Renaissance Fiction

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

At the age of sixty-one, Judith Shakespeare, a midwife-apothecary and twin of the long-dead Hamnet, must flee provincial Stratford on horseback to avoid arrest for witchcraft. Her traveling companions are a zealous Puritan woman and child who have been displaced by civil war—the bloody seventeenth-century strife between Royalists and Roundheads. Judith is also leaving her marriage, which has foundered since the wrenching loss of two adult sons to the plague.

Milan, 1492: When a 16-year-old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back.

1547: Pedro Gonsalvus, a young boy living on the island of Tenerife, understands that he is different from the other children in his village. He is mercilessly ridiculed for the shiny layer of hair covering his body from head to toe. When he is kidnapped off the beach near his home, he finds himself delivered by a slave broker into the dangerous and glamorous world of France’s royal court. There “Monsieur Sauvage,” as he is known, learns French, literature, and sword fighting, becoming an attendant to the French King Henri II and a particular favorite of his queen.

England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise are sure to finally attract a suitor. Meanwhile, King Henry VIII is 45 and increasingly desperate for an heir. He changed his country's religion to leave his first wife, a princess of Spain, for Anne Boleyn—but she, too, has failed to provide a son.

From the acclaimed author of The Night Portrait comes a stunning historical novel about two women, separated by 500 years, who each hide Leonardo da Vinci’s Mona Lisa - with unintended consequences.

Elle Newmark's richly seductive prose brings to life the color and scandal of 15th-century Venice. Through Luciano, a street urchin apprenticed to a great chef in the palace of the doge, Newmark tells a wicked tale of political and papal intrigue. In Venice where every whisper is a secret or a lie, Luciano's initiation into the chef's spicy world makes for deliciously suspenseful listening.

Lucy’s Chantress magic will make her the most powerful - and most hunted - girl in England. “Sing, and the darkness will find you.” This warning has haunted fifteen-year-old Lucy ever since she was eight and shipwrecked on a lonely island. Lucy’s guardian, Norrie, has lots of rules, but the most important is that Lucy must never sing. Not ever. Now, it is 1667, Lucy is fifteen, and on All Hallows’ Eve, Lucy hears a tantalizing melody on the wind. She can’t help but sing - and soon she is swept away into the darkness.

A night patrol finds a wealthy merchant hanged and set ablaze in the city’s main square. More than mere murder, this killing is intended to put the fear of God into Florence. Forty years earlier, puritanical monk Girolamo Savonarola was executed the same way. Does this new killing mean his fanatical disciples are reviving the monk’s regime of holy terror? Cesare Aldo is busy hunting thieves in the Tuscan countryside, leaving Constable Carlo Strocchi to investigate the ritual killing.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Settled down in his beloved Mortlake once again, philosopher and astronomer John Dee is enjoying the quiet life when Her Majesty’s spymaster Sir Francis Walsingham darkens his door, instructing him to befriend a certain Polish count with an interest in alchemy and angelic communication. But when Dee and the count are caught breaking the law, trying to convene with angels, they are exiled, and must make their way to the court of Rudolf, Holy Roman Emperor, in far-off Prague.

Après avoir découvert son château pillé et dévasté par les troupes du Grand Condé, qu'elle aime depuis toujours, Isabelle, duchesse de Châtillon, est déterminée à obtenir réparation. Mais elle ne résistera pas longtemps aux sentiments qu'il lui avoue. Ce pourrait être le bonheur. Ce sera la fin d'une paix relative pour Isabelle. La Fronde du Parlement et des Parisiens se termine, celle des Princes commence.

Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence.

Michelangelo's Sistine Chapel ceiling is one of the most iconic masterpieces of the Renaissance. Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo's fiercest rival - the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age 11, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti.

From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage—a place where artifice and disguise are second nature and accommodates those who do not fit in.

A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th-century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome, and well-educated. Not to mention he is one of the powerful Medici family's favored circle. Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de' Medici's glittering circle of politicians, poets, artists, and philosophers. The men of Florence - most notably the rakish Giuliano de' Medici - become enthralled with her beauty.

Harlem, 1926. Young Black women like Louise Lloyd are ending up dead. Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights at the Zodiac, Harlem’s hottest speakeasy. Louise’s friends, especially her girlfriend, Rosa Maria Moreno, might say she’s running from her past and the notoriety that still stalks her, but don’t tell her that.

Scotland, 1468: a nation at the edge of Europe, a civilization on the threshold of the Modern Age. Merchants, musicians, politicians, and pageantry fill the court of King James III. In its midst, Nicholas seeks to avenge his bride's claim that she carries the bastard of his archenemy, Simon St. Pol. When she flees before Nicholas can determine whether or not the rumored child is his own-or exists at all-Nicholas gives chase. So begins the deadly game of cat and mouse that will lead him from the infested cisterns of Cairo to the misted canals of Venice at carnival.

Venice in 1509 is on the brink of war. The displeasure of Pope Julius II is a continuing threat to the republic, as is the barely contained fighting in the countryside. Amid this turmoil, noblewoman Justina Soranzo, just sixteen, hopes to make a rare love marriage with her sweetheart, Luca Cicogna. Her hopes are dashed when her father decides her younger sister, Rosa, will marry in a strategic alliance and Justina will be sent to the San Zaccaria convent, in the tradition of aristocratic daughters.

Ka the time-travelling cat has disappeared again, and Topher knows that she is in terrible danger. For Ka has gone to Tudor England, a time when cats were tortured. Topher must try to find her, and in doing so, meets up with Doctor Dee - magician and astronomer to Queen Elizabeth I. But Doctor Dee is searching for something far more important than a cat. He must satisfy the Queen by finding the elusive Philosopher’s Stone...Another amazing adventure with Ka and Topher from Julia Jarman.