Politics Entertainment

A. E. Hotchner first met Paul Newman in 1955 when the virtually unknown actor assumed the lead role in Hotchner’s first television play, based on an Ernest Hemingway story. The project elevated both men from relative obscurity to recognition and began a close and trusted friendship that lasted until Newman’s death in 2008.

In the years after the Civil Rights Act of 1964, women in the workplace still found themselves relegated to secretarial positions or locked out of jobs entirely. This was especially true in the news business, a backwater of male chauvinism in which a woman might be lucky to get a foothold on the “women’s pages”. But when a pioneering nonprofit called National Public Radio came along in the 1970s and the door to serious journalism opened a crack, four remarkable women came along and blew it off the hinges.

Sir John Betjeman, poet, broadcaster, journalist, prose writer and critic, was one of the best-loved figures of the 20th century. Betjeman was a prolific writer and his poems still resonate today. This release celebrates the centenary of Betjeman's birth.

Before his murder at age twenty-five, Tupac Shakur rose to staggering artistic heights as the preeminent storyteller of the 1990s, building, in the process, one of the most iconic public personas of the last half century. He recorded no fewer than ten platinum albums, starred in major films, and became an activist and political hero known the world over. In this cultural history, journalist Van Nguyen reckons with Tupac’s coming of age, fame, and cultural capital, and how the political machinations that shaped him as a boy have since buoyed his legacy as a revolutionary.

New York City faces a fate worse than death, the President suspects a traitor in the White House, and an intelligence analyst discovers a diabolical plot.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

Hit the lights and jump in the fire, you're about to enter the School of Rock! Today's lecture will be a crash course in brain surgery. This hard and fast lesson is taught by instructors who graduated from the old school - they actually paid $5.98 for The $5.98 EP. But back before these philosophy professors cut their hair, they were lieutenants in the Metal Militia.

The films, the stars, the filmmakers - all get their due in Hollywood Black, a sweeping overview of Blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle.

From the elections of Barack Obama and Donald Trump to the tragic events of Ferguson and Charlottesville, the subject of race has come to the forefront of American consciousness. Legendary satirist D. L. Hughley offers his own cutting observations on this contentious issue that continues to traumatize the nation, a wound made more painful by the ongoing comments and actions of the 45th president. Hughley uses humor to draw attention to injustice, sardonically offering advice on a number of lessons, like "How to make cops feel more comfortable while they're handcuffing you".

Political provocateur Bill Maher tells it like it is in a useful and hilarious guide for the many Americans who want to do more here at home to help in the war effort, but are at a loss as to how. Says Maher, "Traveling the country, I find that people want to do more here at home, but are at a loss as to what. Even when the government issues a Terrorism Advisory, it's maddeningly vague - 'Terrorist alert today! Code Burnt Orange!' 'And what?' I always want to ask, "Bring a sweater?'"

This comprehensive biography draws from previously unreleased photographs and documents from the Grimaldi family archive and, for the first time, access to the letters between Kelly and Hitchcock. It is also based on interviews with Kelly’s companions and relatives, including an exclusive interview with Prince Albert II of Monaco.

The millions of fans who watch World Wrestling Entertainment (WWE) programs each year are well aware of their role in building the narrative of the sport. #WWE: Professional Wrestling in the Digital Age explores the intersections between media, technology, and fandom in WWE's contemporary programming and business practices. In the Reality Era of WWE (2011 to the present), wrestling narratives have increasingly drawn on real-life personalities and events that stretch beyond the story-world created and maintained by WWE.

Best-selling, award-winning writer Simon Garfield returns with an enthralling investigation of humans’ peculiar fascination with small things - and what small things tell us about our larger world.

Kerrang! has an unparalleled reputation as one of the world's best-loved rock-focused publications. It continues to be at the forefront of alternative music, flying the flag for metal, hardcore, punk and beyond, introducing millions to their new favorite bands. Anyone who's anyone in the metal scene has featured Kerrang's hallowed pages and this unique book chronicles these appearances. If it happened in metal, Kerrang! covered it, as confirmed in this year-by-year survey of alternative music.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

Recognized as one of the great poets of modern times, and as a deeply respected and influential political and cultural activist and social critic, Linton Kwesi Johnson is also a prolific writer of non-fiction. Here, he selects some of his most powerful prose for the first time. Written over many decades, it is a body of work that draws creatively and critically on Johnson’s own Jamaican roots and on Caribbean history to explore the politics of race and ethnicity that continue to inform the Black British experience.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film's place in history now seems certain, at the time its creation was a long shot.

It was an explosion that reverberated across the country—and into the very heart of early-twentieth-century America. On the morning of October 1, 1910, the walls of the Los Angeles Times Building buckled as a thunderous detonation sent men, machinery, and mortar rocketing into the night air. When at last the wreckage had been sifted and the hospital triage units consulted, twenty-one people were declared dead and dozens more injured. But as it turned out, this was just a prelude to the devastation that was to come.

Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare and how it victimized political innocents. But Ronald and Allis Radosh tell for the first time the “backstory” behind this myth. They show how the Soviet Comintern targeted the film capital in the late 1920s, taking us inside the cells and discussion groups that Communist Party members formed, the guilds and unions they tried to take over, and the studios they aimed to influence.