Religious Poetry

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition.

Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings. Forget the idea of classic poetry being somehow dull and boring and best kept to children's textbooks. It still has life, vibrancy and relevance to our lives today.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, that opens our ears and eyes to very personal feelings.

Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings. Forget the idea of classic poetry being somehow dull and boring and best kept to children's textbooks. It still has life, vibrancy and relevance to our lives today.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings. Forget the idea of classic poetry being somehow dull and boring and best kept to children's textbooks. It still has life, vibrancy, and relevance to our lives today. Where to start? How to do that? Poetry can be difficult. We've put together some very eclectic Poetry Hours, with a broad range of poets and themes, to entice you and seduce you with all manner of temptations.

Sleep. That most mysterious of times. The unconscious hours. Everyone needs it. Sleep offers a respite from the rigors and challenges of the day - a chance for the brain to process what has happened and bring rest and recuperation before the cycle of daytime activity begins again. Our poets, from Kipling and Swinburne through Hafiz, James Joyce, Edgar Allan Poe and a pillowful of others, explore the wish to rest, to close the eyes and reside in the land of nod.

Dive into the compelling collection of poems by William Gomes, "Starlit Path," where the enduring presence of Mary illuminates the tapestry of human experience. Through verses that explore the realms of social justice, personal struggle, and mystical union, this anthology invites you on a reflective journey into the profound intersections of faith, humanity, and the divine.

Mel, a faith-filled Pentecostal, has the chance to escape Slow Rapids, Indiana, by attending academic summer camp. The only catch? She has to read forbidden tomes like The Origin of Species. So she forges the permission slip, promising God she’ll bring him a lost soul in exchange. Mel conscientiously uses her Biblical expertise to argue Darwin’s theories, but meanwhile begins to realize that her parents, her pastor, and her church aren’t what she thought.

In What Lies Within by CBA best-selling author Karen Ball, something is missing from the life of the successful owner of Justice Construction Co. But Kyla Justice doesn’t realize what it is until she begins building a center for inner-city kids. She’s now undeterred by supply problems or gang opposition. She won’t be stopped by her boyfriend’s suggestion to sell her businessand marry him. And she certainly won’t be sidetracked by that disagreeable Rafael Murphy.

"Il viaggio di Lucio Eurisko" è un romanzo che scorre via leggero, trasmettendo all'ascoltatore una visione di vita più vera e consapevole. Continue domande inducono a ragionare con la propria testa su fatti scientifici e religiosi che sono stati alterati. L'ascoltatore comprenderà perché il DNA palesa l'esistenza di un progettista creatore, o perché l'apparato LAD del nostro cervello rivela che non esiste l'evoluzione che crea nuove specie o perché la meiosi cellulare è l'evidente prova che siamo stati creati, ma capirà anche com'è organizzata la lobby dei sacerdoti gay e pedofili.

It’s Christmas in Houston, and homicide detective Roland March is on the hunt for a killer. A young woman’s brutal stabbing in an affluent neighborhood bears all the hallmarks of a serial murder. The only problem is that March sent the murderer to prison 10 years ago. Is it a copycat - or did March convict the wrong man? Alienated from his colleagues, and with a growing rift in his marriage, March receives a series of taunting messages from the killer. The bodies pile up, the pressure builds, and the violence reaches too close to home.

It appears that everyone in Skary, Indiana, is having an identity crisis of epic proportions, including the town itself. Once known as the haunt of the world's most popular horror writer, Wolfe "Boo" Boone, Skary started losing tourist business after Boo abruptly abandoned his career. Now the little town with the big marketing hook is up a creek...and on the brink of bankruptcy.

The biggest thing to happen to Skary, Indiana, is renowned horror novelist Wolfe Boone, or "Boo" as the locals fondly call him. For the past 16 years, the reclusive writer has been the town's greatest attraction, having unintentionally turned the once struggling Skary into a thriving tourist trap for the dark side.

But when a newly reformed Wolfe suddenly quits the genre and subsequently starts to pursue Skary's favorite girl-next-door, Ainsley Parker, the little town becomes truly horrified.

Rooted in the grit of urban Baltimore and the forests of rural Massachusetts, these poems remind us that life's tensions and polarities are energies we carry within ourselves. These are poems of witness and commentary, conversation and meditation. They offer moments of close looking, and of looking away; of loving, and of bungled attempts to be more loving. They call us to look long and hard and generously at our lives. Written with radiant honesty and fierce tenderness, they suggest a path of inner discovery where mystery awaits us in the ordinary.

Wing Over Wing clears a path in the midst of everyday life to reveal the holy—whether catching fireflies at night, waiting at a bus stop, or experiencing the death of a loved one. This collection of beautiful poems lives at the intersection of the sacred and the ordinary, from the swirling flight of birds to conversations with the homeless.

W. H. Auden, Jorge Luis Borges, Howard Thurman, Julia Equivel, Thomas Merton, Langston Hughes, Pedro Pietri and Miguel Piñero, in their work make a connection between poetry, social criticism and the meaning of life together that is a part of Harold Recino's literary labor. His work creates a fusion between the personal and the public in verse that is searching, expansive, and walking hurt streets.

How does one encounter meaning amid so many kinds of noise? What is quiet when it isn’t silence? Where does quiet exist—and what liberating potential might it hold? These poems dwell on ideas of black interiority, intimacy, and selfhood, and they celebrate as fiercely as they mourn. With a metaphysical edge and a formal restlessness attuned to both the sonics and the inadequacies of language, Quiet navigates the tension between the impulse to guard one’s inner life and the knowledge that, as Audre Lorde writes, "your silence will not protect you."