Psychological Horror

Delphi has spent years working at a vast and iconic theme park in California after fleeing a trauma in her rural hometown. But following the disturbing death of a beloved Hollywood starlet on the park grounds, Delphi is tasked with shuttering it for good. Meanwhile, two siblings with ties to the park exchange letters, trying to understand why people who work there have been disappearing. Before long, they learn that there’s a reason no one is meant to see behind its carefully guarded curtain.

A governess employed at a remote estate finds herself in charge of two young children. As the story unfolds, it would appear that nothing is as it should be. The governess doubts her own sanity when the children see things, and it seems that the estate is haunted. Is the governess in danger from the ghosts or is she in danger from the children?

Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept—no matter how bizarre the interview or how vague the job description. By day, she is assistant to the family doctor and his charge—the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious.

What should have been a breeze of a bank heist for James Glenn and his crew goes violently wrong, forcing them to flee, blood-stained and angry. They stumble onto a remote lodge that doesn’t open for another month—a perfect place to lie low until the heat’s off.

Patrick Bateman è giovane, bello, ricco. Vive a Manhattan, lavora a Wall Street e con i colleghi Timothy, David, Patten e Craig, frequenta i locali più alla moda, le palestre più esclusive e le toilette dove gira la migliore cocaina della città, discutendo di nuovi ristoranti, cameriere corpoduro ed eleganza maschile. Ma la sua vita è ricca di particolari piuttosto inquietanti e quando le tenebre scendono su New York, Patrick Bateman si trasforma in un torturatore omicida, freddo, metodico, spietato.

Arriving in L.A. to visit the set of a new streaming horror series, journalist Laura Warren witnesses a man jumping from a bridge, landing right behind her car. Here we go, she thinks. It’s started. Because the series she’s reporting on is a remake of a ’90s horror flick. A cursed ’90s horror flick, which she starred in as a child—and has been running from her whole life.

Steve Nye writes for an alumni magazine and his long-term relationship is on the steady path to marriage. But his quiet life takes an unexpected turn when he receives a phone call from his mother. His father attacked her and has been committed to a mental asylum. The doctor says he’s suffering from dementia. But Steve’s father seems so calm, clear-eyed, and perfectly lucid. Is it simply another symptom of delusion and madness? To find the answer, Steve investigates the cryptic message leading him down a terrifying path of his own making—and of his own nightmares.

Hal Kapernaum brings his son to the company town of Seco, Arizona, where he hopes a new plant manager job will provide a fresh start, but the small Arizona town shares Hal’s same fear: SILENCE. The town is convinced the SILENCE is killing people. Nine have died in the last few weeks. Speakers of all models, shapes and sizes dot the roofs of the downtown buildings like nervous gargoyles. Because this fear is affecting production at the plant, Hal’s boss wants him to investigate and stop it, but soon Hal must face his biggest fear.

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit.

Michael Shipman is paranoid schizophrenic; he suffers from hallucinations, delusions, and complex fantasies of persecution and horror. That's bad enough. But what can he do if some of the monsters he sees turn out to be real? Who can you trust if you can't even trust yourself? The Hollow City is a mesmerizing journey into madness, where the greatest enemy of all is your own mind.

It would be easier for Thomas Mullen to move on from what he'd seen if Sarah stopped calling. It would be even better if she stopped appearing to him, and only him, to remind him of what he was powerless to stop. But months later, after Thomas loses his phone and the random woman who recovers it arranges to return it to him, his predicament intensifies. This woman tells him that while she's had his phone, his mother has called. His mother really needs him to call her back. And who is Sarah?

“Get it out of me.” It was the last message Holly received from her brother, Dane, before he was found cleaved open in the lavish Savannah townhouse of his girlfriend, Maura. Police ruled his death a suicide sparked by psychosis, but Holly can’t shake the idea that something else must have happened—something involving another message he sent earlier that night about a “game” Maura wanted to play.

Al detective retirado Hodges, que dirige una agencia de investigación privada con Holly, le diagnostican un cáncer de páncreas: le quedan meses de vida. En ese momento Hodges investiga una serie de suicidios recientes con un punto en común: todos los fallecidos tuvieron relación con Brady Hartsfield, el tristemente famoso Mercedes, que hace años planeó volar una sala de conciertos de rock llena de adolescentes.

On her way to a speaking engagement, bestselling novelist Eli Grey gets into a cab and accepts a drink from the driver, trusting that everything is fine. She wakes up chained in the stranger’s basement. With no close family or friends expecting her to check in, Eli knows she needs to save herself. She soon realizes that her abduction wasn’t random, and though she thinks she might recognize her captor, she can’t figure out what he wants. Her only clues are that he’s very familiar with her books and deeply invested in the fantastical world she creates.

1963. When Eleanor meets famous young poet Lyndon Chance, he offers a way to flee her abusive father. In return, she must pretend to be Lyndon's wife. He takes her home to a Tudor manor on the Camel Estuary in Cornwall, where she finds herself in the middle of a feud between Lyndon and his twin brother, Oliver. It's soon clear that the old house hides many dark secrets. But could they be a threat to Eleanor?

Imogen and Beck, two sisters who couldn't be more different, have been friends with Tilda since high school. Once inseparable, over two decades, the women have grown apart. But after Imogen survives a traumatic attack, Beck suggests they all reunite to hike deep into the Grand Canyon’s backcountry. A week away, secluded in nature...surely it’s just what they need. But as the terrain grows tougher, tensions from their shared past bubble up. And when supplies begin to disappear, it becomes clear secrets aren’t the only thing they’re being stalked by.

Forty years ago, triplets Miriam, Louise, and Edward were swept up in a case of rural mass hysteria. Coerced into fabricating unspeakable lies about their first-grade teacher and her adult son, they were complicit in destroying two lives. Ever since, they have believed they are being followed by a presence still seeking retribution for their childhood sins. Unless their guilty consciences are conjuring as many monsters as their innocent minds once did.

Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure—someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic summer of 1989, at Vanes—a mysterious West Country manor house—where a young girl, Jane Lestrange, arrives to stay with the gilded, grand Hunter family, and where a devastating tragedy will unfold.

Warning: This is an extreme horror novel. There is gore. There is bad language. There are scenes of a sexual nature. But hidden underneath it all is also a chilling story. Please do not purchase....

In the morning, Bram finds the bones of a murdered child. At noon, the murdered child begs for his help. And by nightfall, they have killed a man together and set off into the afterlife, where nothing is what it was, and death is only the beginning of punishment. An eerie story about the nature of death and the self, Midnight Picnic inhabits an American landscape made strange and unfamiliar.