Private Investigator Laws

Private Investigations provides practical guidance on all aspects of the investigative process and details how the different phases come together to ensure a successful outcome. It teaches the fundamental elements of an investigation, i.e., surveillance, open-source intelligence gathering, the handling of informants, other covert activities, evaluation of evidence, and much more.

Not every danger comes in the form of a mega-threat like a Titan. Some predators are a lot cozier...more personal. When one such creature threatens an independent tutor, Harry Dresden must shake off the blood and dirt of his most recent battles and rise to the occasion, even when it turns out that the new predator is far more dangerous and connected than first appearances would suggest.

I order another bourbon, neat. This is the drink that will flip the switch. I don’t even know how I got here, to this place, to this point. Something is happening to me lately. I’m drinking too much. My sheets are soaking wet when I wake up from nightmares of decaying corpses. I order another drink and swig it, trying to forget about the latest case I can’t shake. Crime solving for me is more complex than the challenge of the hunt, or the process of piecing together a scientific puzzle. The thought of good people suffering drives me to the point of obsession.

Fresh from his trip to Britain, Falco needs to re-establish his presence in Rome. A minor role in the trial of a senator entangles him in the machinations of Silius Italicus and Paccius Africanus, two real-life lawyers at the top of their trade. These notorious ex-consuls play a dangerous game, where success brings rich pickings but a mistrial or a wrong verdict entails huge financial penalties.

The award-winning author of Anybody's Daughter is back with a gripping tale of passion, deceit, and murder. Miles Slade looks every bit the successful lawyer, but his swanky office and designer suits hide some desperate truths. A flailing law practice. Massive debt. A dying sister in need of expensive care.

A cop-killing drug dealer gets off scot-free, and reporter Sherman Iron needs to know why. But the string of murders has only just begun, and it might end painfully close to home. Racing against time with a drug cartel that's always one step ahead, Iron teams up with the new prosecuting attorney to bring the murderer to justice. But Lacey Sloan has her own agenda, and the choice of who to trust can be deadly.

Legal investigator Finley O’Sullivan has had a difficult year in the wake of her husband’s murder. But in her line of work, there’s no time to grieve. Her job is to protect the firm’s clients and defend their innocence through grueling investigative work. Ellen Winthrop is a force to be reckoned with in the financial world. In a male-dominated industry, she shattered the glass ceiling by empowering and promoting women. But now her husband is dead, killed in the Winthrop family home—and she stands accused of his murder.

Legal investigator Finley O’Sullivan has dealt with her share of shady characters, but the firm’s latest client has an even darker past than most. In fact, Nashville Metro Police seems to think he’s a murderer. Finley isn’t so sure. Her investigation into Ray Johnson’s history focuses on the unsolved murder of a teenager who died thirteen years earlier. The case went cold, but questions remain. After the girl’s death, people close to her started disappearing—Ray’s brother first, then the girl’s mother. But why?

After his undercover operation resulted in two bullets ripping through his body, Lt. Grady Rivers is more determined than ever to see the case through. Despite the objections of Commissioner Baxton, Grady wants to go back undercover to apprehend the drug kingpin, Dean - except his only lead to the man happens to suspect him of being a police officer. Now Grady has to convince Lara he is not an undercover cop. To do so, he will have to put his morals aside for the sake of duty.

Ex-undercover cop Marshall Grade is hiding out in California when he learns that federal agent Lucas Cohen has survived a kidnapping. Cohen was Marshall's ticket into witness protection, and his captors have a simple question: Where's Marshall now? Marshall's undercover work gave him a long list of enemies, and the enemy in this case is a corrupt businessman named Dexter Vine.

Doyle is a homicide detective. He's a good detective, but he has a problem: he's getting fed up with crime. A hostage situation comes up involving the mayor of Detroit and a mugger whom Doyle put in the hospital. The hostage exchange goes slightly wrong, but it's enough to make Doyle quit the PD. He goes out on his own to become a private eye and, along with another ex-detective, Oscar Drew, they start a business. Their first client is a woman looking for her missing father. But is there more to her story?

When PI Judd Brody agreed to safeguard socialite London Breck, he expected a fluff gig filled with parties and paparazzi. But the bombshell blonde was nothing like the wild princess he'd seen in the media...and his undeniable attraction to her was as real as the threats to her life.

For artist Francis Bacon, life with David grows more dangerous by the day. When sober, he is charming, but when he drinks, he is violent, slashing Francis's paintings and threatening to gut the painter, too. When David leaves London for Morocco, Francis cannot help but follow this man whom he loves, but can no longer trust. In Tangier, they find a thriving community of expats who guzzle champagne while revolutionaries gather in the desert. But in Morocco's International Zone, death does not wait for rebellion.

He’s used to catching crooks, not proving their innocence. Can this Hawaiian investigator say aloha to the real killer? Edgar Allan “Poe” Rutherford knows his personal connection to a crime boss is wrong. But when she needs his PI expertise to solve a reopened cold case, he can’t refuse the woman who feels like family. The only catch...the police are convinced she’s the murderer.

Pain is a burned ex-mercenary. Agony is a burned ex-cop. Together, they might just find out. The only problem? They can't stand each other. Trust, it seems, doesn't come easily between a black-ops mercenary and an ex-police detective. What could make it worse for her? He doesn't like using guns. Will Pain and Agony be able to dodge the criminals trying to take them out and avoid killing each other in the process? Will the criminals be able to handle the two of them together?

Professor Matt Hunter is an atheist ex-minister and expert on religion, brought in by the police to advise on cases where there is a supernatural overtone. When they receive a report of strange whispers behind a blood-soaked door, they are baffled to discover a man, who will only speak in whispers under his breath, with the name Baal-barith tattooed on his chest.

During a communion service, the teenage son of a vicar attacks his father with an axe. The horrified congregation watch the son escape, and rumours arise that the boy was involved in devil worship. Professor Matt Hunter is brought in to advise, yet he quickly suspects the church attack may have a far more complex cause. Meanwhile, a 10-year-old boy called Ever grows up in a small Christian cult.

PI Kate Jones lands the case of a lifetime: a young college student with no history of drug abuse dies of an overdose, and the parents come to Kate demanding answers. Soon, Seattle is reeling from dozens more deaths, all with the same chemical markers. At first, police assume that the victims are closet junkies who got hold of a bad combination, but after someone close to her becomes a victim, Kate believes something far more sinister is going on.

Joe is a retired Special Forces operative with a bad case of PTSD and some substance abuse issues, moonlighting as a fixer for the most powerful crime families in town. In his newest assignment, Joe is sent to take out a shadowy figure named Zahir, who made the New York crime families' hit list by hijacking heroin shipments bound for US dealers and funneling the money to terror cells. Which means that Gotham's underbelly has brought Joe back to the one place in the world he doesn't want to revisit.