Research Writing

Author and artist Nava Atlas presents a treasury of intimate glimpses into the unfolding creative writing process across fifteen brilliant careers in women’s literature and relates their stories to women writers of today. Through their journals, letters, and diaries, we get to know the struggles and triumphs of Louisa May Alcott, Jane Austen, Charlotte Bronte, Gwendolyn Brooks, Octavia E. Butler, Willa Cather, Madeleine LEngle, Edna Ferber, Zora Neale Hurston, L.M. Montgomery, Anais Nin, George Sand, Harriet Beecher Stowe, Edith Wharton, and Virginia Woolf.

Are you an author or creative preparing for success? Do you want to learn to speak effectively in front of an audience? All successful creatives have to speak and present in public, whether that's at a festival, on a podcast or radio show, or as part of earning multiple streams of income. But you don’t have to be like Tony Robbins, bouncing around on stage with a booming voice and larger than life personality. You just have to be you and tell your story in your own way.

Veteran White House reporter April Ryan thought she had seen everything in her two decades as a White House correspondent. And then came the Trump administration. In Under Fire, Ryan takes us inside the confusion and chaos of the Trump White House to understand how she and other reporters adjusted to the new normal. She takes us inside the policy debates, the revolving door of personnel appointments, and what it is like when she, as a reporter asking difficult questions, finds herself in the spotlight, becoming part of the story.

Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.

Written by Jack Foster, a creative director for various advertising agencies with more than 40 years experience, How to Get Ideas (over 90,000 copies sold and translated into 15 languages) is a fun, accessible, and practical guide that takes the mystery and confusion out of developing new ideas.

This fun and exciting guide shows you how to write an autobiography or biography that will bring your story to life. It begins by introducing you to all the different forms a life story can take, from journals to blogs to magazine articles to complete memoirs. Then, it helps you organize your story into either chronological, thematic, or anecdotal form. You'll receive a powerful set of writing tools, and learn how to use story structure, viewpoint, dialogue, and settings to make your story clear and vivid.

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

This audiobook is about one of the key aspects of Vril: the art and romance of human language. Vril is truly the essence of the active verb, the powerful sentence, and the narrative that moves people to action. It is the energy behind the words that makes the mind react in a positive and uplifting fashion. Those of you who understand Vril should have no problem understanding what Thor is saying. May these words, and the galaxial inspiration behind them, guide and comfort you as you go about your daily business in our dynamic, infinite, and loving universe.

Every person has a story to tell, but few beginners know how to uncover their story's narrative potential. And despite a growing interest among students and creative writers, few guides to the genre of memoirs and creative nonfiction highlight compelling storytelling strategies.

The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage.

Thanks to comedy writing guru John Vorhaus (author of The Comic Toolbox: How to Be Funny Even If You're Not), writing situation comedy is easier than ever. In The Little Book of Sitcom, you'll find a whole trove of tools, tricks, and problem-solving techniques that you can use - now, today - to be the sitcom writer of your wildest dreams. Ready to write? Ready to have fun? The Little Book of Sitcom is the big little book for you.

Over her four decades of working in newsrooms big and small, Margaret Sullivan has become a trusted champion and critic of the American news media. In this bracing memoir, Sullivan traces her life in journalism and how trust in the mainstream press has steadily eroded.

In The Content Fuel Framework, trained journalist and award-winning content marketer Melanie Deziel shows you how to maximize your creativity by systematizing it. No more writer's block. No more asking, "what should I post"? How can you fill all those web pages, social feeds, blogs, and newsletters, every single day? The Content Fuel Framework will challenge you - and enable you - to tell stories in entirely new ways. It's an adaptable and evergreen guide you'll come back to again and again.

This CliffsNotes study guide on George Orwell's Animal Farm supplements the original literary work, giving you background information about the author, an introduction to the work, a graphical character map, critical commentaries, expanded glossaries, and a comprehensive index, all for you to use as an educational tool that will allow you to better understand the work. This study guide was written with the assumption that you have read Animal Farm. Reading a literary work doesn’t mean that you immediately grasp the major themes and devices used by the author....

Expanding on the author's highly successful process for doubling daily word counts, this audiobook - a combination of reworked blog posts and new material - offers practical writing advice for anyone who's ever longed to increase their daily writing output.

The Silence of Your Name revolves around the suicide of Marshall’s charismatic and idealistic young husband, Tim Buxton, while they were in Ghana with Operation Crossroads Africa—a progenitor of the Peace Corps. Marshall weaves in her husband’s hidden family history, one tied to Boston’s wealthy social scene and the deaths of notorious Black Sun publisher Harry Crosby and Tim’s aunt Josephine Rotch Bigelow. By allowing listeners to experience these distinct periods of time in great detail, Marshall illuminates the toxic effects of denial across classes and generations.

Journalism is in trouble, but it's not too late to save it--or yourself--by mastering, sharing, and implementing the most critical skills any reporter can have: the basics. Based on extensive research, personal experience, and interviews with reporters, editors, and publishers, 33 Ways Not to Screw Up Your Journalism is the essential companion for journalists and their professors and coaches.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

Afghan-American journalist Fariba Nawa delivers a revealing and deeply personal exploration of Afghanistan and the drug trade which rules the country, from corrupt officials to warlords and child brides and beyond.

El libro está escrito en primera persona, es la voz siempre del propio poeta la que conversa con él mismo. La voz del narrador debería ser la de un hombre de más-menos 40 años. Deberá ser una voz varonil, profunda, grave. Nunca que lea en tono de declamación, o recitando, debe ser un poco cómo hablaba el poeta. Aquí dejo un video en el que se escucha la voz de Sabines cuándo leyó para su disco Voz Viva de la UNAM. y algo así deberá de ser la voz del narrador.