Research Fiction

Creative flow has blessed me with 39 novels that have collectively sold over 5 million copies, in sixteen languages, in under eight years, earning me over $10 million and over fifty spots on The New York Times, Wall Street Journal, USA Today, and foreign bestselling lists. All of my dreams came true because I learned to write amazing fiction. I wrote this book for the old me—the girl who had big dreams, but no real idea how to write the books she’d need to make those big dreams come true. I wanted to make it easier for her to get to where I am now by sharing what I learned along the way.

In a research hangar in Virginia, a Unit 51 team studies an ancient but long-dormant virus that can transform human physiology - and turn it into something else.... In the Amazon rain forest, a newly evolving life form known as Subject Z acquires the ability to think conceptually, build elaborate traps, create new carriers - and spawn a new race....

Crime Writing 101 is the ultimate toolkit for fiction writers who want to create a thrilling, suspenseful, and unpausable murder mystery. This comprehensive guide is the book you need to listen to before you sit down to write.

Alexander Chee, an essayist of “virtuosity and power” (Washington Post), selects twenty essays out of thousands that represent the best examples of the form published the previous year.

This comprehensive toolkit is packed with everything you need to bring your murder mystery to life. From start to finish, we guide you through the crime writing process with easy-to-follow prompts, tips, and techniques. Simply follow along with the story you are building as we take you through a novel outline template.

In this thoughtful collection of essays, Andrea Barrett draws from her experiences writing some of the most acclaimed historical fiction of our time to explore the mysteries and delights of the genre. Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible.

Publishing veteran and best-selling author J. Thorn reveals his proven system for writing delicious scenes based on his legendary "Supercharge Your Scene" challenge successfully completed by thousands of authors. This tight yet comprehensive book teaches you what you absolutely must know about writing snappy scenes, whether you're a plotter or pantser, short story dynamo or lifelong novelist, rock star indie or a trad pub professional. Developed from decades of classroom experience and used to revise millions of words, Thorn teaches you how to use simple tools to master your craft.

A mysterious object has appeared out in the snow. Gibbs and Cline are mesmerized. They can’t discern its exact shape and color, nor if it’s moving or fixed in place. But it is there. Isn’t it? Whatever it might be, Hart thinks the thing in the snow is an unwelcome distraction, and probably a huge waste of time. Though, come to think of it, time itself has been a bit wonky lately. Weekends pass in a blur, and he can hardly tell day from night. Gravity seems less-than-reliable. The lights have been flickering weirdly, and he feels an odd thrumming sensation in his beard.

Have you had intimate fantasies or simmering plotlines you've wanted to write but weren't sure how or where to start? Let renowned erotica author and editor Rachel Kramer Bussel show you how to turn those fragments into fully fleshed out erotic stories, novellas, and novels. In this guide, Bussel takes her twenty plus years of experience in the genre and walks writers through the ins and outs of erotic writing.

Showcasing the work of literary giants like Langston Hughes, James Baldwin, Audre Lorde, Alice Walker, and authors whom listeners may be surprised to learn were "in the life", Black Like Us is the most comprehensive collection of fiction by African American lesbian, gay, and bisexual writers ever published.

Born in 1909 in Jackson, Mississippi, Eudora Welty shares details of her upbringing that show us how her family and her surroundings contributed to the shaping not only of her personality but of her writing as well. Everyday sights, sounds, and objects resonate with the emotions of recollection.

Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.

Point of view is one of the most powerful tools in a writer's kit, but it's also one of the hardest to understand and master. In this book, Sandra Gerth draws on her experience as an editor and a best-selling author to teach you how to handle point of view in a way that will make your readers identify with your main character, draw them into the story, and keep them captivated until the very last page. The book provides concrete examples and exercises that will hone your writing skills, whether you're a novice writer working on her first story or an established author.

Fictional worlds are the perfect place to lose yourself, whether it be a fantastical dreamland or an alternate universe. But to captivate an audience, you need the right tools to set their imaginations free. And in Writing with Soft Worldbuilding, you will be given those tools to write amazing books using the easy, unique way of worldbuilding. If you want to create a story that will live inside your readers’ minds forever, then you need to get this book. Get your copy today and transform simple stories that are read into worlds that readers experience!

In the winter of 1996, more than 100 women and men of diverse nationality, background, and belief gather at the site of a former concentration camp for an unprecedented purpose: a weeklong retreat during which they will offer prayer and witness at the crematoria and meditate in all weathers on the selection platform, while eating and sleeping in the quarters of the Nazi officers who, half a century before, sent more than a million Jews to their deaths.

"Un jour, ils sont là. Un jour, sans aucun souci de l'heure. On ne sait pas d'où ils viennent, ni pourquoi ni comment ils sont entrés. Ils entrent toujours ainsi, à l'improviste et par effraction. Et cela sans faire de bruit, sans dégâts apparents. Ils ont une stupéfiante discrétion de passe-muraille. Ils : les personnages. On ignore tout d'eux, mais d'emblée on sent qu'ils vont durablement imposer leur présence." S. G. D'où viennent les personnages des romans et quel chemin suivent-ils dans l'esprit de l'écrivaine ?

Learn the inner secrets of selling fiction to an ever-increasing audience of readers! Bestselling author and writing coach James Scott Bell brings you powerhouse techniques and strategies in this collection, much of which is from his popular posts at The Kill Zone blog. If you're serious about selling your fiction, Fiction Attack! is your battle plan for breakthrough.

As a literary agent, Noah Lukeman hears thousands of book pitches a year. Often the stories sound great in concept, but never live up to their potential on the page. Lukeman shows beginning and advanced writers how to implement the fundamentals of successful plot development, such as character building and heightened suspense and conflict. Writers will find it impossible to walk away from this invaluable guide - a veritable fiction-writing workshop - without boundless new ideas.

Houston publishes so many books a year that he can't possibly write them himself. He has a ghost team; writers, agents, publishers. So when he takes a year out to write something of quality, a novel that will win prizes, a lot of people stand to lose their livelihoods. Now Houston, the prime suspect in his wife's murder, has disappeared. He could be anywhere and there are many who'd like to find him.

Writing historical fiction involves more than taking a story and substituting carriages for cars. The historical novelist must do her best to understand the mind-set of the people she writes about, even while she explores the timeless and universal desires common to human beings of every time and place. This book describes historical fiction, tells the writer how to research, construct an authentic historic story world, and make the reader feel as though he or she is in the midst of the action.