Popular Culture History

China tiene un territorio inmenso, una historia milenaria y un variado ambiente natural y humano, por lo que la diversidad de sus viviendas populares es rara vez vista en la historia mundial de arquitectura. En el presente libro, se presenta los patios cuadrángulo profundos de Pekín con muros altos, y la teoría de suerte y beneficios, así como las viviendas finas, elegantes y simples en el sur de Anhui.

Renowned Harvard scholar and New Yorker staff writer Jill Lepore has composed a strikingly original, ingeniously conceived, and beautifully crafted history of American ideas about life and death from before the cradle to beyond the grave. How does life begin? What does it mean? What happens when we die? “All anyone can do is ask,” Lepore writes. “That’s why any history of ideas about life and death has to be, like this book, a history of curiosity.” As much a meditation on the present as an excavation of the past, The Mansion of Happiness is delightful.

History is rife with drug use and drug users, and Human History on Drugs takes us through those highs (pun intended) and lows on a wittily entertaining ride that uncovers their seriously unexpected impact on our past.

Conspiracy theories, and particularly the belief that elements of the world are secretly controlled by individuals or groups, have been around for as long as people have lived in groups. Perhaps that’s inevitable—after all, those who are excluded from power are very likely to be inclined to see their position not as an outcome of their own choices or situation but because of the secret machinations of shadowy groups. One of the most widely discussed conspiracy theories concerns what has become known as the New World Order.

Questo ragazzo deve tutto al suo nome diceva di lui Marco Antonio, che lo disprezzava, a torto sottovalutandolo. Però era vero, e Augusto ne era talmente consapevole da affrettarsi a promuovere, non appena gli fu possibile, la divinizzazione di Giulio Cesare, padre suo adottivo, come caposaldo del suo potere. Il capolavoro di Augusto è stato imporre l'immagine di sé come vero e coerente erede e continuatore dell'opera di Cesare, ormai divinizzato, mentre in realtà la trasformava, se non nel suo contrario, certo in altro.

How did white bread, once an icon of American progress, become "white trash"? In this lively history of bakers, dietary crusaders, and social reformers, Aaron Bobrow-Strain shows us that what we think about the humble, puffy loaf says a lot about who we are and what we want our society to look like. White Bread teaches us that when Americans debate what one should eat, they are also wrestling with larger questions of race, class, immigration, and gender.

Boomer tells the story of a generation born in the immediate aftermath of the Second World War and whose members, the Baby Boomers, are now in their mid to late seventies. It is a generation that has experienced more technological, social, and cultural changes than any other in history.

Rolling Stone contributing editor Steve Knopper delves deeply into Michael Jackson's music and talent. From the artist's early days with the Jackson 5, to his stratospheric success as a solo artist, to "Beat It" and "Thriller", "Bad", and "The Man in the Mirror", to his volatile final years, his attempted comeback, and his untimely death, Knopper explores the beguiling and often contradictory forces that fueled Michael Jackson's genius.

Tales of Hardship, Love and Happiness in Tate & Lyle’s East End Factories. On an autumn day in 1944, Ethel Alleyne walked the short distance from her house to Tate & Lyle’s refinery on the shining curve of the Thames. Looking up at the giant gates, Ethel felt like she had been preparing for this moment all her life. She smoothed down her frizzy hair, scraped a bit of dirt off the corner of her shoe and strode through. She was quite unprepared for the sight that met her eyes …

Abridged edition: Using portraits of America’s flawed policy makers and accounts of the forces that drove them, The Best and the Brightest reckons magnificently with the most important abiding question of our country’s recent history: Why did America become mired in Vietnam, and why did we lose?

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

Featuring current information and challenging perspectives on the latest issues and forces shaping the American educational system, with scholarship that is often cited as a primary source, the author introduces listeners to the historical, political, social, and legal foundations of education and to the profession of teaching in the United States.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

Da sempre misuriamo il mondo. Per conoscerlo ed esplorarlo, per viverci, per interagire con i nostri simili. L'umanità misura per conoscere il passato, comprendere il presente, progettare il futuro. Ci sono voluti però millenni perché due rivoluzioni, quella scientifica iniziata con Galileo e quella francese, avviassero il percorso per rendere il sistema di misura condiviso e non più basato su deperibili artefatti umani, ma su elementi invariabili e universali della natura.

Per gli antichi le Sirene erano mostri orripilanti, per metà uccelli e per metà donne. Eppure, esse avevano qualcosa che le rendeva irresistibili: la voce, suadente e ammaliatrice. Insieme ad altre figure mitologiche a loro affini come Circe, Calipso ed Elena, le Sirene sono in questo libro le protagoniste della prima tappa di un cammino che, partendo da Omero e a Omero ritornando, si concentra sull'Atene del V secolo, la città della democrazia e della parola.

It's a tough time to be a woman on the internet. Over the past two generations, the political map of human relations has been redrawn by feminism and by changes in technology. In Cybersexism, Laurie Penny goes to the dark heart of the matter and asks why threats of violence are being used to try to silence female voices, analyses the structure of online misogyny, and makes a case for real freedom of speech - for everyone.

From monsters to witches and ancient libraries to lost islands, The Life Fantastic seeks to trace the origins of ideas, their surprising paths, and unexpected ways in which they interact and manifest throughout history. By digging around the roots of literary genres, popular stories, and ancient myths, Noa propels the listener back and forth through time, from high to popular culture, from art to politics and religion, on a journey to ever-expanding horizons. This is an invitation to explore the collective subconscious of Western culture.

If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

Schwitzen im Proberaum einer Moskauer Rockband. Ehemalige Sowjetrepubliken, die Kabardino-Balkarien heißen. Ein Stripclub an der Wolga. Techno Clubs, in denen nichts zufällig passiert. Und das Krankenzimmer eines Moskauer Hospitals. Diane Hielscher diskutiert auf Kinderspielplätzen über die Postmoderne, tanzt mit Jugendlichen am schwarzen Meer, trinkt in dunklen Bars und fremden Wohnzimmern. Nebenbei erlernt sie die Feinheiten der russischen Vulgärsprache - während im Kaukasus gerade der Krieg ausbricht.