Renaissance Fiction

Socially awkward Will, grieving her mother’s death, is fascinated by Dolly, a beautiful, charming rebel with an insatiable taste for adrenaline. Both musicians come alive at Harlem jazz clubs and Prohibition-era speakeasies. Dazzled by the world they are discovering together, their romance ignites. But while Will is obsessed with Dolly, Dolly is obsessed with crime. The power dynamics keep shifting as Will agrees to commit petty crimes with Dolly in exchange for sexual favors. When the University and their rich families unite to split them up, passions escalate.

Spanien, 1503: In der Festung La Mota soll Johanna von Kastilien endlich zur Vernunft kommen. Zu viel steht für ihre Mutter, Isabella die Katholische, auf dem Spiel. Die Königin regiert das Land mit unerbittlicher Härte, sie hat die Mauren vertrieben und lässt Tausende als Ungläubige auf den Scheiterhaufen der Inquisition verbrennen. Sie kann ihr Reich nicht in die Hände einer Tochter geben, die nicht betet, nicht beichtet und der Macht nichts bedeutet. Johanna will nicht über andere herrschen. Alles, was sie will, ist, über sich selbst zu bestimmen.

London, 1628. Nicolaes de Pelgrom, assassin and devoted servant of George Villiers, will do whatever his master asks of him—even if that means enduring the perilous voyage to the Indies to exact a grieving widow's revenge. Making that same journey is Jeronimus Cornelisz, a conniving apothecary determined to escape the backstreets of Amsterdam and become rich beyond imagination. Hired by a criminal mastermind to escort precious cargo to the Indies, he will kill anyone who stands in his way.

It's 1669, and feisty Isobel de Toledo is betrothed to be married to the son of a rich landowner when she learns people in her Seville, including her friends, are being burned at the stake. Outraged, she joins a revolutionary group of ladies of intrigue and danger, healers, and others who question the Church's preoccupation with sexual crimes and women who heal, shaking her very values and birthright. Isobel flees her homeland with Richard, a handsome sailor who saves her from being burned at the stake. They marry and board a ship, setting sail for the New World.

Believing fiction to be an invaluable tool for social change, Pauline E. Hopkins used her first novel to challenge the racist and sexist assumptions of her time. Contending Forces operates on an epic scale - with settings ranging from antebellum North Carolina to post-Civil War Boston - and Hopkins surveys this panorama with an eye in particular on the intersections of race, class, and gender relations.

On the heels of the best seller success of her novel The Wedding, Dorothy West, the last surviving member of the Harlem Renaissance, presents a collection of essays and stories that explore both the realism of everyday life, and the fantastical, extraordinary circumstances of one woman's life in a mythic time.

June 1589: Lord Sinclair, proud of his castle in Aberdeenshire, hosts the banquet to celebrate peace with England and the king's impending marriage. Celebrations have to be discreet, as the country is facing political and financial turmoil, but this won't be a quiet night's celebration for the king. It can't be, not for Lord Sinclair's sake.

"Versailles, lundi 13 mars 1679 À la nuit tombée. Je m’appelle Marion Dutilleul. J’ai 18 ans. Hier soir, après trois jours passés dans l’univers abominable de la sorcellerie, c’est avec un plaisir infini que j’ai retrouvé ma chambre, juste au-dessus de celle de Sa Majesté la reine Marie-Thérèse..." Ainsi commence le journal intime découvert par Amélie et son père, Philippe-Henry Schunck, en 1819. À cette trouvaille s’ajoute celle d’une plaque de cuivre datant du siècle de Louis XIV, puis d’une urne en forme de cœur. Pour Amélie et son père, c’est le début d’une enquête palpitante.

The first African American poet to achieve international fame, Paul Laurence Dunbar used his prodigious literary gifts to chronicle and celebrate Black life as he saw it. He utilized both traditional poetic forms and contemporary dialect in a range of styles—lyrical, conversational, and playful—as diverse as his themes. This collection, containing the entirety of Dunbar’s poetry, captures his still vital expressions of love, work, and family. It also serves as a revelatory expression of Dunbar’s frustrations with racial injustice and oppression.

A chance meeting reunites Irene Redfield and Clare Kendry, estranged friends who have long been separated by their ambitions. Since losing touch, Irene has become a wife and mother in Harlem, where she remains closely connected to her racial heritage. The seductive Clare, however, now “passes,” enjoying the privileges of white society while hiding her roots from the world, including her rich (and racist) husband.

