Research Writing

Successful essayist, columnist, writing instructor, and editor Estelle Erasmus will show you how to find your voice, write stellar pieces, and get published.

Writing is an intensely personal act, yet all writers face similar problems related to focus, procrastination, creativity, and productivity. This book combines the field-tested practices of successful and productive writers with insights from cognitive science. By understanding how your mental processes affect the work, you can master the inner game of writing.

This book contains proven steps and strategies on how to become a skilled copywriter. This audiobook will explain what copywriting is. It will discuss the basic elements of copywriting and teach you how to write effective copy.

Creating a unique, immersive setting one place at a time. Creating Places is a detailed how-to guide on inventing the heart of every imaginary world - places. It includes chapters on inventing planets, moons, continents, mountains, forests, deserts, bodies of water, sovereign powers, settlements, and interesting locales. Extensive, culled research on each is provided to inform your world-building decisions and understand the impact on craft, story, and audience.

Occuparsi del linguaggio pubblico e della sua qualità non è un lusso da intellettuali o una questione accademica. È un dovere cruciale dell'etica civile. Non è possibile pensare con chiarezza se non si è capaci di parlare e scrivere con chiarezza. Sono parole del filosofo John Searle, teorico del rapporto fra linguaggio e realtà istituzionali. Le società vengono costruite e si reggono essenzialmente su una premessa linguistica: sul fatto cioè che dire qualcosa comporti un impegno di verità e di correttezza nei confronti dei destinatari.

Creating a unique, immersive setting one life form at a time. This book is a detailed how-to guide on inventing the heart of every imaginary world - life. With chapters on creating gods, species/races, plants, animals, monsters, heroes, villains, and even undead, it draws on the author's quarter century of world building experience. Pointed questions, and an examination of answers and their repercussions, will help readers decide on goals, how to reach them, and whether they are even worth pursuing.

Story is a potent medicine that can re-enchant our lives. By re-storying ourselves, consciously building it into everyday living, we can make space to hear ourselves better, listen more deeply to each other, and discern the tales the earth is quietly whispering in our ears. Hopefully, Story Intelligence will help you stoke a new kind of fire.

Would you like to improve your writing skills and become the writer you know you should be? Are you simply frustrated with your own writing, knowing deep inside you could be, and should be, producing much better work? Does the fear of writing, or perceived lack of ability, cause you to break into a cold sweat when you have been assigned a project due in a few days? Do you want to become a professional writer? If your answers to any of these questions is yes, then you need to hear about how to write almost anything better and faster!

From the start of Barack Obama's presidency in 2009, conservative populist groups began fomenting political fractiousness, dissent, and surprising electoral success. The Tea Party was one of the major characters driving this story. But, as Khadijah Costley White argues in this book, the Tea Party's ascent to major political phenomenon can be attributed to the way in which partisan and non-partisan news outlets "branded" the Party as a pot-stirrer in political conflicts over race, class, and gender.

Being a writer is not just about typing. It's also about surviving the rollercoaster of the creative journey. Self-doubt, fear of failure, the need for validation, perfectionism, writer's block, comparisonitis, overwhelm, and much more. When you're going through these things, it can feel like you're alone. But actually, they are part of the creative process, and every author goes through them too.

Every person has a story to tell, but few beginners know how to uncover their story's narrative potential. And despite a growing interest among students and creative writers, few guides to the genre of memoirs and creative nonfiction highlight compelling storytelling strategies.

In this easy-to-follow guide, you'll discover the essential techniques needed to craft believable, memorable characters. We'll debunk common myths about writing compelling, dynamic characters and provide answers to the most-asked questions. This will ensure you avoid making the same mistakes others do - nobody wants a 1-star review, right?

In writing class, our teachers made sure we understood how to write a five-paragraph theme: introduction, thesis sentence, points one, two, and three, followed by the conclusion. But rarely did any teacher tell us how to write fiction. They simply urged us to write a story. But how is that done? Angela Hunt has been writing and teaching for 30 years, and she has boiled plotting down to the basics in this audiobook.

From his best-selling series The Art of World Building, author Randy Ellefson has collected some of his best advice from every chapter in small, bite-size tips. All three books are represented in the topics covered: Creating Life, Creating Places, and Cultures and Beyond.

Publishing veteran and best-selling author J. Thorn reveals his proven system for writing delicious scenes based on his legendary "Supercharge Your Scene" challenge successfully completed by thousands of authors. This tight yet comprehensive book teaches you what you absolutely must know about writing snappy scenes, whether you're a plotter or pantser, short story dynamo or lifelong novelist, rock star indie or a trad pub professional. Developed from decades of classroom experience and used to revise millions of words, Thorn teaches you how to use simple tools to master your craft.

Like the authors' classic book The Elements of Journalism, Blur is a unique and understandable discourse on how information culture is changing. Yes, old authorities are being dismantled and new ones created, and the way we obtain knowledge has changed. But seeking true and reliable information remains the most important purpose of journalism - and the object for those who consume it.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.

Hay consenso entre periodistas, académicos y lectores en reconocer a Julio Scherer García como el mejor periodista mexicano de la segunda mitad del siglo xx. Su fama se debió al desarrollo constante de su oficio, siempre con excelencia y sentido crítico.

Hugh Riminton was a small-town New Zealand teenager with a possible drinking problem and a job cleaning rat cages when a chance meeting with a radio news director changed his life. The news man took a chance on him, and at 17 Riminton became a cadet reporter. Over nearly 40 years he has been shot at, blown up, threatened with deportation and thrown in jail. He has reported from nearly 50 countries, witnessed massacres in Africa, wars and conflicts on four continents, and every kind of natural disaster.

Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's the job of the writer to produce a manuscript that immediately stands out among the vast competition. And those outstanding qualities, says New York literary agent Noah Lukeman, have to be apparent from the first five pages.