Renaissance Fiction

The King's Favorite is a mystery thriller set during one of the most spirited, scandalous, and memorable periods in English history - the Restoration - when the son of an executed king brought monarchy back to England after the repressive years of the Commonwealth. Following the coronation of Charles II came a reopening of the theaters, with the first women performing on the English public stage. What follows is a devastating London plague and fire, a monarch who openly indulged his sexual proclivities, a series of plots against the crown, and the first true collection of female celebrities - as actresses, mistresses, and even orange girls.

Roma, primavera 1501. Salaì, apprendista pittore, scapestrato e sciupafemmine, scrive a un ignoto destinatario lo sgrammaticato resoconto del suo viaggio nell'Urbe. Il giovane è arrivato da Firenze al seguito del patrigno, un vecchio frustrato e squattrinato dalla testa zeppa di strane invenzioni che non funzionano mai: Leonardo da Vinci. Ufficialmente Leonardo è venuto nella Città Santa per studiare dal vivo l'antica architettura romana. In realtà è stato chiamato per un'indagine delicatissima: dovrà scoprire chi sta spargendo voci calunniose e infamanti sul pontefice.

Who cares if they're not normal? Neither am I. Life has not been easy for Alex Winters since he used his Pyrokinetic powers to take control of the Russian district. Violence and betrayal have become a way of life, but he's somehow managed to keep the gangsters in line. At barely sixteen, he thinks he's seen it all. He hasn't. Things spiral out of control when the latest double cross takes a turn for the supernatural. The new group muscling in on his territory turn out to be a brutal gang of vampires.

Rival. Sister. Barmaid. Whore. Meg Henshawe has been a lot of things in her life, and few of them good. As proprietress of The Rose and Crown in Restoration Southwark, she has squandered her life catering to the comfort of workmen and thieves. Famous for her beauty as much as her reputation for rage, Meg has been coveted, abused, and discarded more than once. She is resigned to fighting alone until a passing boxer offers a helping hand.

Sally Green is about to die. She sees Death in the streets. She can taste it in her gin. She can feel it in the very walls of the ramshackle brothel where she is kept to satisfy the perversions of the wealthy. She had come to London as a runaway in search of her Cavalier father. Instead, she found Wrath, a sadistic nobleman determined to use her to fulfill a sinister ambition. As the last of her friends are murdered one by one, survival hinges on escape.

After saving the life of the glamorous Marquise de Harfleur, painfully shy barmaid Alice Henshawe is employed as the lady’s companion and whisked away to Versailles. There, she catches King Louis’ eye and quickly becomes a court favorite as the muse for Charles Perrault’s Cinderella. The palace appears to be heaven itself, but there is danger hidden beneath the façade and Alice soon finds herself thrust into a world of intrigue, murder, and Satanism at the heart of the French court.

After being rescued from her kidnapping by a handsome highwayman, she returns home only to find her marriage prospects drastically reduced. Her father expects her to marry the repulsive Lord Lewes, but Jane has other plans. All she can think about is her highwayman, and she is determined to find him again.

Nella Milano del 1630 infuria la peste, ma Alma Osio non ha paura, è convinta che non morirà prima di aver compiuto la sua missione: vendicare sua madre e suo padre. Alma infatti è figlia della relazione proibita tra Virginia de Leyva, la Monaca di Monza, murata viva, e Giovan Paolo Osio, signore di Usmate, torturato e ucciso nelle segrete di un traditore. Dopo una vita di fughe e molti compromessi con il destino, oggi Alma è una donna libera e ricca che può permettersi il maggiore dei lussi, la verità.

«Oggi è festa. Nella chiesetta del borgo battezzano il mio bambino. Io non ci potrò essere, ufficialmente: devo stare nascosta.» Comincia così il racconto di una donna che la Storia ha a lungo dimenticato: Caterina, la madre di Leonardo da Vinci. Giovane popolana, sedotta dal notaio ser Pietro da Vinci, Caterina rimane incinta di un figlio che non potrà allevare: lo allatta, ma le viene tolto dalle braccia per essere cresciuto nella casa paterna.