When The Sport of the Gods opens, the Hamilton family is doing relatively well. They have stable jobs and good reputations as servants for a wealthy Southern family - but they also have little sense of how tenuous their existence has become. When money goes missing, the supposed victim points a finger at patriarch Berry Hamilton, and Berry is sentenced to ten years of hard labor. In response, Berry’s wife, Fannie, and his two children, Joe and Kit, migrate to New York City. Their hope is that the great city of the North will provide them with a fresh start.

Winter, 1607. A man is struck down in the grounds of Battle Abbey, Sussex. Before dawn breaks, he is dead. Home to the Montagues, Battle has caught the paranoid eye of King James. The Catholic household is rumoured to shelter those loyal to the Pope, disguising them as servants within the abbey walls. And the last man sent to expose them was silenced before his report could reach London. Daniel Pursglove is summoned to infiltrate Battle and find proof of treachery. He soon discovers that nearly everyone at the abbey has something to hide.

Federico doesn’t mind being a political hostage in the Pope’s palace, especially now that he has a cat as a friend. But he must admit that a kitten walking into a wardrobe and returning full-grown a moment later is quite odd. Even stranger is Herbert, apparently an art collector from the future, who emerges from the wardrobe the next night. Herbert barters with Federico to get a sketch signed by the famous painter Raphael, but his plans take a dangerous turn when he hurries back to his era, desperate to save a dying girl.

A civil rights activist and key figure in African American literary history, Alice Dunbar-Nelson made her mark during the emerging Harlem Renaissance. Violets and Other Tales is her debut (included here in full, save for three stories later updated in The Goodness of St. Rocque). The collection includes poetry, short stories, and essays offering a varied examination of class differences, racial identity, oppression, intolerance, and women’s societal roles. The Goodness of St. Rocque and Other Stories assembles 14 of Dunbar’s short works of fiction.

Erzsébet doesn’t want to start a revolution. She just wants to keep her head warm in the winter. When she goes against tribal tradition and refuses to shave her head, she learns of a history as twisted as her lengthy locks.

Melody, Asia, and Sasha are successful women working in the careers they've always wanted. They excel in life, they excel in their chosen professions, but in their relationships, they fail miserably. From scandalous affairs and drug-induced sexcapades to secret pregnancies and death in a love triangle, these cousins have the personal drama on lock. But when backstabbing and betrayal infiltrate their relationships with one another, the once-tight trio quickly finds that blood is nowhere near as thick as water.

Deceived into leaving Haiti and Cuba by Mr. and Mrs. Vega, Billie and Carmine are confronted with a harsh reality once on American soil. The teens realize they are sex workers for the Pricey Pussy Empire, and the couple who lured them to the US actually run their own division for the underground flesh-for-sale operation. Billie and Carmine will suffer through human indecency, cruel punishment, and sexual assault in hopes of breaking the chains of captivity. There is an expensive price tag attached to vengeance, and once it is theirs, they may just end up paying with their souls.

On a sweltering summer night in 1925, beauties in beaded dresses mingle with hepcats in dapper suits on the streets of Harlem. The air is thick with reefer smoke, and jazz pours out of speakeasy doorways. Ben Charles and his devoted wife, Angeline, are among the locals crammed into a basement club to hear jazz and drink bootleg liquor. For aspiring poet Ben, the swirling, heady rhythms are a revelation. So is Baby Back Johnston, an ambitious trumpet player who flashes a devilish grin and blasts jazz dynamite from his horn.

Eric Walrond was a singular voice of the Harlem Renaissance, and Tropic Death is his most famous work - a collection that highlights his particular strength as a writer of short fiction. Over the course of these ten stories, Walrond vividly details the punishing realities of life and labor across the Caribbean, and yet the overall effect is far from grim. These are unsentimental yet startlingly beautiful portraits of the migrant experience, full of distinctive voices striving for an audience in a seemingly implacable world.

Raised by her aunt and uncle amidst the rolling hills of the Tuscan countryside, young orphan Virginia Tacci has always harbored a deep love for horses - though she knows she may never have the chance to ride. As a shepherdess in sixteenth-century Italy, Virginia's possibilities are doubly limited by her peasant class and her gender.