Renaissance History

Illegitimate children, adulterous queens, impotent kings, and a whole dynasty resting on their shoulders. Sex and childbirth were quite literally a matter of life or death for the Tudors.

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

Jacob Fugger lived in Germany at the turn of the 16th century, the grandson of a peasant. By the time he died, his fortune amounted to nearly 2 percent of European GDP. Not even John D. Rockefeller had that kind of wealth. Most people become rich by spotting opportunities, pioneering new technologies, or besting opponents in negotiations. Fugger did all that, but he had an extra quality that allowed him to rise even higher: nerve.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

With a narrative that grips the reader like a detective story, Antonia Fraser brings the characters and events of the Gunpowder Plot to life. Dramatically recreating the conditions and motives that surrounded the fateful night of November 5th 1605, she unravels the tangled web of religion and politics that spawned the plot.

The brilliance of the Renaissance laid the foundation of the modern world. Textbooks tell us that it came about as a result of a rediscovery of the ideas and ideals of classical Greece and Rome. But now bestselling historian Gavin Menzies makes the startling argument that in the year 1434, China - then the world's most technologically advanced civilization - provided the spark that set the European Renaissance ablaze. From that date onward, Europeans embraced Chinese ideas, discoveries, and inventions, all of which form the basis of Western civilization today.

Galileo Galilei was the foremost scientist of his day. Though he never left Italy, his inventions and discoveries were heralded around the world. His telescopes allowed him to reveal the heavens and enforce the astounding argument that the earth moves around the sun. For this belief, he was brought before the Holy Office of the Inquisition, accused of heresy, and forced to spend his last years under house arrest.

Si es así, ya está familiarizado con el Renacimiento, que supuso un renacimiento de las artes y las ciencias. Se produjeron grandes avances en varios campos y muchos hombres se hicieron un nombre creando obras maestras o desarrollando nuevas teorías, aunque para algunos fueran controvertidas. Esta completa guía profundiza en algunas de las figuras más célebres de la época e incluye algunas que quizá no sean tan conocidas.

Learn about the Renaissance period with iMindsJNR audio learning series for younger minds. The word "Renaissance" means "rebirth" in French. It was first used by French historian Jules Michelet in 1858 to refer to a "movement" that took place between about the 13th and 16th centuries . This movement describes the transition from medieval to modern Europe.

Born in the midst of the Wars of the Roses, Margaret Beaufort became the greatest heiress of her time. She survived a turbulent life, marrying four times and enduring imprisonment before passing her claim to the crown of England to her son, Henry VII, the first of the Tudor monarchs.

In this glittering biography, Elizabeth Lev reexamines Caterina Sforza's extraordinary life and accomplishments. Raised in the court of Milan and wed at age ten to the pope’s corrupt nephew, Caterina was ensnared in Italy’s political intrigues early in life. After turbulent years in Rome’s papal court, she moved to the Romagnol province of Forlì. Following her husband’s assassination, she ruled Italy’s crossroads with iron will, martial strength, political savvy—and an icon’s fashion sense. In finally losing her lands to the Borgia family, she put up a resistance that inspired all of Europe.

In 1612, William Shakespeare gave evidence in a court case at Westminster; it is the only occasion on which his actual spoken words were recorded. The case seems routine - a dispute over an unpaid marriage dowry - but it opens an unexpected window into the dramatist's famously obscure life. Using the court testimony as a springboard, acclaimed nonfiction writer Charles Nicholl examines this fascinating period in Shakespeare's life.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.

This is a landmark in science writing. It resurrects from the vaults of neglect the polymath Jerome Cardano, a Milanese of the 16th century. Who is he? A gambler and blasphemer, inventor and chancer, plagued by demons and anxieties, astrologer to kings, emperors and popes. This stubborn and unworldly man was the son of a lawyer and a brothel keeper but also a gifted physician and the unacknowledged discoverer of the mathematical foundations of quantum physics.

Five hundred years ago, Michelangelo began work on a painting that became one of the most famous pieces of art in the world - the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

In four decades, bookended by the Pope’s visits to Ireland in September 1979 and August 2018, Ireland has become one of the wealthiest and most progressive nations in the world. Characteristically brilliant and timely, Renaissance Nation is a thrilling account of Ireland’s vertiginous rise and a timely exploration of its conflicted present, where stark decisions await the next generation of would-be revolutionaries.

Scotland, 1567. A pregnant Mary, Queen of Scots is dragged out of her palace by rebel lords and imprisoned in the isolated Lochleven Castle, an ancient fortress surrounded by a vast lake. Her infant son and heir, James, has been captured by her enemies. Accompanying Mary are two inconspicuous serving women: observant, ambitious Jane and romantic, quick-tempered Cuckoo, who endeavor to keep their mercurial mistress company while sharing the space of a claustrophobic room over the course of their eleven-month forced stay. Their hosts want them dead. They'll settle for Mary's abdication.

The history books have cast Katherine of Aragon, the first queen of King Henry VIII of England, as the ultimate symbol of the Betrayed Woman, cruelly tossed aside in favor of her husband’s seductive mistress, Anne Boleyn. Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years.

In this engaging, anecdotal history of food, world conquest, and desire, a chef-turned-journalist tells the story of three legendary cities, Venice, Lisbon, and Amsterdam, that transformed the globe in the quest for spice.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.