Politics Entertainment

You've seen him on The Daily Show with Jon Stewart offering up his trademark angry observational humor on everything from politics to pop culture. You've seen his energetic stand-up performances on HBO, Comedy Central, and in venues across the globe. Now Lewis Black's volcanic eruptions can be found in Nothing's Sacred, a collection of rants against stupidity and authority, which oftentimes go hand in hand.

Iggy Pop's legendary career has been tumultuous, reaching great heights with mega-hits and then hitting rock-bottom lows in jail and mental institutions. Along the way, he's become a cult-rock hero, an inspiration for dozens of other famous rockers, and has had a pretty good time of it, too. But the image of Iggy Pop versus the man behind that image, James Newell Osterberg, Jr., is surprisingly contradictory.

Librarians spend their lives weeding - not weeds, but books - books that have reached the end of their shelf life both literally and figuratively. They remove books that patrons no longer check out, and they put back books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties - everywhere. In Dear Fahrenheit 451, she addresses those books directly.

After a surprise phone call from Children’s Television Workshop, Daoud Kuttab took the chance of a lifetime to create a Palestinian co-production of Sesame Street. But the challenges of producing a world-famous children’s program quickly escalated beyond just teaching Elmo to speak Arabic. From finding actors and puppeteers in a country starved of training to dealing with a community that considered the production too provocative, the early days were less than easy.

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

At the age of 25, she received an Academy Award for Best Actress and little more than a year later, she became royalty. Stunningly beautiful, elusive, and aloof, Grace Kelly captured our imagination and affection throughout her storybook career and royal marriage. Raised in Philadelphia in an atmosphere of great wealth and greater expectations, Grace transformed from an aristocratic conforming beauty into a sensual, recklessly daring woman. In Grace, Robert Lacey breaks through the glittery façade of her public image and reveals a complex, surprisingly conflicted woman.

Hollywood stars have always furthered fashion's cause of seducing the masses into buying designers' clothes by acting as living billboards. Now, red carpet celebrities are no longer content to just advertise and are putting their names on labels that reflect the image they - or their stylists - created.

By the time Chloé Hilliard was 12, she wore a size 12 - both shoe and dress - and stood over six feet tall. Fitting in was never an option. That didn’t stop her from trying. Cursed with a “slow metabolism”, “baby weight”, and “big bones” - the fat trilogy - Chloe turned to fad diets, starvation, pills, and workouts, all of which failed. Realizing that everything - from government policies to corporate capitalism - directly impacts our relationship with food and our waistlines, Chloé changed her outlook on herself and hopes others will do the same for themselves.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

Why does fashion hold so much power over us? Most of us care about how we dress and how we present ourselves. Style offers clues about everything from class to which in-group we belong to. Bad Feminist for fashion, Dress Code takes aim at the institutions within the fashion industry while reminding us of the importance of dress and what it means for self-presentation. Everything—from societal changes to the progress (or lack thereof) of women’s rights to the hidden motivations behind what we choose to wear to align ourselves with a particular social group—can be tracked through clothing.

Greg Gutfeld hates artificial tolerance. At the root of every single major political conflict is the annoying coddling Americans must endure of these harebrained liberal hypocrisies. In fact, most of the time liberals use the mantle of tolerance as a guise for their pathetic intolerance. And what we really need is smart intolerance, or as Gutfeld reminds us, what we used to call common sense. The Joy of Hate tackles this conundrum head on- - replacing the idiocy of open-mindness with a shrewd judgmentalism that rejects stupid ideas, notions, and people.

In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. Just as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream.

President Franklin D. Roosevelt organized an extraordinary partnership between the US government and America's media outlets to communicate to the reluctant and isolationist American public the nature of the threat that World War II posed to the nation and the world. The coalition's aim was to promote the concept of American exceptionalism and use it to galvanize the public for the government's cause.

In How I Saved the World, Jesse Watters takes fans on a tour of his life from basement-dwelling Fox minion to pampered champion of right-thinking Americans. He has divined great truths about the nature of our country while stumbling across beaches asking oblivious college students basic political questions and while stumbling out of Air Force One with the President.

When the Hart-Celler Act passed in 1965, opening up US immigration to non-Europeans, it ushered in a whole new era. But even to the first generation of Asian Americans born in the US after that milestone, it would have been impossible to imagine that sushi and boba would one day be beloved by all, that a Korean boy band named BTS would be the biggest musical act in the world, that one of the most acclaimed and popular movies of 2018 would be Crazy Rich Asians, or that we would have an Asian American Vice President.

Can't Slow Down is the definitive portrait of the exploding world of mid-80s pop and the time it defined, from Cold War anxiety to the home-computer revolution. The story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now.

You're not to disturb, annoy or offend. They're walking on a knife edge out there, anything could tilt the balance.' Missing: one junior diplomat and 43 of the British Embassy's most confidential files. The timing is alarmingly significant: with neo-Nazi riots and radical student demonstrations, the threat to Germany's security is all too apparent. Britain's own Alan Turner is sent in, with instructions to tread carefully at all costs. But will he find the missing man and the files before the political situation erupts?

In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar, earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. And yet he became most closely associated with the flowering of Black culture in Jazz Age America.

In 1939, 50 million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering....

In Being Oscar,one of America’s most celebrated criminal defense attorneys recounts the stories and cases of his epic life. The Mafia’s go-to defender, he has tried an estimated 300 criminal cases, and won most of them. His roster of clients reads like a history of organized crime: Meyer Lansky, Nicky Scarfo, and "Lefty" Rosenthal, as well as Mike Tyson and boxing promoter Don King, along with a midget, a dentist, and a federal judge. After 35 years as a defender, he ran for mayor of Las Vegas, and America’s greatest Mob lawyer became the mayor of its sexiest city.