Politics Entertainment

The heroic story of Pussy Riot, who resurrected the power of truth in a society built on lies. On February 21, 2012, five young women entered the Cathedral of Christ the Savior in Moscow. In neon-colored dresses, tights, and balaclavas, they performed a “punk prayer” beseeching the “Mother of God” to “get rid of Putin.” They were quickly shut down by security, and in the weeks and months that followed, three of the women were arrested and tried, and two were sentenced to a remote prison colony. But the incident captured international headlines, and footage of it went viral.

In Planet Funny, Ken Jennings explores this brave new comedic world and what it means - or doesn’t - to be funny in it now. Tracing the evolution of humor from the caveman days to the bawdy middle-class antics of Chaucer to Monty Python’s game-changing silliness to the fast-paced meta-humor of The Simpsons, Jennings explains how we built our humor-saturated modern age, where lots of us get our news from comedy shows and a comic figure can even be elected president of the United States purely on showmanship.

Flula Borg's fascination with America and its "peoples" have warmed hearts nationwide. A frequent guest of Conan O’Brien, the German-born actor and multi-talented entertainer (think Sacha Baron Cohen's Borat crossed with Billy Eichner) fell in love with the United States upon his first visit as a young boy. Throughout his career, he has succeeded in regaling audiences with stories from his outlandish travel exploits while paying homage to his German upbringing, culminating in a personality that is supercharged and charmingly wholesome.

An introverted, unusual young boy, isolated by his obsessions and a loner at school, Chris Packham was only at home in the fields and woods around his suburban home. But when he stole a young kestrel from its nest, he was about to embark on a friendship that would teach him what it meant to love - and that would change him forever.

I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941-2009) describes how his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis.

In Strange Tools: Art and Human Nature, philosopher and cognitive scientist Alva Noë raises a number of profound questions: What is art? Why do we value art as we do? What does art reveal about our nature? Drawing on philosophy, art history, and cognitive science, and making provocative use of examples from all three of these fields, Noë offers new answers to such questions. He also shows why recent efforts to frame questions about art in terms of neuroscience and evolutionary biology alone have been and will continue to be unsuccessful.

Scouted by a modeling agent when she was just sixteen years old, Cameron Russell first approached her job with some reservations: She was a serious student with her sights set on college, not the runway. But modeling was a job that seemed to offer young women like herself unprecedented access to wealth, fame, and influence. Besides, as she was often reminded, “there are a million girls in line” who would eagerly replace her.

This year is the fiftieth anniversary of Waterloo (the song, not the battle) – a seminal moment in pop history which saw Swedish sensation ABBA burst on to the international music scene. How is it that half a century later this seventies Eurovision act is bigger than ever – reaching listeners of all ages and spinning off into musicals, museums and holograms? Giles Smith, writer and music fan, sets out to find out why.

How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter provides a guide for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. A much-needed provocation to look more critically at the accepted narratives about art and rethink and disrupt the way we interact with the museums and galleries that display it.

Beginning with his final departure from Neverland, Untouchable takes listeners through Jackson's final four years, as he shuttled from California to the Middle East, Ireland, Asia, the East Coast, and Las Vegas, planning to recapture his wealth and reputation with a comeback album and a series of 50 mega-concerts, for which he was rehearsing until the day before his death. Sullivan has never-before-reported information about Jackson's business dealings and the pedophilia allegations that irreparably marked his reputation, and he had exclusive access to inner-circle figures.

In this intimate biography of the Prince of Soul, David Ritz provides a candid look at a star and a friend. Ritz had been collaborating with Marvin Gaye on his story for several years before the singer's tragic death and had conducted a series of extraordinary interviews in which Gaye discussed his deepest secrets. What emerges is a full-scale portrait of a charming but tortured artist, a brilliant singer with a divided soul.

Photographer and Grateful Dead insider Rosie McGee narrates her memoir, telling dozens of previously-untold stories of living, traveling and working with the Dead during their first decade as a band. Not just for Deadheads or baby boomers - this audiobook is for anyone seeking a woman's intimate account of the San Francisco rock music community in the Sixties, rare in a field of such books most often written by men.

When E. Jean Carroll—possibly the liveliest woman in the world and author of the “Ask E. Jean” advice column in Elle Magazine, realized that her eight million readers and question-writers all seemed to have one thing in common—problems caused by men—she hit the road. Crisscrossing the country with her blue-haired poodle, Lewis Carroll, E. Jean stopped in every town named after a woman between Eden, Vermont and Tallulah, Louisiana to ask women the crucial question: What Do We Need Men For?

Jonathan Goldsmith has many answers to that question. For years he was a struggling actor in New York and Los Angeles, with experiences that included competing for roles with Dustin Hoffman, getting shot by John Wayne, drinking with Tennessee Williams, and sailing the high seas with Fernando Lamas, never mind romancing many lovely ladies along the way. However, it wasn't all fun and games for Jonathan. Frustrated with his career, he left Hollywood for other adventures in business and life.

Movies matter—that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences, and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks—one of America's most celebrated and thrilling cultural critics—talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee.

When Fancy Feast was in her high school production of "Cabaret," she convinced the director to cast her as a sexy Kit Kat Club Girl, not the old landlady part that always, always goes to the fat girl. In a black slip and fingerless gloves, Fancy made her debut appearance in a fluorescent-lit high school auditorium—and has never looked back. In Naked, Fancy draws back the curtain to reveal a world that most denizens of the daytime never see.

"The meaning of life is the most urgent of questions", said the existentialist thinker Albert Camus. And no less a philosopher than Woody Allen has wondered: "How is it possible to find meaning in a finite world, given my waist and shirt size?" The essays in Movies and the Meaning of Life look at popular and cult movies, examining their assumptions and insights on meaning-of-life questions....

Mother American Night is the wild, funny, heartbreaking, and often unbelievable (yet completely true) story of an American icon. Born into a powerful Wyoming political family, John Perry Barlow wrote the lyrics for thirty Grateful Dead songs while also running his family’s cattle ranch. He hung out in Andy Warhol’s Factory, went on a date with the Dalai Lama’s sister, and accidentally shot Bob Weir in the face on the eve of his own wedding. Despite being a freely self-confessed acidhead, he served as Dick Cheney’s campaign manager during Cheney’s first run for Congress.

Three years ago, award-winning actress Angelina Jolie took on a radically different role as a Goodwill Ambassador for the UN High Commissioner for Refugees (UNHCR). Here are her memoirs from her journeys to Sierra Leone, Tanzania, Pakistan, Cambodia, and Ecuador, where she lived and worked and gave her heart to those who suffer the world's most shattering violence and victimization. Here are her revelations of joy and warmth amid utter destitution...compelling snapshots of courageous and inspiring people for whom survival is their daily work.

Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style.