Rock Art

Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s.

Look to the shadowy corridor between chart-topping hits and the cryptic tales that lurk behind them in “Rock & Roll Nightmares: Blood On The Tracks.” This electrifying true crime tome peels back the curtain on the eerie nexus of melody and morbidity, guiding you through a chilling journey where the anthems of the airwaves meet their macabre muses.

Critiquing avant-garde rock bands from the 1960s to 2000, Bill Martin examines how social upheaval gave rise to this new form of musical expression. He covers early experimentation by artists such as James Brown; initiation into the mainstream and the resulting adaptations by the Beatles and the Who; and continues into the next era looking at how groups like Stereolab, Sonic Youth, Jim O’Rourke, and others continued to innovate.

Since this rock opera is based on my Baby Boomer generation, the war representing my father was of course WWII. Although my father fought in the South Pacific, this story is more symbolic by starring an American soldier in Europe. During this European theater of war, the soldiers socialized with the citizens of the countries they passed through and fought in. As a result, there were many babies born in Europe with an absent American father.

Gigmentia is a reflection on the raw, challenging, and gritty vocation of a blue-collar musician living in the Pacific Northwest, and the varied adventures of a hard working, day-in day-out rock band. Introspective, insightful, and eloquently observed, Michael B. Koep chronicles a summer season of fifty rock shows performed in small clubs, huge bars, and on outdoor festival stages, in barns, backyards, and the middle of the woods.

From the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviews by Liz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland and more.

The definitive, no-holds-barred oral history of 1990s alt-rock festival Lollapalooza―told by the musicians, roadies, and industry insiders who lived it. From the New York Times bestselling authors of Nothin’ But A Good Time.

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam.

For 15 years, the Philpotts have been getting under the skin of musical artistes. Picking up on glaring errors in their lyrics or sometimes getting completely the wrong end of the stick (perhaps to irritate things a little further), they totally misunderstand the meaning of "poetic license". Hundreds of missives have landed on the real and virtual doormats of musicians, worldwide. In return, these lyrical legends have exercised their right to reply, correcting and sometimes confirming the authors' summation of what went wrong...or right.

Seis músicos imprescindibles para comprender la compleja evolución de la historia del rock -Bowie, Cohen, Mercury, Cash, Harrison y Zevon-, en la medida que sus influyentes obras evidencian extraordinarias cualidades artísticas, tan originales como contrapuestas.

George B. Miller hat den Rock 'n' Roll dort erlernt, wo der Musikstil in den 1950er-Jahren mit Elvis ankam: in Bremerhaven. Als Sohn eines amerikanischen Soldaten und einer deutschen Mutter kam Miller dort 1947 zur Welt und wurde sogleich in die zweisprachige Welt der GIs mit Jazz, Soul und Rock 'n' Roll hineingezogen. Seine Karriere als Musiker begann schon 1959 als Cellist, 1964 machte er seine ersten Erfahrungen mit einer Rock-'n'-Roll-Band.

Se dice que detrás de cada gran hombre, hay una gran mujer ¿verdad? Bueno, también esa frase podría trasladarse al rock, un género que ha permitido que varios cantantes y compositores de fama mundial potencien la frase gracias a sus vínculos amorosos con mujeres que como Yoko Ono, Linda Eastman, Sharon Arden, entre otras, les han servido de guía e inspiración.

Cansados de la marginalidad y la falta de oportunidades de las grandes disqueras, un puñado significativo e importante de creativas bandas de rock como Sonic Youth, Placebo, Pixies, Primal Scream, the Hives, entre otras, se rebelaron contra el yugo asfixiante de la industria e iniciaron una carrera autónoma hacia el estrellato que puso de vuelta y media al mercado. Una auténtica revolución.

Conformado por músicos y bandas de primera línea como Yes, Pink Floyd, Genesis, Jethro Tull o King Crinsom, su aparición en la escena musical llevó al rock a los terrenos conceptualmente hablando, más prolíficos, barrocos y virtuosos como jamás se presenció. La espectacularidad y extensión de este género los hicieron, con justicia, los reyes de toda una década: La de los años 70.

Toda la estética multicolor y la irreverencia de un género que durante los años 70, marcó una época. Nacido para desafiar la sobriedad del rock progresivo y la seriedad o nihilismo de otros géneros, el movimiento comandado por Davie Bowie, T. Rex, Alice Cooper, Roxy Music y compañía, marcó una huella que aún hoy, nadie ha olvidado.

Sex, No Drugs & Rock'N'Roll: Memoirs of a Music Junkie is a "balls-to-the-wall" coming of age narrative explicitly told through the eyes of a musical "baby-boomer Holden Caulfield", simultaneously maturing with the country itself. From the 50s' innocent invulnerability following WWII, to the teenage years of rebellion and political unrest in the 60s, to the disillusionment and cynicism of the late 70s, sowing the seeds for the "me" generation to come. The dots connected in two universal languages: music and sex.

Everyone who knows music understands Ginger Baker was, and is, perhaps the greatest rock-jazz fusion drummer ever. Author Giuliano was close to both Ginger and Jack Bruce in the 1990s and presents us with the very best of his extended three-week daily interview sessions with Mr. Baker. Here, you will meet the real man behind the never-ending drum kit. Neither myth, legend, nor spurious gossip can ever equal the true measure of the man, and this tempestuous audiobook proves it once and for all.

Con la consueta maestria, Wilbur Smith racconta gli episodi più personali da cui hanno preso vita i suoi romanzi: dagli attacchi dei leoni agli incontri ravvicinati con feroci squali sulla barriera corallina, da quando si è perso nella savana senz'acqua o ha strisciato attraverso tunnel precari nelle miniere d'oro fino alla morte sfiorata durante un atterraggio d'emergenza su un Cessna, dalle terribili esperienze vissute a scuola fino alla rinascita attraverso la scrittura e l'amore.

The Pixies in Boston. Nirvana in Seattle. The Red Hot Chili Peppers in Los Angeles. While these alt-rock bands are world-renowned today, at the dawn of the '90s they were still largely defined by local music scenes. Before the mediation of MTV, VH1, or Apple Music, fans connected directly to alt-rock groups through word of mouth or via small local radio stations.

Will tiny Anton Stanton - guitar freak and champion ping-pong player - survive Smith Street Secondary College? Anton's pretty doubtful and so is Mr Barrington but heroes of all sizes can rock!