Research Fiction

In the first major history of crime fiction in 50 years, The Life of Crime: Detecting the History of Mysteries and Their Creators traces the evolution of the genre from the 18th century to the present, offering brand-new perspective on the world’s most popular form of fiction.

Audible editor Katie O’Connor explores the craft of writing for the audio format with Audible Originals authors Samantha Allen, Lauren Blakely, Dennis Mahoney, and Ben H. Winters. Listen in as the authors discuss how they changed their approach to their work with audio in mind. You’ll also hear from two Audible Originals editors - Lara Blackman and Steve Feldberg - about how they collaborate with their authors and where they think the future of audio is going.

Do you struggle with stilted dialogue? Whether you're starting your first or fiftieth book, creating realistic dialogue will be vital to making your world come alive for readers.

Writing historical fiction involves more than taking a story and substituting carriages for cars. The historical novelist must do her best to understand the mind-set of the people she writes about, even while she explores the timeless and universal desires common to human beings of every time and place. This book describes historical fiction, tells the writer how to research, construct an authentic historic story world, and make the reader feel as though he or she is in the midst of the action.

Beneath the self-assured and serious faces we wear, every human life is full of longing, guesswork, and confusion—a scramble to do the best we can and make everything up as we go along. In these wide-ranging essays, Jon Mooallem chronicles the beauty of our blundering and the inescapability of our imperfections.

Pax, the audacious street rat turned mage, leads his eclectic crew into the heart of the Northern Purge—a wilderness expedition teeming with monsters and political adversaries. They develop their forbidden elemental powers in a race to gain power before their adversaries can destroy them. A frantic search unearths the ancient light mage headquarters, a trove full of treasures and fraught with dangers.

For 14 years, five-time Edgar winner and MWA grandmaster Lawrence Block wrote a monthly column on fiction for Writers Digest magazine. These columns yielded four books regarded as classics: Telling Lies for Fun & Profit, Spider Spin Me a Web, The Liar's Bible, and now, The Liar's Companion. Listen to The Liar's Companion and gain inspiration to create outstanding fiction.

A mysterious object has appeared out in the snow. Gibbs and Cline are mesmerized. They can’t discern its exact shape and color, nor if it’s moving or fixed in place. But it is there. Isn’t it? Whatever it might be, Hart thinks the thing in the snow is an unwelcome distraction, and probably a huge waste of time. Though, come to think of it, time itself has been a bit wonky lately. Weekends pass in a blur, and he can hardly tell day from night. Gravity seems less-than-reliable. The lights have been flickering weirdly, and he feels an odd thrumming sensation in his beard.

In this easy-to-follow guide, you'll discover the essential techniques needed to craft believable, memorable characters. We'll debunk common myths about writing compelling, dynamic characters and provide answers to the most-asked questions. This will ensure you avoid making the same mistakes others do - nobody wants a 1-star review, right?

Have you had intimate fantasies or simmering plotlines you've wanted to write but weren't sure how or where to start? Let renowned erotica author and editor Rachel Kramer Bussel show you how to turn those fragments into fully fleshed out erotic stories, novellas, and novels. In this guide, Bussel takes her twenty plus years of experience in the genre and walks writers through the ins and outs of erotic writing.

The beginning is the most important part of your book. The first chapter—probably even the first page—is what makes agents and editors accept or reject a manuscript, and it's what makes readers decide to buy a book or pick another. But writing a compelling opening is hard because there are so many things a great beginning needs to do and so many mistakes to avoid.

Whether it's correctly naming the parts of a horse, knowing how lords and ladies address one another, or building a realistic fantasy army, getting the details right takes fantasy writing to the next level. Featuring some of the most popular articles from Dan Koboldt’s Fact in Fantasy blog as well as several never-before-seen essays, this book gives aspiring and established fantasy writers alike an essential foundation to the fascinating history and cultures of our own world, which serve as a jumping-off point for more inspired and convincing fantasy.

Revolutionary Wealth is about how tomorrow's wealth will be created, and who will get it and how. But twenty-first-century wealth, according to the Tofflers, is not just about money, and cannot be understood in terms of industrial-age economics.

Ayn Rand discusses how a writer combines abstract ideas with concrete action and description to achieve a unity of theme, plot, characterization, and style, the four essential elements of fiction. Here, too, are Rand's illuminating analyses of passages from famous writers, rewrites of scenes from her own works, and fascinating rules for building dramatic plots and characters with depth.

The CliffsNotes study guide on Ray Bradbury's Fahrenheit 451 supplements the original literary work, giving you background information about the author, an introduction to the work, and critical commentaries, all for you to use as an educational tool that will allow you to better understand the work.

The voice is Anna Quindlen's. But we know the hopes, dreams, fears, and wonder expressed in all her columns, for most of us share them. With her New York Times-based column, "Life in the 30s", Anna Quindlen valued to national attention, and this wonderful collection shows why. As she proved in Object Lessons and Thinking Out Loud, Anna Quindlen's views always fascinate.

"Writing is structure,” William Goldman said, but too often aspiring writers plunge into their work without grasping this fundamental principle. Story structure is one of the most important concepts for a writer to understand - and ironically, one of the least frequently taught. In this book, New York Times best-selling author William Bernhardt explains the elements that make stories work, using examples spanning from Gilgamesh to The Hunger Games.

Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.

"Un jour, ils sont là. Un jour, sans aucun souci de l'heure. On ne sait pas d'où ils viennent, ni pourquoi ni comment ils sont entrés. Ils entrent toujours ainsi, à l'improviste et par effraction. Et cela sans faire de bruit, sans dégâts apparents. Ils ont une stupéfiante discrétion de passe-muraille. Ils : les personnages. On ignore tout d'eux, mais d'emblée on sent qu'ils vont durablement imposer leur présence." S. G. D'où viennent les personnages des romans et quel chemin suivent-ils dans l'esprit de l'écrivaine ?

In a genre with so much imaginative potential, creating well-rounded and unique characters that speak to the personality and individuality of the creator can be tricky. This guide is an excellent resource, perfect for anyone interested in elevating their fantasy content on social media, preparing for a LARP event, or even writing characters for novels or screenplays.