Psychological Horror

From the moment we met, Nicholas Crawford has been an enigma. He’s a man with an unknown past and a mysterious future. He’s a criminal, a liar, a mastermind, and the love of my life. I became a criminal for him. I rescued him. Now, it’s his turn to do something for me. When I discover that everything I believed about my family is a lie, I need his help to uncover the truth. Who am I? Where do I come from? Why is there so much deceit? I’m in a dark place, and I’m all alone. He is the only person who can pull me out of it.

Charlie was once a loving family man with hope and a future. But when he loses his family in a tragic accident, grief drives him down a dark path. After he finds "The Bloody List", a grim record of every person who ever wronged him, Charlie is determined to make each person on the list pay for what they've done. With each carefully planned act of vengeance, Charlie writes letters to Detective Martinez, the one person who just might understand his twisted sense of justice.

The Lovely Bones: Booktrack Edition adds an immersive musical soundtrack to your audiobook listening experience! * Once in a generation comes an audiobook that taps a vein of universal human experience, resonating with listeners of all ages. The Lovely Bones is such an audiobook - a number one best seller celebrated at once for its artistry, for its luminous clarity of emotion, and for its astonishing power to lay claim to the hearts of millions of fans around the world.

First published in an 1839 edition of Burton's Gentleman's Magazine, "The Fall of the House of Usher" is the story of the declining physical and psychological health of the residents of the House of Usher - and the way in which the house itself reflects that. Gothic in theme and style, the story is an exemplar of Poe's philosophy of composition, which dictates that literary works should be short and methodological and have a unity of effect wherein all the elements of the story are related and relevant.

Jasmyn and King Williams move their family to the planned Black utopia of Liberty, California hoping to find a community of like-minded people, a place where their growing family can thrive. King settles in at once, embracing the Liberty ethos, including the luxe wellness center at the top of the hill, which proves to be the heart of the community. But Jasmyn struggles to find her place. She expected to find liberals and social justice activists striving for racial equality, but Liberty residents seem more focused on booking spa treatments and ignoring the world’s troubles.

Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses.

“Get it out of me.” It was the last message Holly received from her brother, Dane, before he was found cleaved open in the lavish Savannah townhouse of his girlfriend, Maura. Police ruled his death a suicide sparked by psychosis, but Holly can’t shake the idea that something else must have happened—something involving another message he sent earlier that night about a “game” Maura wanted to play.

Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended. She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.

It's the ultimate haunted house challenge. A crumbling stone mansion nestled in the Gothic Quarter of Barcelona, it may be the best-kept secret in Europe—a little-known attraction featuring nine escape rooms to explore, nine puzzles to solve, and a large cash prize for anyone who makes it to the end. There's just one catch: no one makes it to the end of The No-End House . . . When Joe Hadfield hears about the house from a pair of backpackers, he's intrigued but not interested. He's trying to escape a nightmare of his own.

Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept—no matter how bizarre the interview or how vague the job description. By day, she is assistant to the family doctor and his charge—the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious.

Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure—someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic summer of 1989, at Vanes—a mysterious West Country manor house—where a young girl, Jane Lestrange, arrives to stay with the gilded, grand Hunter family, and where a devastating tragedy will unfold.

On the wind-battered isle of Altnaharra, off the wildest coast of Scotland, a clan prepares to bring about the end of the world and its imminent rebirth. The Adder is coming and one of their number will inherit its powers. They all want the honor, but young Eve is willing to do anything for the distinction. A reckoning beyond Eve’s imagination begins when Chief Inspector Black arrives to investigate a brutal murder and their sacred ceremony goes terribly wrong. And soon all the secrets of Altnaharra will be uncovered.

Single father Todd is relaxing at the beach with his son, Anthony, when he catches sight of a man approaching from the water’s edge. As the man draws closer, Todd recognizes him as Jack, who bullied Todd relentlessly in their teenage years but now seems overjoyed to have “run into” his old friend. Jack suggests a meal to catch up. And can he spend the night? What follows is a fast-paced story of obsession and cunning. As Jack invades Todd’s life, pain and intimidation from the past unearth knife-edge suspense in the present.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?

Arriving in L.A. to visit the set of a new streaming horror series, journalist Laura Warren witnesses a man jumping from a bridge, landing right behind her car. Here we go, she thinks. It’s started. Because the series she’s reporting on is a remake of a ’90s horror flick. A cursed ’90s horror flick, which she starred in as a child—and has been running from her whole life.

In 1954, at the start of the Cold War, the Soviet military offered four political prisoners their freedom if they participated in an experiment requiring them to remain awake for 14 days while under the influence of a powerful stimulant gas. The prisoners ultimately reverted to murder, self-mutilation, and madness. None survived. In 2018, Dr. Roy Wallis, an esteemed psychology professor at UC Berkeley, is attempting to recreate the same experiment. What begins innocently enough, however, morphs into a nightmare.

It's 1997. Scarclaw Fell. The body of teenager Tom Jeffries is found at an outward bound centre. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who took that fateful trip and the flimsy testimony of those living nearby.

Agnes Corey, a junior editor at a small independent publisher, has been hired by enigmatic author Veronica St. Clair to transcribe the sequel to her 1993 hit phenomenon, The Secret of Wyldcliffe Heights. St. Clair has been a recluse since the publication of the Jane Eyre-esque book, which coincided with a terrible fire that blinded and scarred her. Arriving in the Hudson Valley at St. Clair’s crumbling estate, which was once a psychiatric hospital for “wayward women,” Agnes is eager to ensure St. Clair’s devoted fans will get the sequel they’ve been anticipating for the past thirty years.

When Emily and Ben move in next door to Dr Burman and his wife, Anita, they are keen to get to know their new neighbours. Outgoing and sociable, Emily tries to befriend the doctor’s wife, but Anita is strangely subdued, barely leaving the house, and terrified of answering the phone. When Emily goes missing a few weeks later, Ben is plunged into a panic. His wife has left him a note, but can she really have abandoned him for another man? Or has Emily’s curiosity about the couple next door led her straight into danger?

A small white plane hurtles from the sky, vanishing into the wilderness. Hiker Maggie Roby watches its final descent, certain that no one could have survived. But to her shock, a fifteen-year-old girl emerges from the wreckage, wounded but miraculously, impossibly alive. Maggie approaches with trepidation; she has secrets of her own, a past she can’t escape. Saving the girl means risking her future, but she can’t just abandon her, can she?