Renaissance History

The history books have cast Katherine of Aragon, the first queen of King Henry VIII of England, as the ultimate symbol of the Betrayed Woman, cruelly tossed aside in favor of her husband’s seductive mistress, Anne Boleyn. Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years.

Jacob Fugger lived in Germany at the turn of the 16th century, the grandson of a peasant. By the time he died, his fortune amounted to nearly 2 percent of European GDP. Not even John D. Rockefeller had that kind of wealth. Most people become rich by spotting opportunities, pioneering new technologies, or besting opponents in negotiations. Fugger did all that, but he had an extra quality that allowed him to rise even higher: nerve.

When Queen Elizabeth was excommunicated by the Pope in 1570, she found herself in an awkward predicament. Now England's key markets would be closed to her Protestant merchants. To complicate matters, the staunchly Catholic king of Spain was determined to destroy her, bolstered by the gold pouring in from the New World. In a bold decision with far-reaching consequences, Elizabeth set her sights on the East.

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

Age of Discovery explores a world on the brink of a new Renaissance and asks: how do we share more widely the benefits of unprecedented progress? How do we endure the inevitable tumult generated by accelerating change? How do we each thrive through this tangled, uncertain time? From gains in health, education, wealth and technology to crises of conflict, disease and mass migration, the similarities between today's world and that of the 15th century are both striking and prophetic: we have been here before.

This is a landmark in science writing. It resurrects from the vaults of neglect the polymath Jerome Cardano, a Milanese of the 16th century. Who is he? A gambler and blasphemer, inventor and chancer, plagued by demons and anxieties, astrologer to kings, emperors and popes. This stubborn and unworldly man was the son of a lawyer and a brothel keeper but also a gifted physician and the unacknowledged discoverer of the mathematical foundations of quantum physics.

A controversial examination of the influence and presence of the Norse god Odin in contemporary history and culture.

A history of the Renaissance told through the lives of its most influential patrons. From the late Middle Ages, the independent Italian city states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of 15th- and 16th-century Italy immersed themselves in the culture of antiquity, commissioning palaces, villas and churches inspired by the architecture of ancient Rome, and offering patronage to artists and writers.

In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar, earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. And yet he became most closely associated with the flowering of Black culture in Jazz Age America.

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science and began to develop a vision of Western society that remains at the heart of Western civilization today. On visits to the great cities of Europe, Thomas Cahill brilliantly captures the spirit of experimentation, the colorful pageantry, and the passionate pursuit of knowledge that built the foundations for the modern world.

From the inimitable bestselling author Thomas Cahill, another popular history - this one focusing on how the innovations of the Renaissance and the Reformation changed the Western world. A truly revolutionary audiobook. In Volume VI of his acclaimed Hinges of History series, Thomas Cahill guides us through the thrilling period of the Renaissance and the Reformation (the late fourteenth to the early seventeenth century), so full of innovation and cultural change that the Western world would not experience its like again until the twentieth century.

Ten remarkable women. One remarkable era. In the Tudor period, 1485 to 1603, a host of fascinating women sat on the English throne. The dramatic events of their lives are told in The Turbulent Crown: The Story of the Tudor Queens.

Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars - yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.

Like its popular and acclaimed predecessors, Restoration London and Dr Johnson's London, this fascinating evocation of Elizabethan London is the result of the author's passionate interest in the practical details of everyday life and the conditions in which most people lived, which most history books ignore: the streets, houses and gardens; cooking, housework and shopping; clothes, jewellery and make-up; medicine and sex; education, etiquette and hobbies; religion, law and crime.

From the fall of Constantinople in 1453 until the 18th century, many Western European writers viewed the Ottoman Empire with almost obsessive interest. In this path-breaking audiobook, Noel Malcolm ranges through these vital centuries of East-West interaction, studying all the ways in which thinkers in the West interpreted the Ottoman Empire as a political phenomenon - and Islam as a political religion.

Henry IV is not famous except for the plays that bear his name: He is not even a "much-maligned" king. He is normally overshadowed by his far more famous son, Henry V, despite his many achievements. Shakespeare is partly to blame for Henry's diminution and his son's exaggerated stature but not completely; we just don't know what to make of a man who took the throne from the rightful king.

Giorgio Vasari (1511-1574) was a man of many talents - a sculptor, painter, architect, writer, and scholar - but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari's extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari's visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift.

The very name Lucrezia Borgia conjures up everything that was sinister and corrupt about the Renaissance: incest, political assassination, papal sexual abuse, poisonous intrigue, unscrupulous power grabs. Yet, as best-selling biographer Sarah Bradford reveals in this breathtaking new portrait, the truth is far more fascinating than the myth.

The year is 1501. Michelangelo has created his Roman pieta, and yet patrons are not lining up at his door to hire him for more commissions. Reluctantly, he agrees to take on a project for Cardinal Piccolomini - a commission which will try the patience of both patron and artist. Before the year is out, Michelangelo hears the rumors that the Florentine City Fathers are looking for a sculptor to finish the colossal David that had been been begun four decades before. Will they give the task to Michelangelo, or his arch rival, Leonardo the Florentine?