Poverty Fiction

Lucy Lavender loves exploring. After Dad dies, Mom pieces jobs together and struggles to provide for Lucy. When Mom is offered a job in Sea Rock Cove, the coastal town where Dad grew up, Lucy hopes this is her chance to pursue her dream of becoming a marine biologist. On Lucy's first day at her new school, she is excited to go to Sea Rock and see Dad’s beloved sea stars. When Lucy learns the sea stars are dying, she becomes determined to save them. But as Lucy gets involved with the people of Sea Rock Cove, she learns there is a lot more beneath the surface of the town.

Will has the wrong shoes – he's always known it but doesn't know how to change it. Navigating the difficulties of home and school when you feel you stick out is tough, but finding confidence with the help and empathy of friends can be all you need to see the way.

The Day We Met the Queen: 10-year-old Ahmet has become the Most Famous Refugee Boy in the World. In fact, he's so famous even the queen wants to meet him - and his four best friends! So they're off to Buckingham Palace, with a list of questions for her and one special challenge. The Great (Food) Bank Heist: On Thursdays, Nelson, Ashley and Mum head out to the bank. But not just any old bank - the food bank. With its shining tins and packets of food stacked from floor to ceiling, Nelson thinks it's the best kind of bank there is. But there's a thief in town.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The only thing I hate more than baseball is my father. Now I will do whatever it takes not to think about him, or his God. I’m on my way to pursue my dream of becoming a screenwriter. I don’t know how I’ll get to LA. I don’t know what I’ll do once I’m there. I just know I’m going to do what I want and I’m never going home. The day I walked out that door, I left all that behind. Time to move on to greater things.

Winning a scholarship to California’s most prestigious art school seems like a fairy tale ending to Sabine Reye’s awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work-and warns her that she’ll lose the merit-based award if she doesn’t improve. Desperate and humiliated, Sabine doesn’t know where to turn.

Her name is Odd. Twelve-year-old Audrey Wyatt bears the unfortunate nickname "Odd", a name even her bar-hopping, alcoholic mother uses when she's sober enough to recognize the girl. Cowed by life, Odd doesn't protest, not when she's deformed as she is. Born with a combination of rare birth defects, Odd's eyes are a startling and dreadful red. Demon eyes is the first thought that springs to mind. The little girl takes care to hide them behind dark sunglasses, something her mother insists on, except when she's trading freak-show peeks for dollars or drinks.

Vesper Montgomery can summon your worst fear and turn it into a reality - but she’s learned the hard way that it’s an addicting and dangerous power. One wrong move and you could hurt someone you love. But when she earns a spot in the Tournament of the Unraveling, where competitors battle it out for a chance to rewrite the past, Vesper finally has a shot to reverse the mistakes that have changed her forever.

It’s senior year, and Miranda Black’s best friend, Syd, has run away - suddenly and inexplicably. Everyone wants to know why Syd left, but the truth is, Miranda has no idea. When Miranda’s mother abandoned her as a child, Miranda had found shelter in her friendship with Syd, who wore her own motherlessness like a badge of honor. Now Miranda’s been left behind again, left to untangle the questions of why Syd left, where she is - and if she’s even a friend worth saving, all while stumbling into her first love with the most unlikely boy in school.

Born and raised in Boulder, Colorado, Essence McKree feels older than any 17-year-old she knows. Ever since weed was legalized, Mom has been working in a pot shop, high more often than not. Lately it's been up to Essa to care for her nine-year-old sister, Puck. When Essa meets Oliver - a brainy indoor type, in town for the summer - she is cautious at first, distrustful of the tourist crowd and suspicious of Oliver's mysterious past in Chicago. But Puck is charmed and pushes Essa toward him. Oliver agrees to accompany Essa on a three-day survival game in the Rocky Mountains....

In an alternate reality a lot like our world, every person's physical size is directly proportional to their wealth. The poorest of the poor are the size of rats, and billionaires are the size of skyscrapers. Warner and his sister Prayer are destitute - and tiny. Their size is not just demeaning, but dangerous: day and night they face mortal dangers that bigger, richer people don't ever have to think about, from being mauled by cats to their house getting stepped on. There are no cars or phones built small enough for them, or schools or hospitals, for that matter - there's no point, when no one that little has any purchasing power....

