full controlling her, his team, and an investigation that keeps threatening to go off track.

The car fire didn’t kill Navajo Tribal Policeman Delbert Nez—a bullet did. And the old man in possession of the murder weapon is a whiskey-soaked shaman named Ashie Pinto. Officer Jim Chee is devastated by the slaying of his good friend Del and confounded by the prime suspect’s refusal to utter a single word of confession or denial. Lieutenant Joe Leaphorn believes there is much more to this outrage than what appears on the surface as he and Jim Chee set out to unravel a complex weave of greed and death that involves a historical find and a lost fortune.

What begins as a typical day for Officer Bernadette Manuelito - serving a bench warrant, dealing with a herd of cattle obstructing traffic, and stumbling across a crime scene - takes an unexpected twist when she’s called to help find an old friend. Years ago, Bernie and Maya were roommates, but time and Maya’s struggles with addiction drove them apart. Now Maya’s brother asks Bernie to find out what happened to his sister. Tracing Maya’s whereabouts, Bernie learns that her old friend had confessed to the murder of her estranged husband, a prominent astronomer.

Though he’s officially retired from the Navajo Tribal Police, Joe Leaphorn occasionally helps his former colleagues Jim Chee and Bernie Manuelito crack particularly puzzling crimes. But there is that rare unsolved investigation that haunts every lawman, including the legendary Leaphorn. Joe still hasn’t let go of his “last case”—a mystery involving a priceless Navajo rug that was supposedly destroyed in a fire. Nine years later, what looks like the same one-of-a-kind rug turns up in a magazine spread, and the man who showed Joe the photo has gone missing.

Lt. Joe Leaphorn, who can't seem to stay retired, investigates a case that takes him back to his earliest days with the Navajo Tribal Police. When Erwin Totter's trading post burned to the ground back in 1965, the news that Ray Shewnack, a fugitive on the FBI's Most Wanted List, had perished in the blaze drew all available officers to the scene. Joe Leaphorn was pulled away from Grandma Peshlakai's, where he'd gone in hopes of recovering the ten gallons of pinyon sap stolen from her. It was a waste of time, Grandma Peshlakai insisted, since the man was certainly dead.

The ubiquitous nature and political attraction of the concept of order has to be understood in conjunction with the idea of police. Since its first publication, this book has been one of the most powerful and wide-ranging critiques of the police power. Neocleous argues for an expanded concept of police, able to account for the range of institutions through which policing takes place. These institutions are concerned not just with the maintenance and reproduction of order, but with its very fabrication, especially the fabrication of a social order founded on wage labor.

On a Move is one of the most unimaginable stories of injustice and resilience in recent American history. But it is not only one of tragedy. It is about coming-of-age for a young activist, the strong ties of family, and, against all odds, learning how to take indignities on the chin and to work within the very system that created them. At once a harrowing personal account and an impassioned examination of racism and police violence, On a Move testifies to the power of love and hope, in the face of astonishing wrongdoing.