Popular History

Más que un libro, este objeto es un carnaval de cincuenta estaciones que desfila tras las bambalinas de la cultura mexicana. En él participan Tin Tan y Pita Amor, María Félix y Monsiváis, Piporro y Tongolele, Nahui Olin y Jorge Ibargüengoitia, los beats y Marilyn Monroe, Vitola y José Revueltas. Entre muchos, muchos otros. Mientras pasan, nos van contando de sus vicios, supersticiones, sus pleitos y apodos, los cuadrángulos amorosos que formaron y los cabarés que visitaron.

In 1963, the West Indian Marxist C.L.R. James posed the deceptively benign question: "What do they know of cricket, who only cricket know?" A challenge to the public to reconsider cricket and its meaning by placing the game in its true social, political, and economic context. Different Class does not simply challenge the widely accepted orthodoxy of English cricket, it demonstrates how the values and belief systems at its heart were intentionally developed in order to divide the English along class lines at every level of the game.

With every touchdown, home run, and three-pointer, star athletes represent an American dream that only an elite group blessed with natural talent can achieve. However, Kimball concentrates on what happens once these modern warriors meet their untimely demise. As athletes die, legends rise in their place.

The New York Yankees. The Boston Red Sox. For a hundred years, no two teams have locked horns as fiercely or as frequently, and no two seasons frame the colossal battle more perfectly than 2003 and 2004. Now, with incredible energy and access, leading sports columnist Mike Vaccaro chronicles the history of the greatest rivalry in sports, and the two stunning American League Championship Series that define a century of baseball.

If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs.

How can art help us make sense of the world? With the same intelligence that animates his poetry, Michael Robbins addresses this weighty question while contemplating the idea of how strange it is that we need art at all. Ranging from Prince to Def Leppard, Lucille Clifton to Frederick Seidel, Robbins's mastery of poetry and popular music shines in Equipment for Living. His singular ability to illustrate points with seemingly disparate examples will change the way you listen to music and read poetry.

Neoliberalism took shape in the 1930s and 1940s as a transnational political philosophy and system of economic, political, and cultural relations. As neoliberal ideas gained political currency in the 1960s and 1970s, reactionary cultural turn catalyzed their ascension. The cinema, music, magazine culture, and current events discourse of the 1970s provided the space of negotiation permitting these ideas to take hold and be challenged.

Celebrate the impact women have made in our culture: This feminist book is a beacon of brilliance. It is the perfect gift for artists, intellectuals, and anyone who seeks to be inspired by words and profound lives. Most of all, it is a celebration of the journeys and accomplishments of women who have worked to have their voices heard in black and white letters across the world.

Sheroes: Women hold up half the sky and, most days, do even more of the heavy lifting, including childbearing and child-rearing - all after a long day at the office. Women have always been strong, true heroes - sheroes, oftentimes unacknowledged. As we shake off the last traces of a major patriarchal hangover, women are coming into their own. In the 21st century, all women can fully embrace their fiery fempower and celebrate their no-holds-barred individuality. It is time to acknowledge the successful women of the world.

In Sensible Politics, William A. Callahan uses his expertise in theory and filmmaking to explore not only what visuals mean, but also how visuals can viscerally move and connect us in "affective communities of sense." The book's rich analysis of visual images (photographs, film, art) and visual artifacts (maps, veils, walls, gardens, cyberspace) shows how critical scholarship needs to push beyond issues of identity and security to appreciate the creative politics of social-ordering and world-ordering.

Rolling Stone contributing editor Steve Knopper delves deeply into Michael Jackson's music and talent. From the artist's early days with the Jackson 5, to his stratospheric success as a solo artist, to "Beat It" and "Thriller", "Bad", and "The Man in the Mirror", to his volatile final years, his attempted comeback, and his untimely death, Knopper explores the beguiling and often contradictory forces that fueled Michael Jackson's genius.

Manuel Álvarez Tardío y Roberto Villa García, dos historiadores españoles de la Universidad Rey Juan Carlos, son los autores de un libro que cambiará nuestra perspectiva de las elecciones de febrero de 1936, que dieron la victoria al Frente Popular, describiendo y demostrando la existencia de fraude electoral y el ambiente de extrema violencia que imperó en los meses anteriores y posteriores.

All societies, in their very different ways, are orderly. The very term 'society' implies the existence of a degree of organisation and predictability to human life. Orderliness, however, is a matter of degree. It is neither total, nor totally absent. In recent times, however, such concerns have largely given way to a greater preoccupation with disorderliness: with significant and disruptive social change; with rising crime and anti-social behaviour; and with a variety of other social problems. But what has really been happening?

From the beginning, American cinema has been both a powerful mythmaker and a social critic. D.W. Griffith's Birth of a Nation, arguably the first feature film, shows us just how early in its history cinema had established its influence. Birth of a Nation famously portrayed the Ku Klux Klan in a favorable light, a portrayal that contributed to the modern resurgence of the group and brought racist depictions of African Americans imported from the minstrel show to the silver screen. In response, filmmakers of color have created nuanced and indelible portraits of race.

In Roadside Americans, Jack Reid traces the rise and fall of hitchhiking, offering vivid accounts of life on the road and how the act of soliciting rides from strangers, and the attitude toward hitchhikers in American society, evolved over time in sync with broader economic, political, and cultural shifts. In doing so, Reid offers insight into significant changes in the United States amid the decline of liberalism and the rise of the Reagan Era.

The Women Who Made New York reveals the untold stories of the phenomenal women who made New York City the cultural epicenter of the world. Many were revolutionaries and activists, like Zora Neale Hurston and Audre Lorde. Others were icons and iconoclasts, like Fran Lebowitz and Grace Jones. There were also women who led quieter private lives but were just as influential, such as Emily Warren Roebling, who completed the construction of the Brooklyn Bridge when her engineer husband became too ill to work.

Florence Maybrick was the first American woman to be sentenced to death in England - for murdering her husband, a crime she almost certainly didn't commit. Her 1889 trial was presided over by an openly misogynist judge who was later declared incompetent and died in an asylum. Hours before she was to be hanged, Queen Victoria reluctantly commuted her sentence to life in prison. In her opinion, a woman who would commit adultery, as Maybrick had admitted, would also kill her husband. Her children were taken from her; she never saw them again. Her mother worked for years to clear her name.

Bob Dylan is many things to many people. Each Bob Dylan joins a collective cast that has made up his persona for more than 50 years. No version of Dylan turns out uncomplicated, but the postmillennial manifestation seems peculiarly contrary - a tireless and enterprising antiquarian; a creator of singular texts and sounds through promiscuous poaching; an artist of innovation and uncanny renewal. The collection of essays does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints.

Imagine a world where Beatlemania was against the law - recordings scratched onto medical X-rays, merchant sailors bringing home contraband LPs, spotty broadcasts taped from western AM radio late in the night. This was no fantasy world populated by Blue Meanies, but by the USSR, where a vast nation of music fans risked repression to hear the defining band of the British Invasion. The music of John, Paul, George, and Ringo played a part in waking up an entire generation of Soviet youth, opening their eyes to seventy years of bland official culture and rigid authoritarianism.

As at home with Galileo and his daughter in Florence as he is with Diderot in Enlightenment France, William and Alice James in fin-de-siècle Boston, or the latest research on the genome, Gerald Weissmann distills the lessons of history to guide us through our troubled age. His message is clear: "Experimental science is our defense-perhaps our best defense-against humbug and the Endarkenment."