Twelve-year-old Lulu and her younger sister, Serena, have a secret. As Daddy always says, “it’s best if we keep it to ourselves,” and so they have. But hiding your past is one thing. Hiding where you live—and that your Daddy has gone missing—is harder. At first Lulu isn’t worried. Daddy has gone away once before and he came back. But as the days add up, with no sign of Daddy, Lulu struggles to take care of all the responsibilities they used to manage as a family. Lulu knows that all it takes is one slip-up for their secret to come spilling out.

The "Hollywood" where Sammy Santos and Juliana Rios live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and his friends, members of the 1969 high school graduating class, face a world of racism, dress codes, war in Vietnam, and barrio violence.

Following a devastating betrayal, Beth Bradley, a sixteen-year-old graffiti artist, is suspended from school. Running from a home that she shares with her father who has never recovered after Beth's mother's death, Beth stumbles into the hidden city and meets Filius Viae, London's asphalt-hued crown prince. And her timing couldn't have been more perfect.

When it happened Miguel was sent to Juvi. The judge only gave him a year in a group home - said he had to write in a journal so some counselor could try to figure out how he thinks. The judge had no idea that he'd actually done Miguel a favor. Ever since it happened Miguel’s mom can't even look him in the eye. Any home besides his would be a better place to live. But Miguel didn’t bet on meeting Rondell or Mong or on any of what happened after they broke out. He only thought about Mexico and getting across the border to where he could start over....

La riscoperta di un grande classico, che chiunque sia stato a scuola in veste di scolaro o di insegnante dovrebbe conoscere; l’ascoltatore potrà agevolmente riconoscersi in uno degli alunni, perché i ritratti deamicisiani hanno i caratteri dell’universalità; uno spaccato di umanità italiana dopo l’unità. Un altro testo erroneamente considerato solo per ragazzi in quanto istruttivo per tutti. Adatto a: tutti; in particolare: agli appassionati della storia d’Italia, a tutti coloro che sono attenti alle sfumature psicologiche dei personaggi, perché da esse possano ricavare il ritratto della nazione che siamo diventati.

Pen's life is about secrets: the secret of the city's spirits, deities and monsters, living just beyond the notice of modern Londoners; the secret of Pen's intricate scars that disfigure her so cruelly; and the most closely guarded secret of all: Parva, her mirror-sister, forged from her reflections in a school bathroom mirror.

Alone and on the streets after their mother ends up in hospital, Charlie has promised his little sister, Maisie, he’ll never let her feel frightened again. That promise is hard to keep when Maisie falls ill. Hope comes in the shape of Susan and the other nurses at the local hospital. Times are tough, and lately they’ve seen even more children come through their doors who need kindness and a loving home. The only way to keep Charlie and Maisie out of the orphanage is to find them a good foster home, but there are far too many people who’d take them in for their own ruthless ends.

St Saviours children’s home in London’s East End has provided a safe refuge for local children for decades, and Sister Beatrice and her team are as busy as ever. New staff member Jinny is glad to escape the lewd advances of her drunken and slovenly mother’s rotten boyfriends, but can she prove she isn’t a chip off the old block? As ever, the staff are tested when orphaned brother and sister Andy and Beth are brought to the home - they are clearly terrified of something, and Andy refuses to be sent home, but can Sister Beatrice get to the bottom of their story before they are returned to their stepfather?

America is broken. You don't need a fistful of statistics to know this. Visit any city, and evidence of our shattered social compact will present itself. From Appalachia to rural Texas, the gap between the wealthiest and the poorest stretches to unimaginable chasms. In Tales of Two Americas, some of the literary world's most exciting writers look beyond numbers and wages to convey what it feels like to live in this divided nation. Their extraordinarily powerful stories, essays, and poems demonstrate how boundaries break down when experiences are shared.