Renaissance Fiction

Join Celeste Gabriele in this second book of the Master’s Protégé Trilogy as she finds herself torn between desire for fame and fortune in the turbulent Renaissance art world and the call of home and family. Will she have the strength and courage to resist the lure of the siren song and brave churning waters to make her way home?

Jest rok 1597. W chrześcijańskiej Wenecji Żydzi żyją za murami getta, a za przywilej praktykowania swojej wiary odwdzięczają się wiernością wobec Republiki i poszanowaniem jej praw. Na galeonie handlowym kupiec Menachem Campos wypływa do Stambułu, Hila, jego córka, szykuje się do zaślubin, a młoda synowa spodziewa się narodzin upragnionego syna. Los zdaje się im sprzyjać, lecz do czasu, bo gdy z morza nadchodzą tragiczne wieści, żydowską Wenecją wstrząsają pogłoski o tajemniczych znakach - zwiastunach prześladowań i klęsk.

After the kaiju attack of Kaw City, Police Chief Brannigan Novak, and his friends attempt to return to a sense of normalcy. But while denizens of Kaw City struggle with the past, there is a whisper of a new threat—a drug-fueled, primordial alligator creature!

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

In Oberammergau herrscht kurz vor Pfingsten 1670 helle Aufregung. Bei den Proben zum berühmten Passionsspiel wird der Christus-Darsteller tot aufgefunden. Er wurde gekreuzigt. Der Schongauer Henker Jakob Kuisl und der Bader Simon Fronwieser werden um die Aufklärung des Todesfalls gebeten, doch sie stoßen auf eine Wand des Schweigens. Als ein weiterer Darsteller den Märtyrertod stirbt, glauben die Dorfbewohner an eine Strafe Gottes und wollen erst recht nicht mit den beiden Fremden reden.

Der junge, aus verarmten Landadel stammende d'Artangnan verlässt seine gascognische Heimat und zieht nach Paris, um sich in den Dienst König Ludwigs XIII. zu stellen...

London 1666 - vier Tage lang verschlingt ein Feuer die Stadt. Im Armenviertel Southwark lebt der Straßenjunge Geoff, der mehr schlecht als recht versucht, seine Familie durchzubringen. Seine Schwester Jezebel, die sich in einer verruchten Spelunke als Schankmagd verdingt, birgt ein Geheimnis - und verschwindet eines Tages spurlos. Auf der Suche nach ihr stößt Geoff auf ein Netz aus Intrigen, Schuld und ungesühnter Rache - ein Gemisch, das schließlich den größten Brand der Geschichte entfachen sollte.

Toledo, 1479. Nace Juana I de Castilla, tercera hija de los Reyes Católicos. A pesar de tener una educación esmerada, ni sus padres, Isabel I de Castilla y Fernando II de Aragón, ni su esposo Felipe de Habsburgo por el que sentía un amor y unos celos desmedidos, la consideraron capaz de gobernar. Relegada a un segundo plano, y olvidada, su padre y su esposo ejercieron la regencia hasta que su hijo Carlos I tuvo la mayoría de edad.

Les aventures du Chevalier de Pardaillan sont celles que l'on dévore sans voir passer les heures, pour retrouver, confus et enthousiaste le bouillonnement d'une épopée traversée par la générosité d'un héros qui se place aux côtés de d'Artagnan et de Cyrano de Bergerac.

Nous sommes en 1573. Jean de Kervilliers, devenu Monseigneur l'évêque prince Farnèse, fait arrêter Léonore, sa maîtresse, fille du baron de Montaigues, supplicié pendant la Saint Barthélémy. Alors que le bourreau lui passe la corde au cou, elle accouche d'une petite fille. Graciée par le Prévôt, elle est emmenée sans connaissance vers la prison.

