Research Fiction

As a literary agent, Noah Lukeman hears thousands of book pitches a year. Often the stories sound great in concept, but never live up to their potential on the page. Lukeman shows beginning and advanced writers how to implement the fundamentals of successful plot development, such as character building and heightened suspense and conflict. Writers will find it impossible to walk away from this invaluable guide - a veritable fiction-writing workshop - without boundless new ideas.

Houston publishes so many books a year that he can't possibly write them himself. He has a ghost team; writers, agents, publishers. So when he takes a year out to write something of quality, a novel that will win prizes, a lot of people stand to lose their livelihoods. Now Houston, the prime suspect in his wife's murder, has disappeared. He could be anywhere and there are many who'd like to find him.

Writing historical fiction involves more than taking a story and substituting carriages for cars. The historical novelist must do her best to understand the mind-set of the people she writes about, even while she explores the timeless and universal desires common to human beings of every time and place. This book describes historical fiction, tells the writer how to research, construct an authentic historic story world, and make the reader feel as though he or she is in the midst of the action.

Deep in the vastness of the great plains, fate brings together a reclusive chemist and a mysterious woman who emerges from the boundless forest surrounding his mountain cabin. Their lives intertwine as they discover a connection to the power of nature and a shared past far more improbable than they had ever imagined.

Over time, literary agent Elizabeth Kracht noticed that many submissions had similar problems, so she began to make a list of the pitfalls. She knew that even excellent projects could be rejected based on these surmountable issues because those on the receiving end of proposals most often don’t have the time to walk writers through needed adjustments. The checklist Kracht has created helps writers make their manuscripts good to go. It offers short, easy-to-implement bites of advice, illustrated by inspiring - and cautionary - real-world examples.

Have you had intimate fantasies or simmering plotlines you've wanted to write but weren't sure how or where to start? Let renowned erotica author and editor Rachel Kramer Bussel show you how to turn those fragments into fully fleshed out erotic stories, novellas, and novels. In this guide, Bussel takes her twenty plus years of experience in the genre and walks writers through the ins and outs of erotic writing.

Digby and Zoe have been skirting around each other for so long that you might think they'd lose their magic if they ever actually hooked up. But never fear--there's all the acerbic wit, steamy chemistry, and sarcastic banter you could possibly hope for.Now that Digby's back in town with a new lead, he's plunged Zoe (and their Scooby Gang of wealthy frenemy Sloane, nerd-tastic genius Felix, and aw-shucks-handsome Henry) into the deep end on the hunt for his kidnapped sister.

Sabrina never intended to fall in love with Tucker McCabe, the man she serves coffee to every morning at a Nantucket cafe - especially since he's unwittingly tied to a past she deeply regrets. A past that is so riddled with mistakes, it has separated her from God. But she's fallen hard and isn't sure how long she can hide her feelings.

How to Write Fiction is the guide you need! We will teach you how to write fiction in seven easy steps. This guide is designed to provide you with all the tools you need in a concise, easy-to-understand format that will answer all your burning questions and get you on your way to successful fiction writing.

This first audio edition of Poetry in Person: 25 Years of Conversation with America’s Poets (Knopf, 2010), invites listeners into an intimate classroom with eight acclaimed poets. Full of compelling, in-depth conversation about manuscripts and drafts by the poets themselves, plus readings of the finished poems, these historic recordings offer one of the most detailed portraits ever produced of how poems are actually made.

If you ever dreamt of writing a full-length fiction and stopped yourself because it is either too much work or too much skill, this book is for you. No motivational content; the book is to the point. It is a step-by-step guide with examples to help you learn the important elements of a fiction separately. Once you have developed command on the individual elements, you can take all the pieces together and join them to develop the plot as described in the book.

In this thoughtful collection of essays, Andrea Barrett draws from her experiences writing some of the most acclaimed historical fiction of our time to explore the mysteries and delights of the genre. Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible.

When word gets out about a death at a radio station, Jolene and other journalists swarm the scene, intent on reporting the facts first. The body is soon identified as Larry Lemmon, a controversial talk-show host, who died under suspicious circumstances. Jolene conducted his final interview, giving her and her station an advantage. But not for long. As the story heats up, so does the competition. Jolene is determined to solve this murder. It’s an investigation that could make or break her career—if it doesn't break her first.

In this book, I'll reveal the powerful techniques employed by best-selling authors, and I'll show you how to apply them to rivet your readers. I'll start with the basics of Point of View - if you're already familiar with the concept, you can treat them as a refresher - and then guide you to advanced strategies for taking your reader deep.

Revolutionary Wealth is about how tomorrow's wealth will be created, and who will get it and how. But twenty-first-century wealth, according to the Tofflers, is not just about money, and cannot be understood in terms of industrial-age economics.

Imagine writing a spellbinding world that not only enthralls listeners but also brings you joy during the creative process. Our quick guide, jam-packed with easy-to-follow prompts, tips, and techniques, will steer you through the fantasy writing process from start to finish.

Starting with the publication of their seminal bestseller, Future Shock, Alvin and Heidi Toffler have given millions of listeners new ways to think about personal life in today’s high-speed world with its constantly changing, seemingly random impacts on our businesses, governments, families and daily lives. Now, writing with the same rare grasp and clarity that made their earlier books classics, the Tofflers turn their attention to the revolution in wealth now sweeping the planet. And once again, they provide a penetrating, coherent way to make sense of the seemingly senseless.

Ever gone through something and said, “I could write a book about this!”? Well, with a good plan, you can! You might have an interest in creative writing or have started some rough drafts but can’t seem to take it to the next level. Wherever you are on your journey, education is crucial. But where to start? Just as every great meal starts with a recipe, every epic novel begins with an epic outline. Doesn’t an outline pour water on that spark of creativity? That’s what you may have heard…until now!

Mika Lenna, the CEO of Olento Research, won't be deterred. Yes, the Lucidites have the upper hand, but he has something better. The one thing that can really stop them. The potential to create the rivalry to any werewolf. Mika has crossed the final threshold of humanity to do something that no human would dare do. But if it pays off, then for him, it will all be worth it. Meanwhile, the Lucidites are quickly making progress with a solution that might help the men assimilate with the wolf. However, will it come at a cost?

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.