Popular History

How is it that comic books - the once-reviled form of lowbrow popular culture - are now the rage for Hollywood blockbusters, the basis for best-selling video games, and the inspiration for literary graphic novels? In Demanding Respect, Paul Lopes immerses himself in the discourse and practices of this art and subculture to provide a social history of the American comic book over the last 75 years.

This audiobook profiles the hottest rock 'n roll women, spanning the 1960s to current times - from Janis Joplin, Suzi Quatro and Chrissie Hynde to Courtney Love and Pink. With perceptive biographies and in-depth music critiques, author Alison Stieven-Taylor gives an up-close and personal look at the experiences, adventures, and musical passions of these extraordinary and talented women whose wild vocals and on-stage antics have made them rock 'n roll legends.

Who are you? It’s the most fundamental of human questions. Are you the type of person who tilts at windmills, or the one who prefers to view them from the comfort of an air-conditioned motorcoach? Our personalities are endlessly fascinating—not just to ourselves but also to our spouses, our parents, our children, our co-workers, our neighbors. As a highly social species, humans have to navigate among an astonishing variety of personalities.

Drawing on history and popular culture, biblical research and everyday beliefs, Lisa Miller offers a new understanding of one of the most cherished—and shared—ideals of spiritual life. She raises debates and discussions not just about our visions of the afterlife, but about how our beliefs have influenced the societies we have built and the lifestyles to which we have subscribed.

The hundreds of end-of-time prophecies splashed across the consciousness from the time of clay tablets to our Internet have had something besides hysteria in common: every one of them has been wrong. Here is a survey of three millennia of apocalyptic prophecies, tracing one of the most remarkable threads of our cultural history: our long and unproductive fascination with apocalyptic myths and miracles that can solve our problems without requiring committed action in our own lives.

Throughout his career, Johnny Cash was depicted - and depicted himself - as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodied irresolvable contradictions of American identity that reflect foundational issues in the American experience.

While "freaks" have captivated our imagination since well before the 19th century, the Victorians flocked to shows featuring dancing dwarves, bearded ladies, "missing links", and six-legged sheep. Indeed, this period has been described by Rosemarie Garland-Thomson as the epoch of "consolidation" for freakery: an era of social change, enormously popular freak shows, and taxonomic frenzy. Victorian Freaks: The Social Context of Freakery in Britain, edited by Marlene Tromp, turns to that rich nexus, examining the struggle over definitions of "freakery".

As the 1960s drew to a close, the United States was coming apart at the seams. From August 1969 to August 1970, the nation witnessed 9,000 protests and 84 acts of arson or bombings at schools across the country. It was the year of the My Lai massacre investigation, the Cambodia invasion, Woodstock, and the Moratorium to End the War. The American death toll in Vietnam was approaching 50,000, and the ascendant counterculture was challenging nearly every aspect of American society.

The greatest wave of communal living in American history crested in the tumultuous 1960s era including the early 1970s. To the fascination and amusement of more decorous citizens, hundreds of thousands of mostly young dreamers set out to build a new culture apart from the established society. Widely believed by the larger public to be sinks of drug-ridden sexual immorality, the communes both intrigued and repelled the American people.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant anti-homosexual attitudes.

The New York Yankees. The Boston Red Sox. For a hundred years, no two teams have locked horns as fiercely or as frequently, and no two seasons frame the colossal battle more perfectly than 2003 and 2004. Now, with incredible energy and access, leading sports columnist Mike Vaccaro chronicles the history of the greatest rivalry in sports, and the two stunning American League Championship Series that define a century of baseball.

A People's History of Baseball, probes the less well-known but no less meaningful other side of baseball: episodes not involving equality, patriotism, heroism, and virtuous capitalism, but power - how it is obtained, and how it perpetuates itself. Through the growth and development of baseball Nathanson shows that, if only we choose to look for it, we can see the petty power struggles as well as the large and consequential ones that have likewise defined our nation.

Fabulously unrestrained and ever-evolving, camp has captured the cultural imagination for at least 150 years. The term possibly derives from the French se camper, meaning to pose in a bold, provocative, or exaggerated fashion. Frequently used to define or deride young heterosexual men, the upper classes, Black people, older women, and gay men, camp has also played a key role in equality movements. Paul Baker's highly anticipated reappraisal of camp surveys its touchstones across history and the changing ways that it has been understood.

Da sempre misuriamo il mondo. Per conoscerlo ed esplorarlo, per viverci, per interagire con i nostri simili. L'umanità misura per conoscere il passato, comprendere il presente, progettare il futuro. Ci sono voluti però millenni perché due rivoluzioni, quella scientifica iniziata con Galileo e quella francese, avviassero il percorso per rendere il sistema di misura condiviso e non più basato su deperibili artefatti umani, ma su elementi invariabili e universali della natura.

Per gli antichi le Sirene erano mostri orripilanti, per metà uccelli e per metà donne. Eppure, esse avevano qualcosa che le rendeva irresistibili: la voce, suadente e ammaliatrice. Insieme ad altre figure mitologiche a loro affini come Circe, Calipso ed Elena, le Sirene sono in questo libro le protagoniste della prima tappa di un cammino che, partendo da Omero e a Omero ritornando, si concentra sull'Atene del V secolo, la città della democrazia e della parola.

Oggi per la Chiesa la situazione è molto difficile. Si tratta di una delle tante crisi che il cristianesimo ha vissuto o di un definitivo declino? È un interrogativo che inquieta anche chi guarda al cristianesimo dall’esterno. Ma crisi non vuol dire necessariamente fine. Può essere un’opportunità per aprirsi al futuro, sapendo che il grande rischio è accontentarsi di sopravvivere, rimpiangendo un passato migliore. La soluzione è vivere nella crisi. La Chiesa oggi è chiamata a una condizione di lotta, questa volta non contro nemici esterni ma contro l’indifferenza e il discredito.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

The professional judgment of gatekeepers defined the American news agenda for decades. Making the News Popular examines how subsequent events brought on a post-professional period that opened the door for imagining that consumer preferences should drive news production - and unleashed both crisis and opportunity on journalistic institutions.

In the late 1990s, Manchester was a city in upheaval. The devastation of the IRA bomb and the closure of the infamous Haçienda nightclub were seismic events that rocked the city’s confidence at a time when identikit bands were flooding its clubs and bars, fuelled on anthemic guitar rock and swagger. Stereotypes were everywhere, while the spirit of Manchester was silently suffocating. Mancunians: Where do we start, where do I begin? is the story of those who didn’t fit the typecast.

By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience.