Research Writing

Storytelling is humanity's oldest way of connecting to others. But for businesses and managers, it can also be a powerful tool to help organizations grow and thrive.

Do you want to make a living with your writing? Do you want to turn your words into multiple streams of income? I’m Joanna Penn and I left my corporate job a decade ago to become a full-time author entrepreneur. In this completely updated third edition, I’ll explain how I make a living with my writing and share tips from other writers on how you can do it too with practical, actionable advice that you can implement for yourself.

There are almost one billion guns across the globe today. There are 12 billion bullets produced every year - almost two bullets for every person. And as many as 500,000 people are killed by them every year worldwide. The gun's impact is long-reaching and often hidden. And it doesn't just involve the dead, the wounded, the suicidal and the mourning. It involves us all. Gun Baby Gun takes the award-winning investigative journalist Iain Overton on a shocking and eye-opening journey to over 25 countries.

The Power of Memoir is a pioneering how-to book that provides a new step-by-step program to use memoir writing as a therapeutic process. By going through these steps, you'll learn how to choose the significant milestones and turning points that make up a coherent story leading to a life-changing epiphany.

Filled with empathy and wisdom, instruction and inspiration, this book encourages us to reevaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. The start of a more inclusive conversation about storytelling, Letters to a Writer of Color will be a touchstone for aspiring and working writers and for curious readers everywhere.

Honorée Corder is the author of more than 50 books, a publishing consultant, a TEDx speaker, and the founder of Indie Author University. Honorée passionately coaches business professionals, writers, and aspiring non-fiction authors to write their own bestselling books. Writing a great book can be daunting . . . unless you know the secrets. This is her method. This guide is easy to read, remember, do, share, and implement. The goal is to understand the mechanics of how best-selling authors write books that consistently rank at the top.

Everyone has a story, and helping people tell their stories has been Nancy Slonim Aronie’s life mission. Building on her acclaimed Memoir as Medicine, this new guide tackles the short personal essay. With warmth and humor, Nancy provides prompts, inspiration, and hard-won wisdom to empower you to write an unforgettable narrative. You’ll learn to begin with an irresistible hook (“kill ’em with the first line”) and employ compelling direct quotes, drama, vulnerability, universal themes, and self-reflection to get readers into your corner.

Even the most unique and interesting characters will not engage readers if their journey - the plot - fails. In this audiobook, best-selling author William Bernhardt reveals the secrets that will keep readers riveted to the page. He explains the importance of matching character to plot and the key distinction between surprise and coincidence. Bernhardt discusses how to enrich your story by layering three levels of conflict and, in the final chapter, analyzes the primary plot structures that delight readers.

Becoming more productive and a better person overall is not as difficult as you might think. All it takes is changing a few things daily and before you know it, you’ll be happier than ever before. Thanks to this two-in-one book, you can now learn about the first crucial steps of your journey to self-development.

In Losing the News, Pulitzer Prize-winning journalist Alex S. Jones offers a probing look at the epochal changes sweeping the media, changes which are eroding the core news that has been the essential food supply of our democracy. Losing the News depicts an unsettling situation in which the American birthright of fact-based, reported news is in danger. But it is also a call to arms to fight to keep the core of news intact.

In the voices of 20 landmark memoirists - including New York Times best-selling authors Cheryl Strayed, Sue Monk Kidd, and Pat Conroy - a definitive book on the craft of autobiographical writing, indispensable for amateur and professional writers alike. For fans of Mary Karr's The Art of Memoir and Judith Barrington's Writing the Memoir, this follow-up to editor Meredith Maran's acclaimed writers' handbook, Why We Write, offers inspiration, encouragement, and pithy, practical advice for bloggers, journal-keepers, aspiring essayists, and memoirists.

Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.

What does it take to have a long writing life? Drawing on her years of writing, teaching, and practicing Zen, Natalie Goldberg shares the experiences that have opened her to new ways of being alive - experiences that point the way forward in our lives and our writing. The "great spring" of this book title refers to the great rush of energy that arrives when you think no life will ever come again - the early yellow flowering forsythia, for example.

Hugh Riminton was a small-town New Zealand teenager with a possible drinking problem and a job cleaning rat cages when a chance meeting with a radio news director changed his life. The news man took a chance on him, and at 17 Riminton became a cadet reporter. Over nearly 40 years he has been shot at, blown up, threatened with deportation and thrown in jail. He has reported from nearly 50 countries, witnessed massacres in Africa, wars and conflicts on four continents, and every kind of natural disaster.

In Sometimes the Magic Works, New York Times best-selling author Terry Brooks shares his secrets for creating unusual, memorable fiction. Spanning topics from the importance of daydreaming to the necessity of writing an outline, from the fine art of showing instead of merely telling to creating believable characters who make readers care what happens to them, Brooks draws upon his own experiences, hard lessons learned, and delightful discoveries made.

Would you like to learn about screenwriting? If so, Screenwriting 101 may be the all-in-one audiobook you have been searching for. Discover how to: write a compelling story, overcome writer’s block, protect your work, market & sell your script, and get an agent.

Having played the role of a student, postdoc, researcher, research faculty member, author, reviewer, and editor, Kasthurirangan "Rangan" Gopalakrishnan, PhD, fully understands and empathizes with the struggles and pleasures of academic work. In this book, his goal is to assist you to do what you are already doing more effectively and efficiently with minimal stress and possibly to identify and eliminate those activities and habits that interfere with your academic writing productivity.

The Anatomy of a Best Seller is a comprehensive guide that will help you break down the best books in your genre, understand how and why they work, and then learn how to do it yourself. By the end of the book, you’ll be armed with the methods you need to deconstruct best sellers, understand the tools those authors are using, and how to implement them in your own work.

Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's the job of the writer to produce a manuscript that immediately stands out among the vast competition. And those outstanding qualities, says New York literary agent Noah Lukeman, have to be apparent from the first five pages.

In this second edition, Saller adds new chapters, on the dangers of allegiance to outdated grammar and style rules and on ways to stay current in language and technology. She expands her advice for writers on formatting manuscripts for publication, on self-editing, and on how not to be “difficult”. Saller’s own gaffes provide firsthand (and sometimes humorous) examples of exactly what not to do. The revised content reflects today’s publishing practices while retaining the self-deprecating tone and sharp humor that helped make the first edition so popular.