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Este libro analiza la metamorfosis del mito desde la leyenda del castillo de Transilvania hasta su reinterpretación animada en el cine. Los niños del pasado temían a los vampiros; los de hoy en día quieren ser uno. Y los adultos encuentran en su promesa de felicidad un refugio ante los empleos precarios, las relaciones tóxicas y las megacorporaciones que nos chupan la sangre a diario.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

In a long line of beloved books, Loud Pictures stands as Marc Spitz’s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most—movies and rock and roll. In many ways, films can become imprinted on our brains because of their soundtracks.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

Beauchamp writes about the pictures Kennedy produced, the stars he made - and destroyed - and the men who did his bidding. She also writes about the Hollywood titans in his midst: William Randolph Hearst, Cecille B. DeMille, and David Sarnoff, whose collaboration with Kennedy resulted in the formation of RKO Studios.

Been there, done that, indeed. Texas-born and Harvard-educated, Jack Valenti led several lives, any one of which could have provided ample material for an unforgettable memoir. As it is, This Time, This Place is the gripping story of a man who saw the terrible face of war; who was in the room as political decisions were made that would benefit or devastate countless lives; and who championed the interest of the vast and globally influential movie industry with tenacity and vision.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

Why we matter. Von Kindesbeinen an zieht es Ana Milva Gomes auf die Bühne. Mit außergewöhnlichem Talent, viel harter Arbeit und unbändigem Willen erkämpft sich die Tochter kapverdischer Immigranten erfolgreich Musical-Hauptrollen in »Mamma Mia!«, »Sister Act« oder »Cats«. Doch abseits des Scheinwerferlichts stößt die sympathische Künstlerin immer wieder an die Grenzen einer monochromen Gesellschaft.

Since 2001, the US Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: Hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building.

Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military.

The true, inspiring tales in Random Acts of Kindness spotlight ordinary people from ages nine to 100 who have found unique ways to show compassion and make a difference. Some of these stories will warm your heart and make you laugh; others will make you smile; and a few might make you cry—in a good way—with the joy of knowing there is so much goodness and generosity in the world.

「危険国家」が抱える問題とその背景が見えてくる 「海外安全ホームページ」の地図で真っ赤に塗られた国では何が起こっているのか？世界地図を眺めると、この世界は広く、

Niemand im deutschen Fernsehen ist so verspottet und beschimpft worden wie Markus Lanz. Spätestens nach dem Ende von 'Wetten, dass ..?' schien der Moderator erledigt, 'einer wie er dürfte eigentlich nie eine Talkshow moderieren', schrieb die Frankfurter Rundschau noch 2019. Wenige Jahre später hat Markus Lanz aus seiner Talkshow eine der wichtigsten politischen Bühne des Landes gemacht, ohne ihn wäre Karl Lauterbach wahrscheinlich nie Bundesgesundheitsminister geworden.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

Es war Anfang der Sechziger, als plötzlich vier junge Männer aus dem Nichts erschienen und die Welt radikal veränderten. Sie begeisterten die Jugend nicht nur mit einer völlig neuen Musik, nein, sie stellten mit ihrer frischen Unbekümmertheit auch erstmals die Arroganz der Obrigkeit total infrage. Daraufhin begannen existenzielle und schmerzhafteste Kämpfe zwischen der Jugend und der Erwachsenenwelt. Rainer Lange, Jahrgang 1949, zählte zu den dennoch Glücklichen, die diese Epoche hautnah miterleben durften.

Tommy Jessop is a multi-award winning actor, theatre performer, and campaigner. Tommy has been at the vanguard of bringing awareness of the potential of people living with Down syndrome to the media, and to government. A Life Worth Living will be Tommy's story - from his journey into acting and campaigning while showing his unstoppable determination, charisma, and love for life.

When she got hired to drive for the Saudi royal family vacationing in Beverly Hills, Larson thought she’d been handed the golden ticket. Each day the royal women spent hundreds of thousands of dollars on plastic surgery and mega-shopping sprees on Rodeo Drive. But Driving the Saudis also reveals how Larson grew to understand the complicated nuances of a society whose strict customs remain intact even across.

Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades.

Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.