Renaissance History

In a series of poignant vignettes, a preeminent historian makes a compelling case for Machiavelli as an unjustly maligned figure with valuable political insights that resonate as strongly today as they did in his time.

Toby Lester, author of the award-winning The Fourth Part of the World, masterfully crafts yet another century-spanning saga of people and ideas in this epic story of Vitruvian Man, Leonardo da Vinci’s iconic drawing of a man inscribed in a circle and a square. Over time, the nearly 550-year-old ink-on-paper sketch has transformed into a collective symbol of the nature of genius, the beauty of the human form, and the universality of the human spirit.

Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark.

A controversial examination of the influence and presence of the Norse god Odin in contemporary history and culture.

Five hundred years ago, Michelangelo began work on a painting that became one of the most famous pieces of art in the world - the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

From the fall of Constantinople in 1453 until the 18th century, many Western European writers viewed the Ottoman Empire with almost obsessive interest. In this path-breaking audiobook, Noel Malcolm ranges through these vital centuries of East-West interaction, studying all the ways in which thinkers in the West interpreted the Ottoman Empire as a political phenomenon - and Islam as a political religion.

The very name Lucrezia Borgia conjures up everything that was sinister and corrupt about the Renaissance: incest, political assassination, papal sexual abuse, poisonous intrigue, unscrupulous power grabs. Yet, as best-selling biographer Sarah Bradford reveals in this breathtaking new portrait, the truth is far more fascinating than the myth.

Jacob Fugger lived in Germany at the turn of the 16th century, the grandson of a peasant. By the time he died, his fortune amounted to nearly 2 percent of European GDP. Not even John D. Rockefeller had that kind of wealth. Most people become rich by spotting opportunities, pioneering new technologies, or besting opponents in negotiations. Fugger did all that, but he had an extra quality that allowed him to rise even higher: nerve.

Beginning in Italy, the Renaissance was a cultural movement that spread throughout Europe and affected art, science, technology, politics, and thought. From the 1300s to the beginning of the 1600s, scholars started to question what they knew and looked to literature and historical texts to develop new ideas for why things were the way they were. In just a short amount of time, the foundations for European life were uprooted and examined, leading people, including Leonardo da Vinci and Michelangelo, to explore new ways of thinking and being.

The Inquisition conducted its last execution in 1826-the victim was a Spanish schoolmaster convicted of heresy. But as Cullen Murphy shows in this provocative new work, not only did its offices survive into the twentieth century, in the modern world its spirit is more influential than ever.

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science and began to develop a vision of Western society that remains at the heart of Western civilization today. On visits to the great cities of Europe, Thomas Cahill brilliantly captures the spirit of experimentation, the colorful pageantry, and the passionate pursuit of knowledge that built the foundations for the modern world.

Henrietta Maria is the most reviled consort to have worn the crown of Britain's Three Kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic—so causing a civil war—and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen.

Fünf komplette Manuskripte in ein Hörbuch: Europäische Geschichte: Eine fesselnde Einführung in die Geschichte Europas, von den Neandertalern über das Römische Reich bis zum Ende des Kalten Krieges; Die Klassische Antike: Ein fesselnder Einblick in das antike Griechenland und Rom und wie diese Zivilisationen Europa, Nordafrika und Westasien beeinflussten; Das Mittelalter; Die Renaissance; und Das Europa der frühen Neuzeit.

Like its popular and acclaimed predecessors, Restoration London and Dr Johnson's London, this fascinating evocation of Elizabethan London is the result of the author's passionate interest in the practical details of everyday life and the conditions in which most people lived, which most history books ignore: the streets, houses and gardens; cooking, housework and shopping; clothes, jewellery and make-up; medicine and sex; education, etiquette and hobbies; religion, law and crime.

The renaissance was a time for change, renewal, rebirth. That’s what we were taught in school, but few of us really understand the complexities of the era. Generations of people don’t understand the bold moves that were made. The risks that were taken by ordinary people who created exceptional art, music, movements, and change are like none the world has yet seen.

Renowned as a period of cultural rebirth and artistic innovation, the Renaissance is cloaked in a unique aura of beauty and brilliance. Its very name conjures up awe-inspiring images of an age of lofty ideals in which life imitated the fantastic artworks for which it has become famous. But behind the vast explosion of new art and culture lurked a seamy, vicious world of power politics, perversity, and corruption that has more in common with the present day than anyone dares to admit.

In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus—a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer.

Studies in Islamic Civilization was published in complete form in 2010 and reprinted in 2011. It draws upon the works of Western scholars to make the case that without the tremendous contribution of the Muslim world there would have been no Renaissance in Europe. For almost a thousand years Islam was arguably one of the leading civilizations of the world spanning a geographic area greater than any other.

Born into the English Wars of the Roses, educated in the European Renaissance, enthralled by the Age of Exploration and ultimately destroyed by Henry VIII, Thomas More is one of the most famous - or notorious - figures in English history. Thomas More: A Life is the definitive biography of this hypnotic, flawed figure. Overturning many received interpretations of the sixteenth century, Joanne Paul shows Thomas More to have been an intellectual and political giant of his age, central to the making of modern Europe.

In every nation, in every era of history, there are inevitably one or two places that become the symbol of the times. Mention Valley Forge to an American and it will immediately conjure up visions of a hard won fight for freedom. Likewise, the word Dunkirk said to a Briton will elicit a sense of both pride and horror at the lives lost and saved at that desperate point in World War II. For the French, and those who study their history, Versailles is a symbol of, as Charles Dickens once put it, "the best of times...the worst of times."