Popular Literature

Best-selling novelist, memoirist, and biographer Edmund White displays his sharp wit and boundless erudition in 37 portraits of the writers, artists, and cultural icons who have captured his curiosity and imagination for the last 20 years. White is as compelling as he is unpretentious in these stories of his encounters with some of the most provocative writers, artists, and personalities of our time.

Joshua Goldmann is the perfect student, perfect friend, perfect son—but the pressure of acting perfect all the time gets to him. One night, he finds himself standing on the edge of an abandoned bridge, when a stranger talks him down. The two begin a friendship that eventually deepens into something more, but as Josh deals with his personal and family issues, his new relationship is put at risk.

A new girl is starting in Kara’s class: Gabriella. She is sweet and popular. Everyone thinks so, except for Kara. She actually thinks Gabriella is annoying and mean. Kara avoids Gabriella, but it is not fun, because suddenly Kara feels like an outsider. What can she do?

Maddie tries to be nice to everyone. Even weird, chicken-obsessed Tahlia. But she’d way prefer to hang out with the cool K-girls at school. The only problem is that they don’t seem interested in her anymore. And at Year 6 camp, Maddie has a decision to make: How far will she go to be popular? Will she be able to live with the guilt when she finally has everything she’s been hoping for?

En este lúcido ensayo, el erudito ensayista francés analiza la obra de Élisabeth Louise Vigee Le Brun, una de las pintoras más brillantes e ignoradas de las últimas decadas prerrevolucionarias en Francia. Retratista magistral "capaz de conjugar el parecido fiel con la idealización im- palpable", Vigee Le Brun fue la aliada a la que escogió María Antonieta para ofrecer una imagen humana y digna de ese mundus muliebris que ella representaba y que, supuestamente, corrompía el prestigio y la autoridad de los monarcas a fuerza de afeminarlos.

In recent years, nicotine has become as verboten as many hard drugs. The literary styles in this volume are as varied as the moral quandaries herein, and the authors have successfully unleashed their incandescent imaginations on the subject matter, fashioning an immensely addictive collection.

Ian F. Svenonius’s new collection of sixteen essays and stories, entitled Censorship Now!!, is reorganizing people’s ideas about censorship, Ikea, documentary film-making, the Berlin Wall, the film Heathers, the twist, the frug, the mashed potato, shaving one’s body, Apple, Inc., Nordic functionalism, the supposed benevolence of the Wikipedia, hoarding, college rock, the origins of the Internet, and more. It’s an underground smash which has been met with horrified gasps in all respectable quarters and gog-eyed enthusiasm in artist garrets the world over.

This is the first biography of Greer for two decades, drawing on unprecedented access to her extensive personal archive, opened at Melbourne University in 2016. Kleinhenz has interrogated Greer's personal and professional files, spoken to people who have known her from her school days onwards, and read every word written by and about her. Beginning with Greer’s troubled early life in 1940s Melbourne, it traces her career, relationships with men and women, her travels and her home life and examines Greer’s work and ideas from The Female Eunuch to the #MeToo movement.

Just as his music career was taking off, Juan Vidal received life-changing news: He’d soon be a father. Throughout his life, neglectful men were the rule - his own dad struggled with drug addiction and infidelity - a cycle that, inevitably, wrought Vidal with insecurity. At age 26, with only a bare grip on life, what lessons could he possibly offer a kid? Determined to alter the course for his child, Vidal did what he’d always done when confronted with life’s challenges. He turned to the counterculture.

Award-winning writer Bill Schelly relates how comics and fandom saved his life in this engrossing story that begins in the burgeoning comic fandom movement of the 1960s and follows the twists and turns of a career that spanned 50 years. Schelly recounts his struggle to come out at a time when homosexuality was considered a mental illness, how the egalitarian nature of fandom offered a safe haven for those who were different, and how his need for creative expression eventually overcame all obstacles.

In his debut essay collection, Nicholas Belardes uses today’s pop culture and self-deprecating humor as a filter for discussing personal stories of family, writing, gender, art, and race. He dives into the Harry Potter play and discusses his cursed childhood home. He tells coming-of-age tales of Dungeons & Dragons and blames Stranger Things for jogging those hilarious memories.

Early on July 16, 1945, Joshua Wheeler's great grandfather awoke to a flash, and then a long rumble: the world's first atomic blast filled the horizon north of his ranch in Alamogordo, New Mexico. Out on the range, the cattle had been bleached white by the fallout. Acid West, Wheeler's stunning debut collection of essays, is full of these mutated cows: vestiges of the Old West that have been transformed, suddenly and irrevocably, by innovation. Traversing the New Mexico landscape, Wheeler excavates and reexamines these oddities.

Walt Kelly (1913-1973) is one of the most respected and innovative American cartoonists of the twentieth century. His long-running Pogo newspaper strip has been cited by modern comics artists and scholars as one of the best ever. Cartoonists Bill Watterson ( Calvin and Hobbes), Jeff Smith ( Bone), and Frank Cho ( Liberty Meadows) have all cited Kelly as a major influence on their work. We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger career in the comics business.

Bougies are the new name for the hip middle class. Bougies Rule! is a satirical look at this group of people who dress up their dogs, speak endlessly of exotic vacation destinations and pepper their conversation with expressions like, "nuance," "feng shui," and "serious cinema."

Annice, Pat, and Barby are best friends from Iowa, freshly arrived in booming 1950s Chicago to explore different paths toward independence, self - expression, and sexual freedom. From the hip-hang of a bohemian lifestyle to the sophisticated lure of romance with a handsome, wealthy, married boss to the happier security of a lesbian relationship, these three experience firsthand the dangers and limitations of women’s economic -reliance on men.

This memoir of a professional biographer's life tells the inside story of how he became interested in his subjects and reveals the mechanics of the trade: how to assemble proposals for publishers, conduct interviews and archival research, and joust with editors, subjects, and their literary estates. Other biographers have described their process but remained discrete, not wishing to offend their sources and supporters. This author has forgone such caution.

What was the real significance of William James's breakdown? Of the anti-Semitism in T.S. Eliot's writing? At each step in his latest journey through American cultural history, Menand has an original point to make.

As at home with Galileo and his daughter in Florence as he is with Diderot in Enlightenment France, William and Alice James in fin-de-siècle Boston, or the latest research on the genome, Gerald Weissmann distills the lessons of history to guide us through our troubled age. His message is clear: "Experimental science is our defense-perhaps our best defense-against humbug and the Endarkenment."

Broken down by a variety of subject matter, each section begins with a selection from an interview between NBA star Etan Thomas and political sportswriter Dave Zirin, followed by a Thomas poem and the writings of talented young poets.

budding butch in the Brylcreem era, Lorraine "Lon" Harris fantasizes about a South Pacific island full of women, where everyone will be free and accepting, and she'll never have to wear an eyelet blouse again. Spurned by her high school English teacher, Lon turns to a new friend, the brash, purple-haired Violet, who draws Lon into the lesbian underworld of suburban Los Angeles, to the sordid 28 Percent Club, a private bar where those with "contaminated passions" cling to each other.