Rock Art

The Allman Brothers Band and Lynyrd Skynyrd helped usher in a new kind of southern music from Jacksonville, Florida. Together, they and fellow bands like Blackfoot, 38 Special, and Molly Hatchet would reset the course of '70s rock. Yet Jacksonville seemed an unlikely hotbed for a new musical movement. Michael FitzGerald blends eyewitness detail with in-depth history to tell the story of how the River City bred this generation of legendary musicians.

Sex, No Drugs & Rock'N'Roll: Memoirs of a Music Junkie is a "balls-to-the-wall" coming of age narrative explicitly told through the eyes of a musical "baby-boomer Holden Caulfield", simultaneously maturing with the country itself. From the 50s' innocent invulnerability following WWII, to the teenage years of rebellion and political unrest in the 60s, to the disillusionment and cynicism of the late 70s, sowing the seeds for the "me" generation to come. The dots connected in two universal languages: music and sex.

One of America’s finest historians shows us how Bob Dylan, one of the country’s greatest and most enduring artists, still surprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov­ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan’s work with the skills of an eminent American historian as well as the passion of a fan.

Simply stated, Kurt Cobain changed the cultural conversation in his all-too-brief life, and even after his shattering death. With interviews and commentary from all corners of the pop culture universe, from the people who knew Cobain to those who continue to help his legend grow, Here We Are Now explores what a singular life meant, and how that meaning can be measured, when and if it can be.

This isn't another boring book filled with confusing audio mumbo-jumbo. By providing the actual real-world techniques that professionals use every day, this book will give you the most effective tips for mixing heavy music that you can apply immediately to your own mixes.

It is 1965, and Swinging London is coming into its prime years. The streets are alive with mods and rockers, playboys and good-time girls, all revelling in the blossoming artistic, creative and cultural energies of the decade. Amid the colour and chaos is a boy sporting drainpipe jeans, an immaculately tailored sports coat and a half-inch wide tie. A devoted fan of The Who, he looks the part in his pristine mod gear. As the lead singer of the Lower Third, his talent is shaping itself into something truly special. His name is Davie Jones.

It's been years since we won the lawsuit against Sugar Hill Records. I am at a place in my life where I finally feel it is necessary to tell my story. Lord knows I am not getting any younger. Some may not like it, but the truth stands clear when everything else crumbles. My hope is to give you a visual of my group, the Funky 4 + 1 More's journey as young teenagers from the Bronx, New York. Teenagers who were young, inner city kids who broke barriers and became the Gladys Knight and the Pips of hip-hop.

The definitive, no-holds-barred oral history of 1990s alt-rock festival Lollapalooza―told by the musicians, roadies, and industry insiders who lived it. From the New York Times bestselling authors of Nothin’ But A Good Time.

As a young man, Richard Neer dreamed of landing a job at WNEW in New York - one of the revolutionary FM stations across the country that were changing the face of radio by rejecting strict formatting and letting disc jockeys play whatever they wanted. He felt that when he got there, he’d have made the big time. Little did he know he’d have shaped rock history as well. FM: The Rise and Fall of Rock Radio chronicles the birth, growth, and death of free-form rock-and-roll radio through the stories of the movement’s flagship stations.

The revealing backstory of the album with no name that spawned 'When the Levee Breaks', 'Black Dog,' 'Stairway to Heaven', and 'Rock 'n' Roll'. Four tracks each side; eight killers, no fillers. This is how they did it.

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

Since the late '70s, histories of rock music have either ignored or marginalized the progressive rock era. In part, this has occurred because rock music criticism has taken an almost completely sociological turn, with little or no interest in musical form itself. In Listening to the Future, Bill Martin argues that it is a musical and political mistake to ignore this period of tremendous creativity, a period that still finds resonance in rock music today.

In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than 40 years on.

Thirty years ago, Chuck Berry starred in the seminal music documentary Chuck Berry: Hail! Hail! Rock 'N' Roll, which profiled the legend during a star-studded concert celebrating his 60th birthday. Now comes the complete story behind one of America's most enduring and embattled icons. Compiled as an oral history by the film's producer, Stephanie Bennett, Johnny B. Bad combines interviews from the film's participants, including its music director - Keith Richards. These unique interviews and accounts paint a vivid and multifaceted picture of the artist.

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta.

Rock & Roll Nightmares, Volume 1 scratched the sinister surface with tales of the 27 Club, rock ‘n’ roll suicides, plane crashes, curses, and more. Now the award-winning series continues with concert mayhem, a look at the “baby groupie” trend of the 1970s, Satanic panic, horrific home invasions, musicians who’ve died on stage, rockers who lived on borrowed time, gun-toting music producers, deadly DJs, and much more.

Rock and Roll. For more than 60 years, it has been the soundtrack to our lives. Albums like Highway 61 Revisited, Born to Run, and Nevermind have helped us make sense of who we are. Not only that, the daring passion and bold visions of rock artists have shaken up social norms and even helped change the course of world politics. There've been some wild stories to go with this wild music. If you're eager to learn some of the crazy, random facts of rock, Rock Trivia Madness is the book for you!

In this new audiobook, broadcaster and music writer Alan Cross narrates the definitive history of The Sex Pistols. Cross succeeds once again in revealing the fascinating history behind the music in the same compelling way we've come to expect from his long broadcasting career.

Take a Walk on the Dark Side is the ultimate book for today's rock and roll fan: a fascinating compendium of facts, fictions, prophecies, premonitions, coincidences, hoaxes, doomsday scenarios, and other urban legends about some of the world's most beloved and mysterious pop icons. Updating, revising, and expanding on material from his cult classic Hellhounds on Their Trail, Patterson offers up a delectable feast of strange and occasionally frightening rock and roll tales.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.