Research Literature

Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

Over her four decades of working in newsrooms big and small, Margaret Sullivan has become a trusted champion and critic of the American news media. In this bracing memoir, Sullivan traces her life in journalism and how trust in the mainstream press has steadily eroded.

Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine, and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations.

El libro está escrito en primera persona, es la voz siempre del propio poeta la que conversa con él mismo. La voz del narrador debería ser la de un hombre de más-menos 40 años. Deberá ser una voz varonil, profunda, grave. Nunca que lea en tono de declamación, o recitando, debe ser un poco cómo hablaba el poeta. Aquí dejo un video en el que se escucha la voz de Sabines cuándo leyó para su disco Voz Viva de la UNAM. y algo así deberá de ser la voz del narrador.

Through a collection of intimate reflections (on art, punctuation, eyeglasses, color, dreams, celebrity, corpses, porn, and translation) and assignments that encourage pleasure, attentiveness, and acts of playful making, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts 26 ecstatic collisions between his mind and the world. Figure It Out is both a guidebook for, and the embodiment of, the practices of pleasure, attentiveness, art, and play.

Things weren't so peachy in Cathy's life before she and her boyfriend Victor broke up. Her father died unexpectedly, she's failing school, and her best friend Emma is mad at her. But when Cathy decides to investigate Victor's reasons for ending their relationship, things suddenly go from bad to very, very, very bad as her findings produce more questions than answers. Through Cathy's unique and irresistible voice listeners will enter a strange and fascinating world where things often aren't how they appear.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

The discovery of a new Ripper journal sends Teagan on a journey to London...or so she thinks. But she finds herself plunged into a hidden world of witches, fairies, dragons and Valkyries - and that's just her friends. Join the Paranormal Institute for Research and Rescue. And travel back in time to solve a centuries-old mystery - if you survive....

Good Prose is an inspiring book about writing - about the creation of good prose - and the record of a warm and productive literary friendship. The story begins in 1973, in the offices of the Atlantic Monthly, in Boston, where a young freelance writer named Tracy Kidder came looking for an assignment. Richard Todd was the editor who encouraged him, and from that article grew a lifelong association. Before long, Kidder's The Soul of a New Machine, the first book the two worked on together, had won the Pulitzer Prize.

If your love for someone is greater than your own life, what would you sacrifice to keep her safe? The world and everything you've worked most of your life to procure? That is CEO Carson Bradley's catch-22. Unfortunately for Carson, his rivals have discovered his only weakness - Lillian Ly, the owner of his heart. The power behind his new cancer drug is what they desire, and they will stop at nothing to seize it. If necessary, kidnapping and murder are just the means to an end.

When tragedy strikes it doesn't always signal the end. Sometimes it can mean a new beginning.... Still reeling from the events of the past culminating in her devastating loss, an emotionally scarred Lillian Ly is determined to follow her heart and temporarily forego a bright academic career to keep alive the only thing that matters, being with the man she loves. Guilt pours over Carson Bradley like molten lava, but despite his shame, he cannot let her go. She is the flame to his fire, the soul of his heart. Without Lillian by his side, he is just a body without a warm pulse.

This first audio edition of Poetry in Person: 25 Years of Conversation with America’s Poets (Knopf, 2010), invites listeners into an intimate classroom with eight acclaimed poets. Full of compelling, in-depth conversation about manuscripts and drafts by the poets themselves, plus readings of the finished poems, these historic recordings offer one of the most detailed portraits ever produced of how poems are actually made.

A mysterious object has appeared out in the snow. Gibbs and Cline are mesmerized. They can’t discern its exact shape and color, nor if it’s moving or fixed in place. But it is there. Isn’t it? Whatever it might be, Hart thinks the thing in the snow is an unwelcome distraction, and probably a huge waste of time. Though, come to think of it, time itself has been a bit wonky lately. Weekends pass in a blur, and he can hardly tell day from night. Gravity seems less-than-reliable. The lights have been flickering weirdly, and he feels an odd thrumming sensation in his beard.

When producer Ira Rosen walked into the 60 Minutes offices in June 1980, he knew he was about to enter television history. His career catapulted him to the heights of TV journalism, breaking some of the most important stories in TV news. But behind the scenes was a war room of clashing producers, anchors, and the most formidable 60 Minutes figure: legendary correspondent Mike Wallace.

Starting with the publication of their seminal bestseller, Future Shock, Alvin and Heidi Toffler have given millions of listeners new ways to think about personal life in today’s high-speed world with its constantly changing, seemingly random impacts on our businesses, governments, families and daily lives. Now, writing with the same rare grasp and clarity that made their earlier books classics, the Tofflers turn their attention to the revolution in wealth now sweeping the planet. And once again, they provide a penetrating, coherent way to make sense of the seemingly senseless.

James Marsh tells of his evolution from a troubled childhood to a long career in publishing that culminated in the creation of The Canadian Encyclopedia—what one reviewer called “the intellectual equivalent of the building of the CPR.” Through friendships, curiosity, the insights of a charismatic psychiatrist, his passion for books, and the intimate encounters with the authors he met, he championed a diverse and inclusive view of Canada, which was used to draw the great minds of an impossible nation together in a common national enterprise.

The CliffsNotes study guide on Ray Bradbury's Fahrenheit 451 supplements the original literary work, giving you background information about the author, an introduction to the work, and critical commentaries, all for you to use as an educational tool that will allow you to better understand the work.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.

A fascinating history of the rise and fall of influential Gilded Age magazine McClure's and the two unlikely outsiders at its helm - as well as a timely, full-throated defense of investigative journalism in America. Tracing McClure's from its meteoric rise to its spectacularly swift and dramatic combustion, Citizen Reporters is a thrillingly told, deeply researched biography of a powerhouse magazine that forever changed American life. It's also a timely case study that demonstrates the crucial importance of journalists who are unafraid to speak truth to power.