Psychological Horror Thriller

Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended. She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.

In an average suburban town in Texas, homecoming princess Lindsay barely escaped death at the hands of a brutal, sadistic murderer in a Michael Jackson mask. Up on the cliff, she was rescued by a horse and bravely defeated the killer.

Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses.

“Get it out of me.” It was the last message Holly received from her brother, Dane, before he was found cleaved open in the lavish Savannah townhouse of his girlfriend, Maura. Police ruled his death a suicide sparked by psychosis, but Holly can’t shake the idea that something else must have happened—something involving another message he sent earlier that night about a “game” Maura wanted to play.

Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept—no matter how bizarre the interview or how vague the job description. By day, she is assistant to the family doctor and his charge—the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious.

In the title story, a young boy becomes obsessed with his cousin's doll after she tragically passes away from leukemia. As he grows older, he begins to collect "found dolls" from the surrounding neighborhoods and stores his treasures in the abandoned carriage house on his family's estate. But just what kind of dolls are they?In The Doll-Master and Other Tales of Terror, Joyce Carol Oates evokes the “fascination of the abomination” that is at the core of the most profound, the most unsettling, and the most memorable of dark mystery fiction.

A new breed of evil has come to old New York. The horribly mutilated body of a young male prostitute turns up in the East River in 1896. Reporter John Moore and his mentor Laszlo Kreizler decide to investigate.

Nathan Gallagher doesn't believe in ghosts. As a fireman, he's seen his share of dead people, but they never spoke to him before - until now. His marriage is great, and his relationship with his son is strong, but Nathan is sure that if he tells his family that he's seeing ghosts, it is a quick ticket to a padded room and a straightjacket.

Arriving in L.A. to visit the set of a new streaming horror series, journalist Laura Warren witnesses a man jumping from a bridge, landing right behind her car. Here we go, she thinks. It’s started. Because the series she’s reporting on is a remake of a ’90s horror flick. A cursed ’90s horror flick, which she starred in as a child—and has been running from her whole life.

A deadly black widow has eliminated three husbands and counting. But Nameless knows her one weakness. To bring truth and its consequences to her crimes, the vigilante must spin a web of his own in part three of the Nameless series. Lucia - current last name, Rickenbah - has made a fortune by marrying rich men who tend to drop dead. But the superstitious blonde believes in more than money and murder. Nameless’s job is to scare a confession out of Lucia, and as the psychological warfare escalates, even he may be in for a shock.

Jasmyn and King Williams move their family to the planned Black utopia of Liberty, California hoping to find a community of like-minded people, a place where their growing family can thrive. King settles in at once, embracing the Liberty ethos, including the luxe wellness center at the top of the hill, which proves to be the heart of the community. But Jasmyn struggles to find her place. She expected to find liberals and social justice activists striving for racial equality, but Liberty residents seem more focused on booking spa treatments and ignoring the world’s troubles.

Cat lives in Los Angeles, far from 36 Westeryk Road, the imposing gothic house in Edinburgh where she and her estranged twin sister, El, grew up. As kids, they invented Mirrorland, a dark, imaginary place under the pantry stairs, full of pirates, witches, and clowns. These days, Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband, Ross. But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which hasn’t changed in twenty years.

From the outside looking in, Mora's life appears perfect. She lives in an affluent neighborhood, attends one of the most prestigious schools in Maryland, and has a father who is one of the top psychiatrists in the nation. But if you take a closer look inside, things are not as wonderful as they seem. Voices whisper in Mora's ear, ghosts flicker in her peripheral vision, and chilling text messages warn her to be quiet. Then, a reflection that resembles her appears in the mirror - even while she's medicated.

Possession is an addiction. Sydney's spent years burying her past and building a better life for herself and her young son. A respectable marketing job, a house with reclaimed and sustainable furniture, and a boyfriend who loves her son and accepts her, flaws and all. But when she opens her front door, and a masked intruder knocks her briefly unconscious, everything begins to unravel. She wakes in the hospital and tells a harrowing story of escape. Of dashing out a broken window. Of running into her neighbors' yard and calling the police.

Agnes Corey, a junior editor at a small independent publisher, has been hired by enigmatic author Veronica St. Clair to transcribe the sequel to her 1993 hit phenomenon, The Secret of Wyldcliffe Heights. St. Clair has been a recluse since the publication of the Jane Eyre-esque book, which coincided with a terrible fire that blinded and scarred her. Arriving in the Hudson Valley at St. Clair’s crumbling estate, which was once a psychiatric hospital for “wayward women,” Agnes is eager to ensure St. Clair’s devoted fans will get the sequel they’ve been anticipating for the past thirty years.

Blackwood mansion looms, surrounded by nightmare pines, atop the hill over the small town of New Haven. Ben Bookman, bestselling novelist and heir to the Blackwood estate, spent a weekend at the ancestral home to finish writing his latest horror novel, The Scarecrow. Now, on the eve of the book’s release, the terrible story within begins to unfold in real life.

Caitlin Nylo gave up everything to turn her father’s game company into a worldwide success. Along the way, she lost her mother, her marriage, and she barely sees her children. She’s rich, driven, and brilliant. But she’s also alone. After her eccentric father passes away, Caitlin is furious when she learns that instead of leaving the company and its fortunes to her, he has chosen to make his heirs compete in one last game: a scavenger hunt with a multi-billion-dollar inheritance waiting at the end.

Curator of paleontology Dr. Simon Nealy never expected to return to his Pennsylvania hometown, let alone the Hawthorne Museum of Natural History. He was just a boy when his six-year-old sister, Morgan, was abducted from the museum under his watch, and the guilt has haunted Simon ever since. After a recent breakup and the death of the aunt who raised him, Simon feels drawn back to the place where Morgan vanished, in search of the bones they never found.

When Emily and Ben move in next door to Dr Burman and his wife, Anita, they are keen to get to know their new neighbours. Outgoing and sociable, Emily tries to befriend the doctor’s wife, but Anita is strangely subdued, barely leaving the house, and terrified of answering the phone. When Emily goes missing a few weeks later, Ben is plunged into a panic. His wife has left him a note, but can she really have abandoned him for another man? Or has Emily’s curiosity about the couple next door led her straight into danger?

You haven't heard of William Colton Hughes. Or, if you have, then you're not telling anybody. Not telling them anything, ever. He's not the serial killer on the news, in the textbooks. He's the one out there still punching his card, and a few other people's too. He is a nightmare come to life, waiting in his apartment for you to knock on his door. William Colton Hughes is living his fantasy: his victims are delivered to his apartment every few days. But when he's suddenly alone, no visitors, nobody to talk to but himself, he begins to lose what little of his mind he has left.