Nous sommes donc toujours en 1588, sous le règne d'Henri III, en lutte contre le duc de Guise et la Sainte ligue, le premier soutenu par Pardaillan, et le second par Fausta... Sans vous dévoiler les péripéties multiples et passionnantes de cette histoire, nous découvrirons que le duc de Guise et Henri III mourront tous deux (Zévaco, malgré son imagination, ne peut changer l'Histoire...), et que Pardaillan vaincra Fausta.

Milano, 1496. Leonardo da Vinci ha atteso con ansia quel primo incontro con frate Luca Pacioli, allievo di Piero della Francesca e illustre matematico. Entrato nella cella del frate nel monastero che lo ospita, nell'attesa che questi arrivi, Leonardo si sofferma su un dipinto che ritrae lo studioso. Un insieme di allegorie e di richiami alla geometria euclidea che lo colpisce infinitamente: di certo è stato il frate a scegliere ogni dettaglio.

A great artist of the 17th century meets his superfan from another century in a tale of passion transforming into true love and sacrifice....

After the first two episodes of the series ”The Printer”, here we are at the end, the last episode of the saga dedicated to the Renaissance Jesi. We left Andrea almost at the point of death, helped by his beloved, hidden in disguise. The plot has moved to Urbino, but certainly our two heroes, Andrea Franciolini and Lucia Baldeschi, will have to return to Jesi to fulfill their dream of love. The wedding will have to be a festive and opulent event, and will have to be celebrated by the Bishop of the City of Jesi, Monsignor Piersimone Ghislieri.

"Meč magistra medicíny" je prvním dílem série "Kronika katů Mydlářů". Příběh proslulého kata, magistra Jana Mydláře, tu vypráví jeho syn, který po něm toto řemeslo zdědil. Historický román se odehrává v rudolfínské Praze a z jeho hrůzostrašných, tajemných a krví obestřených historií vystupuje pohnutý životní příběh magistra medicíny a kata Jana Mydláře. Příběh vypráví syn proslulého kata, který zdědil jeho neblahé řemeslo. Být katem bylo ponižující, řemesla si nikdo nevážil, katům se nedostávalo pochopení, byli celoživotními psanci.

Believing fiction to be an invaluable tool for social change, Pauline E. Hopkins used her first novel to challenge the racist and sexist assumptions of her time. Contending Forces operates on an epic scale - with settings ranging from antebellum North Carolina to post-Civil War Boston - and Hopkins surveys this panorama with an eye in particular on the intersections of race, class, and gender relations.

Rival. Sister. Barmaid. Whore. Meg Henshawe has been a lot of things in her life, and few of them good. As proprietress of The Rose and Crown in Restoration Southwark, she has squandered her life catering to the comfort of workmen and thieves. Famous for her beauty as much as her reputation for rage, Meg has been coveted, abused, and discarded more than once. She is resigned to fighting alone until a passing boxer offers a helping hand.

Sally Green is about to die. She sees Death in the streets. She can taste it in her gin. She can feel it in the very walls of the ramshackle brothel where she is kept to satisfy the perversions of the wealthy. She had come to London as a runaway in search of her Cavalier father. Instead, she found Wrath, a sadistic nobleman determined to use her to fulfill a sinister ambition. As the last of her friends are murdered one by one, survival hinges on escape.

February 1605. A series of killings shake the quiet life of Devon's Tavy valley. Country doctor Gabriel Taverner, summoned to examine the bodies, believes the murders are somehow connected to a mysterious woman recently discovered in shocking circumstances. Gabriel is determined to solve the mystery, and soon uncovers clues that link his unexpected patient to the brutal killings.

London, 1607. As dawn breaks, Daniel Pursglove rides north, away from the watchful eye of the King and his spies. He returns, disguised, to his childhood home in Yorkshire - with his own score to settle. The locals have little reason to trust a prying stranger, and those who remember Daniel do so with contempt. When a body is found with rope burns about the neck, Daniel falls under suspicion. On the run, across the country, he is pursued by a ruthless killer whose victims all share the same gallows mark.