Politics Entertainment

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

Grammy Nominee for Best Spoken Comedy Album
Once again there's good news for those of us who rage at the evening news, shake our heads at Washington's business-as-usual, or watch as politicians carom helplessly between political crises and sex scandals: Dennis Miller is back performing his fourth installment of hilarious observations, I Rant, Therefore I Am. More from Miller.

FEAT DESC

The true, inspiring tales in Random Acts of Kindness spotlight ordinary people from ages nine to 100 who have found unique ways to show compassion and make a difference. Some of these stories will warm your heart and make you laugh; others will make you smile; and a few might make you cry—in a good way—with the joy of knowing there is so much goodness and generosity in the world.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip-hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip-hop through an analysis of song lyrics, the words of the prophets of the hood.

In the early '80s, the music industry wrote off hip-hop as a passing fad. Few could or would have predicted that the improvised raps and raw beats busting out of New York City's urban underclass would one day become a multimillion-dollar business and one of music's most lucrative genres. Among those few were two visionaries: Russell Simmons, a young black man from Hollis, Queens, and Rick Rubin, a Jewish kid from Long Island.

"We're the buttf--kers of rock-and-roll, We want to sock it to your hole!" With these words written in a notebook, Jon Ginoli sets off on a journey of self-discovery and musical passion to become the founding member of Pansy Division, the first out and proud queercore punk rock band to hit the semi-big time. Set against the changing decades of music, we follow the band from their inception in San Francisco, to their search for a music label and a permanent drummer to their current status as indie rock icons.

In this lively and enlightening study, Kathleen B. Casey explores the ways in which the gender- and race-bending spectacles of vaudeville dramatized the economic, technological, social, and cultural upheaval that gripped the United States in the early 20th century. She focuses on four key performers: Eva Tanguay, Julian Eltinge, Lillyn Brown, and Sophie Tucker.

A follow-up to her popular Encyclopedia of the Exquisite, Jenkins' new book offers a string of historical anecdotes structured around the hours of the day, celebrating the unusual, fantastic, and beautiful ways people have spent time throughout the ages.

Este audiolibro cuenta la asombrosa estrategia del autor para desafiar a los oscuros coleccionistas y traficantes de arte hasta encontrar, casi intactas, dos de las obras más preciadas por el Reich y que, supuestamente, fueron destruidas para siempre.

Throughout history, there has been a consistent crossover between show business and espionage, often producing some of the most extraordinary undercover agents, and occasionally leading to disastrous and dangerous failures. The fact that one relies on publicity and the other on secrecy might seem to rule out a successful symbiosis, but as both require high levels of creative thinking, improvisation, disguise and role-play, they inevitably attract some remarkably similar personalities. Stars and Spies is the first history of the interplay between the two worlds.

Conceived in the Gilded Age, the Ferry Building opened in 1898 as San Francisco's portal to the world—the terminus of the transcontinental railway and a showcase of civic ambition. In silent films and World's Fair postcards, nothing said "San Francisco" more than its soaring clock tower. But as acclaimed architectural critic John King recounts, the rise of the automobile and double-deck freeways severed the city from its beloved structure. King's narrative spans the rise and fall and rebirth of the Ferry Building, introducing colorful figures who fought to preserve its character.

When you sit down at a play, movie, or concert—or even in front of the TV or scrolling on your phone—you are taking part in one of the oldest and most mysterious forms of human behavior. Being part of an audience is an age-old experience that we all crave, one that has evolved from amphitheaters to screens. Right This Way is a pop history of audiences through the ages. Playbill editor Robert Viagas unfolds the unique aspects of what he calls “audiencing” with stories from the age of the Greeks to the world of Zoom.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending.

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

How does a white kid from the New York suburbs, harmonica in hand, end up earning himself a busker's spot on the Harlem sidewalks next to Mr. Satan, a Mississippi-born legend? How did an interracial blues duo fare on the streets of New York during a turbulent, fractious time marked by racially-motivated murders in Howard Beach, Bensonhurst, and Crown Heights?

I used to love the rattle and whoosh of my grandma's buttons as they scattered from their Quality Street tin. An inlaid wooden chest the size of a shoe box holds Lynn Knight's button collection. A collection that has been passed down through three generations of women: a chunky '60s-era toggle from a favourite coat, three tiny pearl buttons from her mother's first dress after she was adopted as a baby, a jet button from a time of Victorian mourning. Each button tells a story.

சவரககர எனற பயரக கடடதம அவர மனனபபக கடதம எழதத தணடனயல இரநத தபபததவர எனற சலபவரகள ஒர பககம. சவரககரப பனற ஒர தலவரப பரககவ மடயத எனற சலபவரகள இனனர பககம. எத உணம?