Rock Art

Acht bekannte deutsche Schriftsteller blicken in kleinen persönlichen Erinnerungsstücken und Feuilletons zurück auf die Zeit, als sich fast alles um Rock, Pop, Politik und Protest drehte...

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam.

An incisive portrait of a culture unanchored and adrift. In these pieces, veteran MTV commentator and rock journalist Kurt Loder turns his jaundiced eye and trenchant wit on the nature of celebrity as embodied by rock musicians and other pop culture icons. Ride along as Mick Jagger sheds his bad-boy image to embrace the jet-setter lifestyle; ponder the puzzling dichotomy between Prince's racy lyrics and self-proclaimed spirituality; and much more.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Esta desternillante antología de ensayos, reseñas, autopsias y semblanzas rescata del más inmisericorde de los olvidos algunas de las piezas más delirantes del impenitente grafómano y crítico por antonomasia del rock.

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century. His is a lifetime marked not only by good timing but by impeccable instincts - from the folk scene of Woodstock, to Hollywood’s rebellious film movement and beyond, Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground. The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

By the end of this audiobook, you will have found out just how much of a 90s music wizard you really are—and better yet, increased your knowledge even further so that any pub quiz team would be lucky to have you as their music round secret weapon!

Allen Klein was like no one the music industry had seen before. Though he became infamous for allegedly causing the Beatles’ breakup and robbing the Rolling Stones, the truth is both more complex and more fascinating. As the manager of the Stones and then the Beatles—not to mention Sam Cooke, Pete Townshend, Donovan, the Kinks, and numerous others—he taught young soon-to-be legends how to be businessmen as well as rock stars. While Klein made millions for his clients, he was as merciless with them as he was with anyone.

The story goes that under the influence of blues and rock and roll, Britain suddenly started making spectacularly great music in the 1960s like some clever, quick-learning cultural satellite of America. But Britain’s mid-20th-century pop music explosion didn’t happen from a standing start. The reasons, both dazzling and multifaceted, appear to lie deeper than those legendary deliveries of blues records to Liverpool’s port and the legacy of music halls.

The idea for Britain’s first female rock band, The Liverbirds, started one evening in 1962, when Mary McGlory, then age 16, saw The Beatles play live at The Cavern Club in Liverpool, the nightclub famously known as the “cradle of British pop music.” Then and there, she decided she was going to be just like them—and be the first girl to do it.

In more than 40 stories from the glory days of rock’n’roll, featuring Lou Reed, Elton John, Sting and The Clash, Allan Jones remembers a world that once was – one of dark excess and excitement, outrageous deeds and extraordinary talent, featuring legends at both the beginnings and ends of their careers.

Kerrang! has an unparalleled reputation as one of the world's best-loved rock-focused publications. It continues to be at the forefront of alternative music, flying the flag for metal, hardcore, punk and beyond, introducing millions to their new favorite bands. Anyone who's anyone in the metal scene has featured Kerrang's hallowed pages and this unique book chronicles these appearances. If it happened in metal, Kerrang! covered it, as confirmed in this year-by-year survey of alternative music.

Songs that sell the most copies become hits, but some of those hits become something more—iconic recordings that not only inspire a generation but also change the direction of music. In Anatomy of 55 More Songs, based on his column for the Wall Street Journal, music journalist and historian Marc Myers tells the story behind fifty-five rock, pop, R&B, country, and soul-gospel hits through intimate interviews with the artists who wrote and recorded them.

“What are the greatest rock albums of all-time?” Perhaps one of the more common questions examined between music-loving chums that has led to many a good-natured debate. But if you really dig deeper into the question...is it from the standpoint of the album’s importance in rock history? A classic release that proved significant to an artist’s career? Or perhaps merely a personal favorite, that you just can’t get enough of?

Breuer es una marca registrada en el rock nacional. Ha sabido crear, con los músicos más emblemáticos de la Argentina, el sonido característico de artistas y discos a los que su huella sonora les debe su personalidad. En este audiolibro se cuentan las historias de esas grabaciones, y también la de la industria discográfica argentina y los cambios que ésta atravesó en las últimas cinco décadas, más tips y datos para quien quiera profundizar acerca del sonido y sus secretos.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.

The 1960s were a time of huge transformation, sustained and amplified by the music of that era: Rock and Roll. During the 19th and 20th centuries visionary and esoteric spiritual traditions influenced first literature, then film. In the 1960s they entered the realm of popular music, catalyzing the ecstatic experiences that empowered a generation. Exploring how 1960s rock and roll music became a school of visionary art, Christopher Hill shows how music raised consciousness on both the individual and collective levels to bring about a transformation of the planet.

From behind the walls of a handful of well-hidden, unlikely recording studios in the Los Angeles area, legends-in-waiting created masterpiece albums. It was a time of astonishing creativity and unprecedented fame and fortune. It was also a time of unfettered excess that threatened to unravel everything along the way. With access that only a longtime music business insider can provide, Kent Hartman packs Goodnight, L.A. with never-before-told stories about the most prolific time and iconic place in rock 'n' roll history.