Politics Entertainment

In American Princess, Leslie Carroll provides context to Harry and Meghan’s romance by leading listeners through centuries of Britain’s rule-breaking royal marriages, as well as the love matches that were never permitted to make it to the altar; followed by a never-before-seen glimpse into the little-known life of the woman bringing the Royal Family into the 21st century; and her dazzling, thoroughly modern romance with Prince Harry.

Media and law enforcement work at cross-purposes. Law enforcement want to solve a case as fast as possible and put the guilty behind bars. The media want a case to drag on as long as humanly possible and do all they can to extricate every last bit of drama, drop by bloody drop, in order to hold the attention of the millions of viewers who have gotten hooked. Law enforcement must abide by rules. The media make their own rules, and even then break them or find ways to work loopholes into them.

Raymond Sarlot bought the Chateau Marmont in 1975, but what was originally a business purchase became a love affair as he delved into the hotel's incredible history. From its perch overlooking the Sunset Strip, the glamorous Marmont reigned for decades as the spot for artists, writers, musicians, and actors of every stripe and remains a home-away-from-home for A-listers like Scarlett Johansson and Johnny Depp. Here, Sarlot and coauthor Fred E. Basten share a wealth of scandalous and intriguing tales about them all.

The '90s was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power, of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide.

In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources.

Sarah Vaughan, a pivotal figure in the formation of bebop, influenced a broad array of singers who followed in her wake, yet the breadth and depth of her impact - not just as an artist but also as an African American woman - remain overlooked. Drawing from a wealth of sources as well as on exclusive interviews with Vaughan's friends and former colleagues, Queen of Bebop unravels the many myths and misunderstandings that have surrounded Vaughan.

Well hark at you, stumbling upon my autobiography. Bet you wouldn't have put money on that three years ago, eh? Please don't stress yourself out too much, though; it's actually socially acceptable nowadays that you're interested. Firstly I'd like to emphasise that I have written this audiobook myself, so be assured you're getting the tooth, the whole tooth and nothing but the tooth! (Which was my original choice of title, but babe, we're so over that).

There are few people Gyles Brandreth doesn't know or hasn't met. Now a grandparent, he traces his steps back to being a three-year-old tearing around 1950s London on his tricycle, to boarding school where he had an appendix removed simply to get out of football, to Bedales, where he met Camilla, Duchess of Cornwall, to balancing his growing love of theatre with his love for educating, the 'woolly jumper years', the stint as an MP, the years of close friendship with the queen, to becoming a septuagenarian Twitter star and stalwart fixture in British entertainment.

1973 was the year rock hit its peak while splintering-just like the rest of the world. Ziggy Stardust traveled to America in David Bowie's "Aladdin Sane". The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top 10 albums, two hitting number one. FM battled AM; Motown battled Philly on the charts, as the era of protest soul gave way to disco. DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk.

After a surprise phone call from Children’s Television Workshop, Daoud Kuttab took the chance of a lifetime to create a Palestinian co-production of Sesame Street. But the challenges of producing a world-famous children’s program quickly escalated beyond just teaching Elmo to speak Arabic. From finding actors and puppeteers in a country starved of training to dealing with a community that considered the production too provocative, the early days were less than easy.

Secrecy came naturally to John le Carré, and there were some secrets that he fought fiercely to keep. Adam Sisman's definitive biography, published in 2015, provided a revealing portrait of this fascinating man; yet some aspects of his subject remained hidden. The Secret Life of John le Carré reveals a hitherto-hidden perspective on the life and work of the spy-turned-author and a fascinating meditation on the complex relationship between biographer and subject. “Now that he is dead,” Sisman writes, “we can know him better.”

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

In 1939, 50 million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering....

When a major Hollywood studio released Five Fingers of Death to thrill-seeking Times Square moviegoers on March 21, 1973, only a handful of Black and Asian American audience members knew the difference between an Iron Fist and an Eagle's Claw. That changed overnight as kung fu movies kicked off a craze that would earn millions at the box office, send TV ratings soaring, sell hundreds of thousands of video tapes, influence the birth of hip hop, reshape the style of action we see in movies today, and introduce America to some of the biggest non-White stars.

The year 2000. As Britain celebrates the new millennium, something fluorescent and futuristic is stirring in the crumbling council estates of inner city London. Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre. Against all odds, these young MCs will grow up to become some of the UK’s most famous musicians, scoring number one records and dominating British pop culture for years to come.

Investigative journalist and number-one New York Times best-selling author Ian Halperin reveals the true and untold story about this larger-than-life and often outrageous figure. From his childhood in Austria to his rise as a star of American conservative politics, the story of ArnoldSchwarzenegger's life reads like the script of a Hollywood B-movie penned by Horatio Alger.

Librarians spend their lives weeding - not weeds, but books - books that have reached the end of their shelf life both literally and figuratively. They remove books that patrons no longer check out, and they put back books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties - everywhere. In Dear Fahrenheit 451, she addresses those books directly.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

Stone Free is the third part of my triography. It is an affectionate look at impresarios I have admired, loved and loathed. There are profiles on Serge Diaghilev, Mike Todd, Otto Preminger, Larry Parnes and John Kennedy, Brian Epstein, Don Arden, Kit Lambert and Chris Stamp, Malcolm McLaren, Albert Grossman, Phil Spector, Allen Klein, and more. It is also a summing up of the bands and lads who started out in the '60's and are now leaving their own - as bands become brands and enter their 70s - what's left of The Beatles, The Stones, and The Who.

In the early '80s, the music industry wrote off hip-hop as a passing fad. Few could or would have predicted that the improvised raps and raw beats busting out of New York City's urban underclass would one day become a multimillion-dollar business and one of music's most lucrative genres. Among those few were two visionaries: Russell Simmons, a young black man from Hollis, Queens, and Rick Rubin, a Jewish kid from Long Island.