When 27-year-old Jakiyah Smith left New York after a failed relationship, she had no plans of returning, but the death of her sister has forced her to come back. Now Jakiyah must help to care for her sister's child, but she soon finds herself surrounded by drama. German, the man she thought she would be with forever, is still with the woman he left her for. To make matters worse, Jakiyah's mother is the side-piece's newest friend.

After decades as a commissario in his city on the River Po, Piero Trotti has retired. But his newfound peace is brief. An old friend calls him to Siena to give him urgent news: a known hit man has returned to Italy to kill Trotti. The former inspector must admit that he isn't entirely undeserving, as his mistaken accusations and failed gambles have cost innocent lives in the course of his investigations.

In una fredda notte in cui la Storia faceva le prove generali di Rinascimento, mentre i signori d’Italia s’annientavano a vicenda per l’effimero controllo dei labili confini dei propri Stati, un giovane diplomatico pontificio dal passato misterioso preferiva di gran lunga cimentarsi nell’arte della seduzione più che in quella bellica. Chi era costui?

When stylish young bibliophile Julia Kydd returns to 1920s New York, she’s determined to launch her own private press. Julia’s aspirations take her into the heart of the Harlem Renaissance, a literary movement unlike any she’s known - where notions of race, sexuality, and power are slippery, and identities can be deceptively fluid.

En esta novela se mezcla lo mejor de la novela histórica con el suspense de las mayores sagas de intriga.En el real Alcázar de Madrid en enero de 1568 el príncipe don Carlos, que es el heredero de un imperio en el que nunca se ponía el sol es detenido por su propio padre. Las circunstancias apuntan hacia el como sospechoso y se le va a acusar de crímenes terribles.

Fighting for success in 17th century Amsterdam, a female artist must risk everything - and make enemies along the way. Defying convention, gifted artist Clara becomes a pupil to the renowned painter Osias Beerts. But when the highly prized patronage won from the powerful Burgomeister Fabritius turns to hostility, Clara has to make sacrifices and risk everything to pursue her craft. Together with her fellow pupil, Nico, she finds herself surrounded by dangerous secrets and powerful enemies. But in the face of so much past pain, can something as fragile as love survive?

Earth in 2086 is under complete corporate control. Even air and water are controlled by corporations. Moving resources from one area to another is illegal (unless the same corporation controls both areas' resources). These corporate interests have enslaved mankind by controlling the currency. Scout Ellison and his group want to start a new society without currency. This new society is completely illegal.

15 ans plus tard, Madame Eliane est désormais comtesse de Pardaillan. Mais qu'est devenu son mari?

Florencia, mediados del siglo XVI. Lucrezia, tercera hija del gran duque Cosimo de' Medici, es una niña callada y perspicaz, con un singular talento para el dibujo, que disfruta de su discreto y tranquilo lugar en el palazzo. Pero cuando muere su hermana Maria, justo antes de casarse con Alfonso d'Este, primogénito del duque de Ferrara, Lucrezia se convierte inesperadamente en el centro de atención: el duque se apresura a pedir su mano, y su padre a aceptarla. Poco después, con solo quince años, se traslada a la corte de Ferrara, donde es recibida con recelo.

No caso de Marieta da Silveira, seu primeiro amor havia lhe deixado um gosto amargo de decepção e mentira. Imaginara que ele era diferente, que a via além de todo o estigma que seu povo sofria, que ela mesma carregava, mas não.

The moment Lady Emilia sets eyes on the Chevalier d’Aubusson, she knows their fates are tied together. For good or ill, she cannot say. A mysterious aristocrat with a tragic past, the chevalier makes waves with his considerable charm. But the chevalier is not as he seems. There are cracks in his story, and Emilia never could resist a mystery. Whether he’s a gentleman or a bounder, he might just be the man for her.