Psychological Horror Thriller

The authorities claim the serial killer doesn’t exist. Only Darcy has the unwavering courage to follow his deadly trail. One dead girl at a popular campsite. A second woman’s corpse tossed along a running trail. And unexplainable spider bites on both victims. After the medical examiner concludes both women died from venomous spider bites, the police want to close the case. Then a third woman goes missing, and Darcy discovers a dangerous man linked to the three victims. Is a murderer stalking the darkness?

Thirty-four years ago, on October 31, poor Hannah Talbott took part in a scavenger hunt gone violently wrong. The mean girls made sure of it. To this day, for a haunted local mother, the most unsettling Halloween costume of all is an urban legend they call Hannah-Beast. It’s a reminder of the past she can’t forget. Especially tonight when it’s come back, so close to home.

When Emily and Ben move in next door to Dr Burman and his wife, Anita, they are keen to get to know their new neighbours. Outgoing and sociable, Emily tries to befriend the doctor’s wife, but Anita is strangely subdued, barely leaving the house, and terrified of answering the phone. When Emily goes missing a few weeks later, Ben is plunged into a panic. His wife has left him a note, but can she really have abandoned him for another man? Or has Emily’s curiosity about the couple next door led her straight into danger?

The Nightingale House is a new beginning for widower Daniel Price and his young daughter, Caitlyn. After months of grief, this will be the place where they start their life as a family of two. But something is wrong - Daniel can’t settle. There’s an odd, cold feeling in the master bedroom, and a mysterious dripping noise that seems to move from room to room. Whispers of I can’t sleep echo through the corridors, long into the night.

Marion Zetland lives with her domineering older brother, John, in a crumbling mansion on the edge of a northern seaside resort. A timid spinster in her 50s who still sleeps with teddy bears, Marion does her best to live by John's rules, even if it means turning a blind eye to the noises she hears coming from behind the cellar door...and turning a blind eye to the women's laundry in the hamper that isn't hers. For years she's buried the signs of John's devastating secret into the deep recesses of her mind - until the day John is crippled by a heart attack.

Grade school teacher and aspiring author Peregrine Long sees a Chinese family on board a ship - in his morning tea. The image inspires him to write the story of this family, but then a woman turns up at his door, claiming that he's writing her family history exactly as it happened. She doesn't like it, but she has one question: What happened to the little boy of the family, her long-lost uncle?

A group of teenagers work as camp counsellors at a recently reopened summer camp. A camp that hides a sinister secret. It's home to an undead killer. A monster that picks them off one by one, until there's only one girl left standing. For Ellie Cartwright, that's not how the story ends. That's how it begins. Because Ellie's not the only girl to have faced evil and survived. There are others. And now, they've sworn to protect those in danger. They've sworn to fight back against the creatures that lurk in the darkness.

Greetings. There is a body buried on your property, covered in your blood. The unfortunate young lady's name is Rita Jones. In her jeans pocket you'll find a slip of paper with a phone number on it. Call that number. If I have not heard from you by 8:00 P.M., the police will receive an anonymous call. I'll tell them where Rita Jones is buried on your property, how you killed her, and where the murder weapon can be found in your house. (I do believe a paring knife is missing from your kitchen.)

This bundle includes three audiobooks: What Goes Around, Hidden Within, and Fatal Words.

One of the most sought-after collectibles from contemporary author Jack Ketcham, this audiobook tells a gruesome, fact-based story of kidnapping, brutality, and revenge.

Essie has always seen herself as someone defined by her ambitions, a cold and independent woman, whose only soft spot is her husband. She never imagined herself as a mother, but then she finds out she’s pregnant. As her difficult pregnancy transforms her body and life into something foreign to her, her husband spends the nights pacing in the attic, and the house begins to whisper.

Rob Scott finds himself helplessly drawn into the tattooed and insanely sexy goth girl’s world of blood and mayhem. As Roxie and Rob cut a bloody trail across the country, a group of college students arrive at a beach house in Myrtle Beach for spring break. The young friends are blissfully unaware of the danger bearing down on them as they enjoy the sun and surf.

Justo antes del amanecer, en una decadente ciudad americana, cientos de parados esperan la apertura de la oficina de empleo para reclamar uno de los mil puestos de trabajo que se han anunciado. Han hecho cola durante toda la noche. De pronto, invisible hasta que lo tienen prácticamente encima, un Mercedes surge de la fría niebla de la madrugada. Su conductor atropella y aplasta a todos los que encuentra a su alcance. Acto seguido, el coche da marcha atrás y vuelve a arremeter contra ellos. El asesino huye dejando atrás ocho muertos y quince heridos.

Nineteen thirty-four, London. Into the decaying cul-de-sac of Bleeding Heart Square steps aristocratic Lydia Langstone fleeing an abusive marriage. However, unknown to Lydia, a dark mystery haunts Bleeding Heart Square. What happened to Miss Penhow, the middle-aged spinster who owns the house and who vanished four years earlier? Why is a seedy plain-clothes policeman obsessively watching the square? What is making struggling journalist Rory Wentwood so desperate to contact Miss Penhow?

An underground classic, Crash explores the disturbing potentialities of contemporary society's increasing dependence on technology as intermediary in human relations. In this hallucinatory novel, the car provides the hellish tableau in which Vaughan, a "TV scientist" turned "nightmare angel of the highways", experiments with erotic atrocities among auto crash victims, each more sinister then the last.

Sloan and Cherry. Cherry and Sloan. They met only a few days before masked men with machetes attacked the summer camp where they worked, a massacre that left the rest of their fellow counselors dead. Now, months later, the two are inseparable, their traumatic experience bonding them in ways no one else can understand. But as new evidence comes to light and Sloan learns more about the motives behind the ritual killing that brought them together, she begins to suspect that her girlfriend may be more than just a survivor—she may actually have been a part of it.

Emma is hitchhiking across the United States, trying to outrun a violent, tragic past, when she meets Lowell, the hot-but-dumb driver she hopes will take her as far as the Badlands. But Lowell is not as harmless as he seems, and a vicious scuffle leaves Emma bloody and stranded in an abandoned town in the Black Hills with an out-of-gas van, a loaded gun, and a snowstorm on the way.

My name is Jack Steen, and for those who arrive on my death ward at the asylum, I'm the last face many will see before they die. I am the night nurse at the Asylum for the Criminally Insane. Most of my patients are serial killers and mass murderers, and they know me as the Angel of Death. When they come onto my floor, I offer a deal: tell me their story. Their "untold" story that hasn't been read about in the news, sensationalized by media, or cataloged in a ridiculous number of academic papers.

In a Mexican temple, archaeologists uncover the remains of a half-human hybrid. They believe it is related to the creature in Antarctica, a dark thing of legend that is still alive-and still evolving. They believe it needs a new host to feed, to mutate, to multiply. They're right. And they're next. And the human race might just be headed for extinction.

Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Orla finds herself unsettled.